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7 Best Florida Moments From The 2017 BET Hip Hop Awards

Florida legends in hip-hop made history at the 2017 BET Hip Hop Awards. 

The BET Hip Hop Awards' show in Miami was a night full of unforgettable moments that Florida rap fans will remember for years to come. Pioneers like Disco Rick and 2 Live Crew ignited the Miami bass movement in the late '80s, while controversial artists like Trick Daddy and Trina set a new standard for Florida-born hip-hop. Their groundbreaking efforts opened the floodgates for rappers from Rick Ross to Flo Rida and DJ Khaled — and the new generation of rhymers who champion Miami's distinct sound and exercise their First Amendment rights with their music.

Now, 35 years after 2 Live Crew’s inception, the 2017 BET Hip Hop Awards finally gave Uncle Luke and 2 Live Crew the respect and credit that they, and every other rapper, DJ and producer from Florida, have been demanding for decades. The good people at BET finally followed DJ Khaled’s advice from last year to bring the annual awards show from Atlanta to Miami Beach. The Grateful DJ reprised his role as host and made sure to give props to everyone in his city.

Eminem's powerful bars in "The Storm" freestyle definitely rocked the country, but they didn't take away from BET's noble intention of honoring Miami's pioneer in hip-hop, Uncle Luke, with the I Am Hip-Hop award, and Florida's permanent place in the rap game. Fans across the country tuned in to catch Migos, Yo Gotti and Playboi Carti show out in the 305 with outstanding performances, and to watch Cardi B win at life. In the end, they got to witness the power of Florida's rap scene

 

7. DJ Khaled reunited with T-Pain, Plies, Rick Ross and Trick Daddy for “I’m So Hood”

Back in 2007, no one could escape DJ Khaled’s second single, “I’m So Hood,” off his We the Best album. The Miami resident brought a squad of Florida's leading emcees together from all parts of the state to jump on the record. T-Pain held down the Panhandle, Plies controlled the West Side, Rick Ross rocked for Carol City, and the OG Trick Daddy repped Liberty City down to Florida City. "I'm So Hood" went on to become Khaled's highest charting song at the time.

The We the Best Music Group's founder opened the 2017 BET Hip Hop Awards by reuniting with his Florida brethren to perform that top-charting collaboration. It was the first time Khaled, Pain, Trick Daddy, Plies and Ricky Rozay had performed "I'm So Hood" on national television together in years, and they killed it like it just dropped yesterday. Watch the full performance here.

6. Cardi B finally met Asahd Khaled

There was a true moment of bliss between the future of Miami hip-hop and Cardi B that brightened the mood of the green carpet. Cheers from the press and numerous flashes from a squad of photographers erupted all at once the minute Cardi B arrived on the scene and followed her down the green carpet.

DJ Khaled was already at the end with little Asahd in his hands when they ran into the "Bodak Yellow" rapper. While Asahd bit on his little hands, Cardi reacted loud and proud when she met the youngest executive producer in the game. Now all they need to do is get in the studio and make more money moves.

5. Miami’s DJs did what they do best: run the show

With former 99 JAMZ mixer DJ Khaled as the host, the BET Hip Hop Awards called on other Miami DJs — the ones who grind harder than the average club DJ to push all of Dade County’s groundbreaking music into the streets. 103.5 The Beat’s own DJ Epps worked alongside Khaled to announce each guest. Meanwhile, the real master of ceremonies who set the vibes throughout the night was none other than DJ Nasty 305. The Pac Jam show host was in the mix for each break between awards and the lit performances.

4. Gucci Mane brought “LIV on Sundays” to primetime TV

The world-renowned club boasted about by Lil Wayne, Jeezy and others took the summer off to renovate for the first time ever, and made its return just in time for the BET Hip Hop Awards. During the show, Gucci Mane became the first rapper to perform from inside LIV on national television.

As bottle girls invaded all the VIP areas with sparkling bottles of champagne, Gucci performed his smash single “I Get the Bag” without Migos, who did their own performance of "Too Hotty" onstage at the Fillmore. There aren’t many people born in Miami who can say they’ve partied at the exclusive club inside the Fontainebleau Hotel. Now they can at least say they briefly witnessed the experience on national television.

3. Zoey Dollaz fired shots at Joe Budden in the first-ever 'Young Miami' Cypher

In 2008, Ace Hood became the first rapper from South Florida to jump into the BET Hip Hop Awards’ cyphers. Since then, the only other rapper to hold Miami down in the cyphers was Rick Ross, back in 2011. That all changed last night, when the ‘Young Miami’ cypher went down between Miami’s best-known young spitters: Zoey Dollaz, Denzel Curry, Ski Mask the Slump God and Ball Greezy. Although all four MCs killed it, Zoey Dollaz took it to another level by firing up a new beef after he said we should "never go Joe Budden."

“Jay told me never go Eric Benet,” rapped Zoey Dollaz. “I say never go Joe Budden, and lose a bad chick like Tahiry all on TV.”

The Slaughterhouse rapper was quick to post and delete his response that Zoey is "trash" from his Twitter timeline. Meanwhile, loyal fans who have seen each Miami native in the cypher develop from rookie MCs into hip-hop’s hottest commodities were overjoyed to see them rise to the top. The ‘Young Miami’ cypher gives every artist in Florida the motivation to do everything in his or her power to be worthy enough to freestyle at the BET Hip Hop Awards. Watch the full freestyle here.

2. Uncle Luke said the Hip Hop Awards couldn’t be in Miami without honoring him

Luther “Uncle Luke” Campbell helped build the foundation of Miami music with his controversial but influential catalog. Over the years, Luke has matured way past the drama of fighting with the Supreme Court to deem his music as free speech rather than “obscene.” The only headlines Luke wants to see and hear about are about his work in Miami-Dade County, especially Liberty City. As a businessman, community activist, author, radio host, artist and, most importantly, a coach, Luke feels that his time for such an honor from the hip-hop community is well overdue.

“It’s been a long time coming,” Luke told VIBE on the green carpet. “After 35 years in the game, it's finally my time. I guess they ran out [of] people. They gave it to Russell a few times, Lyor Cohen and Jimmy Iovine, so now they’re like, ‘F*ck it.’ Then they wanted to come to Miami, so they couldn’t do it without honoring me, but I am truly honored and humbled about this opportunity.”

This leads us to the most memorable moment of the night.

1. Rick Ross, Trick Daddy, Trina, Flo Rida and others paid homage to Uncle Luke and 2 Live Crew

It’s safe to say that no other awards show has shown as much love to Florida’s Miami bass movement than the BET Hip Hop Awards. After Luke received his I Am Hip Hop award, Disco Rick did the honors of bringing him back out to perform an epic tribute with a medley of his classics, with some help from Trick Daddy, Trina, Flo Rida and, of course, the OGs of 2 Live Crew. Luke got the party started in full Miami Hurricanes gear with a fleet of dancers as songs like “It’s Your Birthday” and “Hydrolics” echoed throughout the Fillmore.

Afterwards, “Me So Horny” came on, and 2 Live Crew’s original members Mr. Mixx and Brother Marquis made their surprise appearance. As the face of the late Fresh Kid Ice appeared in the background, the most controversial crew in Miami rap history spiritually came together on stage for the first time in more than a decade. That's when Rick Ross came out to perform his Luke-inspired smash single “Pop That,” and the stage transformed into a pop-up strip club complete with skilled exotic dancers. As if that wasn’t enough, Luke made everyone hop out of their seats when he closed out with “Doo Doo Brown.” He even went to the first row to personally bring up Cardi B to twerk to his original strip club anthem.

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Boomshots: The Unstoppable Rise Of Dre Island

"We rise to the top," Dre Island sings on "We Pray," his massive collab with Popcaan, "cause we know what it takes."

Building on that theme of musical and spiritual elevation, the multi-talented musician—singer, deejay, songwriter, producer, and pianist—has just released his debut album Now I Rise. The project features the aforementioned "We Pray" as well as crucial collaborations with the likes of Jesse Royal and Chronixx. "Ah mi family dem deh," says Dre Island, who has toured Europe backed by Chronixx's band Zincfence Redemption. A graduate of Kingston’s Calabar high school—alma mater of both Jr. Gong and Vybz Kartel—Andre Johnson aka Dre Island is a living link between the vaunted “roots revival” movement and the sound of the Jamaican streets.

“The revival is really within the people," he says. "Reggae music never stop. Reggae artists always been touring. So it’s just the people’s awareness.” During a time when reggae and dancehall stand at a crossroads, Dre Island has emerged as one of the few artists capable of bringing together dancehall vibes and the ancient roots traditions—not to mention outernational connections like "People" his collaboration with UK talents Cadenza and Jorja Smith. “An island is a small land mass surrounded by water,” the artist told Boomshots correspondent Reshma B in their first interview. “But if you read further it’s also a place where you go to find yourself.”

Released through a joint-venture partnership with New York-based DubShot Records and the artist's own Kingston Hills Entertainment imprint, Now I Rise is a 13-track set that includes the hit single “We Pray” featuring Popcaan, “My City,” as well as the recently released “Be Okay” feat Jesse Royal. Never-before-heard tracks include “Days of Stone” featuring Chronixx and “Run to Me” featuring Alandon as well as tracks produced by the likes of Jam2, Anju Blaxx, Teetimus, Winta James, Dretegs Music and Barkley Productions. The artist is now managed by Sharon Burke, founder of the Solid Agency in Kingston, Jamaica. Earlier this month, Dre Island premiered the official music video (directed by Fernando Hevetia) for the last song on the album, “Still Remain.”

“This album speaks of arising, growth, new beginnings and emerging from the ashes," Dre Island states. "At this time, these are all the things we need based on what is happening right now. The truth is, since 2015 I have been advertising that the album is coming. It has been five years and the time is right. As an artist and person Dre Island move different. I embrace Rasta and this way of life, but I am not part of any group like Boboshanti or Twelve Tribes. Everything I do is inspired by the father. I am moved to drop this album at this time because I am divinely inspired to do so. When you look at a song like “We Pray” I can take no credit for a song like that. Yes I wrote the lyrics and built the rhythm and I voice the track, but it's a prayer, not just a song so how a man fi tek credit for something that come from above.”

Dre Island and Boomshots have been linking up from early in his musical journey. During a recent trip to New York City, he sat down with Reshma B to speak about the new project and his unstoppable rise. Check the reasoning:

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Anuel AA Breaks Free

In 2015, an entourage of close to 30 men drew guns among one another during a traditional Christmas parranda in Puerto Rico. The scene turned into something straight out of a movie when a pair of gangsters clandestinely attempted to kidnap local rapper Anuel AA. After a brief scuffle and flagrant shouting match, however, the man born Emmanuel Gazmey Santiago went on to finish the evening’s holiday spree in the boisterous company of his loyal posse.

Months later, after ushering in the new year on a promising note by featuring on one of Latin trap’s first global hits – De La Ghetto’s sex anthem “La Ocasion” with Arcangel and Ozuna – someone delivered Anuel AA a divine premonition of sorts: “If you keep talking about this stuff in your songs, something really ugly is going to happen to you.”

A Puerto Rican music legend, Hector “El Father” of reggaeton-turned-son of God, paid Anuel a visit to share his foreboding message. “He and I did not know each other,” explained Anuel, who prides himself on waxing poetics about the real-life experiences Hector was concerned with, “but God spoke to him and Hector felt he needed to reach out to me. When he warned me, he said it with so much conviction that he even cried.”

Having forged a legacy of his own as one of the key trailblazing reggaeton entertainers of the ‘90s who later signed a deal with JAY-Z’s Roc-A-Fella Records, Hector – now a devoted Christian – understood life imitated art when it came to Anuel’s lyrics.

“My lyrics talked a lot about God and the devil, so when he told me that,” Anuel continued, “I knew I needed to make some changes. Those themes, good versus evil, they were my mark and what separated me from the rest.”

On April 3, 2016, just two weeks after meeting with Hector, Anuel was arrested and held in Guaynabo’s correctional institution on charges of illegal gun possession. Following his biggest musical break yet, just as he was touching the cusp of international stardom, a court judge sentenced Anuel to 30 months in federal prison without bail.

Raised east of San Juan, in the Puerto Rican city of Carolina, Anuel AA has a lot in common with many of my favorite MCs: he’s charming, resolute, and lyrically gifted, yet marred by a criminal past, complicit misogyny and the constant struggle between right and wrong. “I had no choice but to carry those weapons with me, because of the issues I had on the street,” the rapper said to VIBE Viva over the phone, while quarantined in Miami. “I thought to myself I’d rather be locked up than found dead.”

Indeed, Anuel had evaded his probable demise when he was nearly abducted and landed right behind bars months later, fulfilling a prophecy that cost him both his freedom and a flourishing start at the tipping point of trap music en Español. “I was being forced to reckon with all the bad things I had done for money in the past,” Anuel expressed, regretfully. “I started reading the Bible for the first time and realized that my talent and blessings came from God, not anywhere else.”

Anuel had begun to take music seriously around the same time his father, José Gazmey, was laid off from his coveted A&R position at Sony Music. With his back against the wall, a scrappy Anuel left home at 15 and began to engage in felonious activity to help provide for his family and finance his music endeavors.

Like many rappers on the island, Anuel was influenced by popular culture and trends on the mainland, most discernibly by contemporary trap. Anuel understood the genre’s synonymy with street life and the drug enterprise and immediately took to Messiah El Artista, a Dominican-American rapper VIBE profiled for championing Spanish-language trap music all over New York.

“I figured if Latin trap was doing well in New York, it was for sure going to pop in Puerto Rico,” said Anuel, who had signed with the Latino division of Rick Ross’ Maybach Music Group the year prior to his arrest. “I spent about a month in New York before I returned to Puerto Rico. Then I started to release all the songs I had, one by one, and they began to gain popularity.”

While artists like J. Balvin helped breathe new life into the reggaeton genre in Colombia, Anuel wanted to spearhead a movement in Puerto Rico with a sound all their own. “I recorded the ‘Esclava’ remix with Bryant Myers and it might not have taken off worldwide, but it became a huge trap song in Puerto Rico.”

Akin to the heydays of reggaeton, an Afro-Caribbean genre-fusing hip-hop and reggae that originated in Puerto Rico, trap music was considered lowbrow and was heavily criticized for its vulgarity, violence, and explicit lyrics. Puerto Rican critics and artists alike had very little faith in the music’s potential and therefore denounced it. “DJ Luian, who is like a brother to me, couldn’t understand why I wanted to put all my energy into music that none of our artists wanted to sing.”

“Reggaeton went dormant for years,” he continued. “It was necessary to make trap music, because it felt like reggaeton was stuck in another era.” A self-described student of the late and oft-controversial Tupac Shakur, Anuel thought reggaeton had reached its pinnacle and believed Latin trap would be its successor.

Songs like “Nunca Sapo,” where Anuel channels Rick Ross’ Teflon Don ethos and spits a grimy slow-tempo flow over a sinister 808-laden instrumental, helped put a face to Anuel’s little-known name in the US. On cuts like Farruko’s “Liberace,” Anuel speeds up his delivery for fun and plays on the “Versace” rhythm popularized by Migos, who all hail from Atlanta—the widely credited birthplace of trap music.

For Anuel, whose life mantra “real hasta la muerte” is now a famous hashtag, music aspirations had little to do with radio play. Anuel, 27, was largely concerned with dominating the digital space, especially while incarcerated. Despite his arrest, he continued to release music from behind prison walls while his team fed his massive following up-to-date content.

Hear This Music CEO, DJ Luian heeded what Anuel was trying to accomplish and began to work with Bad Bunny, the Latin Grammy-winning artist and star voice of the current Latin trap movement. “When I was locked up, Luian helped develop Bad Bunny and he basically became in charge of keeping trap alive while I was away,” said Anuel, who ironically came under fire recently and was accused of throwing shade at Bad Bunny for the video treatment of “Yo Perreo Sola,” in which the rapper-singer dresses in drag as a stance against toxic masculinity.

“I couldn’t believe something like this was going viral,” Anuel interrupted anxiously before I could expound on a question concerning their relationship. “It looked like it was something that was edited or put together to make my Instagram posts read that way. I immediately texted Bad Bunny about it and he was like, ‘Don’t worry, people are always going to be talking sh*t.’”

Anuel considers Bad Bunny a genius at what he does and maintains that despite not knowing each other very well, he and his fellow compatriot are friendly collaborators with a working rapport: “When he and I do a new song together, what will people say then?”

Today, the collective jury will reach a verdict upon listening to Anuel’s newly-released sophomore studio album Emmanuel, where fans will find a track titled “Hasta Que Dios Diga,” a sultry, mid-tempo reggaeton number. Fans can expect to hear a star-studded project riddled with guest features, including Tego Calderón, Daddy Yankee, Enrique Iglesias, J. Balvin, Ozuna, and Karol G, to name a few.

Discussing life during a global pandemic, Anuel spoke fondly of his partner-in-rhyme, Colombian singer-songwriter Karol G. “She’s the love of my life. She’s been there with me through the good and bad. People who really love you are the ones who stand firm by you when things are bleak. In my toughest moments, Karol was there. She’s shown me how to be a better man,” he gushed.

“Karol comes off as super feminine—which she is, but Karol also has a really tough masculine side,” Anuel laughed heartily on the other end of the line. “She rides motorcycles and likes taking them up these crazy hills. She rides jet skis too! She’s like a dude, haha. We work well together and we give each other advice all the time.”

The pair are making the most of quarantine life in South Florida, releasing a self-directed and self-shot music video for their joint single “Follow,” a reference to flirting over social media in the era of social-distancing, the idea that shooting one’s proverbial shot can lead to a budding romance.

On July 17, 2018, Anuel dropped his debut studio album, Real Hasta La Muerte, hours before he was released from jail. By September, the RIAA certified his introduction to the game platinum, garnering the attention of Roc Nation artist Meek Mill. When the Philly wordsmith released his fourth studio LP in November of the same year, followers were geeked to learn Anuel had earned himself a place on Meek’s highly anticipated Championships album with “Uptown Vibes.”

I always wanted you and anuel aa to make a track together bc i feel like he’s the meek mill of spanish trap , how was it working with him ?

— Nagga (@naggareports) December 17, 2018

“Recording with Meek Mill for me was like when Allen Iverson played with Michael Jordan for the first time,” Anuel said, singing praises about their first-ever partnership. “I’m a huge fan of Meek; when his music took off I was still in the streets, so I related and identified with a lot of the things he was saying.”

“Meek doesn’t understand a lick of Spanish,” he mused in jest, “but he’s always with a bunch of Latinos. When I speak to him he says, ‘I don’t know what you’re saying, but my Spanish [speaking] ni**as tell me you be talking that sh*t!’”

Anuel leveraged his knack for storytelling and released “3 de Abril” earlier this year, an emotional freestyle about the day he was arrested and a graphic snapshot of his trials and tribulations.

“I did things without caring about the consequences. I thought I was a man because I was street smart. Now I know what it’s like to lose everything, so I wanted to talk more about my life and the experiences of me and my family,” Anuel described the inspiration behind the song.

Following the release of “3 de Abril,” Anuel again turned hip-hop heads when he and Lil Pump shared a fiery audiovisual for their collaborative effort “Illuminati,” stamping Pump's first new song since summer 2019. This year, Anuel also has songs with Colombian pop empress Shakira (“Me Gusta”) and with the late Juice WRLD (“No Me Ames”).

Albeit Anuel and Juice WRLD never got to meet in person, Anuel learned about the Chicago rapper from listening to his singles on the radio in jail. “The same year I won Billboard Latin’s Artist of The Year award, Juice WRLD won New Artist at the American Billboard Awards. We ended up recording the song after that but held off on releasing it for a bit because he and I had respective singles coming out at the same time,” Anuel explained.

“By the time we were finally ready to premiere it, Juice WRLD had passed away. We were never able to record together in person, but at least we got to feature him on the video. I know the tribute gave his fans and family some needed strength.”

Less than 30 minutes have gone by and already I am forced to wrap my conversation with Boricua’s burgeoning superstar:

Anuel, explain “real hasta la muerte” for me. Why exactly is this mantra of yours so important? 

“I can’t betray anyone. I don’t know what it’s like to really betray someone. I’m very loyal to my circle, my family, and those I hold close to me. Being real is what keeps me humble. It doesn’t matter how much money I make or how much I accomplish. What’s critical is staying real to myself and keeping my feet on the ground. That’s what helps keep me going.”

This interview was translated from Spanish to English and has been edited and condensed for clarity.

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Exclusive: BBD's Mike Bivins And Ricky Bell Speak On Funk Fest 'Garage Concert Series' And George Floyd's Murder

The early '90s wouldn't be the same without Bell Biv DeVoe's style of hip-hop, smoothed out on the R&B tip with a pop feel appeal to it. Even as a stark departure sound and style-wise from their New Edition group days, BBD  literally ushered in a new tint to the already hot sounds of Teddy Riley's "New Jack Swing" of the mid to late '80s. Their universal party anthem single, "Poison," cures any wack wallflower growing jam and will forever be the barbeque favorite of your aunt and uncle to sprain an ankle to while dancing.

So today, May 28th at 9 pm EST on FunkFestTV.com, it's only right that the crew known as BBD brings that same energy to the comfort of our homes, with "The Garage Concert Series" during these quarantine times via a streaming deal with the 19-year-old urban music festival, Funk Fest. The series is billed as a jam session that comes to you with the flavor of a bare-bones home garage performance that gets to the organic feel of the music. Joining BBD in this landmark event will be recent Verzuz social media battle stars, Jagged Edge.

Tonight's festivities will be in honor of aiding those in need through the newly created charity by the trio named BBD Cares. This community initiative focuses on the seniors of Laurel Ridge Rehabilitation Care Center in Jamaica Plain, Massachusetts. Proceeds from the moderately priced pay-per-view performance will go to those impacted by the grip of Covid-19. "We’re proud to launch the Garage Concert Series and our BBD Cares effort to raise money and awareness during a time when our communities, our culture, and our society need healing," said Ricky Bell.

Both Mike Bivins and Bell spoke to R&B Spotlight founder, Cory Taylor for VIBE on ZOOM to detail the idea and plans for the Funk Fest and Garage Concert series, as well as expound on the turbulent times we are currently experiencing in society. While explaining how hard things are to bare, music being an outlet helps in healing and this digital event looks to continue to flourish in expanding that notion. “The Garage Concert Series, which we conceptualized and named after other culture-shifting brands like Amazon and Microsoft that started in their garage, is our contribution to the global community,” states Bivens.

Be sure to watch their interview with us and log on to FunkfFestTV.com at 9 pm EST for a blast to the past of good music for a great cause. Ronnie DeVoe sums it up best, “our goal is to continue to spread the love while raising money for those who are most in need.”

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