K. Michelle In Concert - Atlanta, Georgia
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For K. Michelle, ‘The People I Used To Know’ Is A Vocal Diary Where Anyone Can Become Her Muse

The Memphis singer takes us on a journey with her fourth studio album. 

K. Michelle is a trailblazer in her own right.

Before Cardi B became the biggest name to come out of Love & Hip Hop, Michelle laid the groundwork becoming the first in the LHHH franchise to successfully use the show to revive her career.

Now that she's reached album no. 4, the Memphis native is kicking off a self-proclaimed “new era” with, Kimberly: The People I Used to Know.

On Thursday (Nov. 30), Michelle invited a group of her “Rebels” to an intimate listening session at NeueHouse in Los Angeles, Calif. where she indulged in a track-by-track breakdown of the project which drops Friday (Dec. 8).  The songstress also went on the record about the insecurities that drove her to change her body, and shared the frustrations of being a black woman in the entertainment industry.

Her upcoming album, The People I Used to Know, is a nicely packaged vocal journal of love, sex, relationship moods, and more. On “Kim K” -- which is obviously named after the ubiquitous reality star but is far from a Kardashian diss record (despite the Blac Chyna shout out) -- Michelle speaks on cultural appropriation, feeling unaccepted by other black women at times, and being overlooked in the realm of mainstream artists.

“Black girl who's angry, media can't stand me," she sings on the track. "I may never get this Grammy, but I’mma feed my family.”

Like Kardashian, the 33-year-old singer knows a thing or two about flaunting her infamous curves, but her personal quest for a“perfect body” came with a hell of a price.

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While other celebrities might not be as forthcoming about the dangers of plastic surgery, Michelle had no problem coming clean about her butt enhancements and the struggle of getting them removed.

“I wanted an a** larger than my personality, and it became heavy. Very heavy,” she told the audience in explaining how the illegal butt injections continue to cause her health problems. “People really don’t talk about it. Like today alone, I had to be at the orthopedic surgeon. I’ve just been having health issues, all because I wanted something that God did not give me.”

“I wanted what was in, I wanted the trend. I wanted a big a** and a little waist,” she confessed. “That’ll make every ni**a want you, but that won’t make them stay.”

And the process of removing the “foreign objects” from her body has been tedious. “I did this sh*t in a hotel room and now I’m at the doctor,” she recalled of a passing thought that inspired the “Kim K” track. “And so I said, ‘I wish I could be a Kardashian so I could be black.’ Because they get to be black, I can’t be black. I can’t wear braids in the workplace. When I wear cornrows, I’m ‘ghetto.’"

Moments of said frustrations are entwined throughout The People I Used to Know, an album where anyone can become her muse. “Make This Song Cry,” for example, is a not-so-gentle reminder to her current boyfriend that she dropped all of her “h*es” for, while “Brain On Love,” penned by Priscilla Renea, is a dreamy ballad that Michelle intends on playing at her wedding (which fans will “get to see,” she teased).

The project also includes guest appearances from Chris Brown on “Either Way,” and Jeremih who joins her on “Takes Two.” And with each cut from the album, Michelle further showcases her ability to step outside of the box of what is expected of, and accepted from, an artist confined to R&B. On “Alert,” the album’s lead track, Michelle raps for the entire record, takes aim at "mumble" rappers and boasts: “I am K. Dot, last name not Lamar.” She merges back into a traditional R&B lane on “Crazy,” transforms into a jazz vocalist for “[I Should] F*ck Your Man,” and gets coquettish on the sexually altruistic, “Birthday.”

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But the star of the album is “God, Love, Sex & Drugs,” a song that Michelle described as being closest to her personality. The vocally robust track finds a safe space between the worlds of country and soul music, though it may be a little too unconventional for radio. When fans asked if she’d drop the track as a single, Michelle replied that the record would be too expensive and too risky to release, and better suited for an artist who has played by all of the “rules.”

Though it seems that Michelle feels like an outsider in an industry that she has worked hard to be accepted by, The People I Used to Know, adds another argument to why she deserves a seat at the table of mainstream artists.

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Solange's Performance Piece 'Witness!' To Premiere In September

Solange is the composer and director of a special performance piece titled "Witness!" The piece will be performed on September 17 at Elbphilharmonie in Hamburg, Germany.

"So excited to announce “Witness!” a special performance piece composed and directed by myself at the phenomenal @elbphilharmonie (photo’d here:)," she wrote on Instagram to accompany a photo of the event flyer, which features the picturesque venue. Tickets for the performance go on sale on May 31.

The Houston native is no stranger to elaborate stage productions and intricate, detail-driven performances. She's performed in places such as the Guggenheim and Marfa's Chinati Foundation, so we're sure "Witness!" will be one to remember.

Earlier this year, Solange dropped her performance slot at the Coachella Music and Arts Festival, citing "major production delays" as the cause for cancellation. "She sends her sincerest apologies, and looks forward to performing at Coachella in the future," the official Coachella Twitter page read.

The performance coincides with the release of her latest studio-album, When I Get Home. Check out her announcement below.


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so excited to announce “Witness!” a special performance piece composed and directed by myself at the phenomenal @elbphilharmonie (photo’d here:) tickets on sale friday may 31 🖤!

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YG Releases '4REAL 4REAL' Album Featuring Meek Mill, Tyga, And More

After a brief delay, YG’s fourth studio album, 4REAL 4REAL is finally here. The 14-track project arrived on Friday (May 24) and features guest appearances by Meek Mill, Tyga, Kamaiyah, DaBaby, and more.

The album's release date was initially suspended in light of Nipsey Hussle's untimely death in March 2019. YG included a song, entitled "My Last Words (Nipsey Hussle Tribute)." The track includes audio from YG's speech at Nip's memorial service.

Just hours ahead of the album's release, YG announced that he would be giving a percentage of his album sales to Nip's two children. "I’m giving his kids a percentage of every song on the album,” YG said in a recent interview on Big Boy's Neighborhood. “By the time they get 18, from me, they’re gonna have a bag sitting there.”

Stream 4Real 4Real below.

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YG To Give Percentage Of Album Sales To Nipsey Hussle's Children

YG is gearing up for the release of his new studio album, 4REAL 4REAL. Ahead of the album's Friday release, YG stopped by Big Boy's Neighborhood on Wednesday (May 23), where he discussed his friendship with Nipsey Hussle. He also revealed his plans to donate a percentage of his album sales to Nip's two children.

YG revealed his thoughtful plan when he was asked about the epitaph that is included on the album's cover art.  "I put that 'In Loving Memory of Nip' on the album because I'm giving his kids a percentage of every song on the album. So by the time they hit 18, from me, they gonna have a bag," YG explained. He also noted that he is considering making donations to the family for the next six albums.

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4REAL 4REAL was slated to drop earlier this year but was pushed back in light of Nipsey's untimely passing. It now drops this Friday (May 24).

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