20 Rap Albums That Should've Been Nominated For A Grammy

We looked back at some of 2017's best rap albums. 

Every year around this time, the music world gathers at the Annual Grammy Awards to highlight the most talented acts in music, making it one of the biggest dates on the calendar for your favorite artists and musicians. This year, the Grammys will take place at Madison Square Garden in New York City and is sure to be a memorable night for all in attendance --- and viewing at home --- as this year's ceremony comes after one of the more eventful years in music.

READ: What Cardi B Performing At The Grammys Means For ‘Regular, Shmegular’ Girls From The Bronx

Filled with numerous debuts, comebacks, and blockbuster releases, 2017's rap releases had storylines aplenty that kept listeners on their toes, especially in hip-hop. For one JAY-Z returned from a hiatus to release 4:44, one of the year's most significant bodies of work and one that is in contention for the coveted Album of the Year award --- his first nomination in the category. Kendrick Lamar, who many consider to be the current king of rap, also earned an Album of the Year nomination, for DAMN. --- his fourth studio album.

READ: 10 Voices Who Should Have Been Nominated For ‘Best New Artist’

Other big names from the hip-hop community that will be up for awards this coming Sunday (Jan 28) are Logic, Big Sean, Cardi B and GoldLink, but the one category that had rap fans talking is Best Rap Album, which includes one of the more formidable lineup of nominees in recent memory. While JAY-Z (4:44), Kendrick Lamar (DAMN.), Migos (Culture), Rapsody (Laila's Wisdom) and Tyler, the Creator (Flower Boy) are all deserving in their own right, we'd be remiss to say that their weren't a slew of other rap albums this year that were worthy of strong consideration and could've very well been included in the list of nominees.

READ: The State Of Today’s R&B According To The 2018 Grammy Nominations

Wit this in mind, Vibe highlights 20 rap albums released during the year of eligibility (October 1, 2016 to September 30, 2017) that got the infamous Grammy snub, but were among the best rap albums.

1. J. Cole - 4 Your Eyez Only

After spending two years off the radar following the release of his third studio album, 2014 Forest Hill Drive, J. Cole returned at the tail-end of 2016 with 4 Your Eyez Only, a body of work which may be Cole's most personal to date. Inspired by the death of a childhood friend, as well as his experiences of becoming a father, 4 Your Eyez Only was one of the more thoughtful albums of the past few years, with brilliant compositions like its title-track making it more than worthy of Grammy consideration.

2. Rick Ross - Rather You Than Me

Few rappers have been as consistent as Rick Ross has over the past decade, putting together a discography that is stocked with classic material and being an omnipresent figure in hip-hop. In March 2017, The Bawse dropped Rather You Than Me, his ninth studio album and one that reminds listeners of the MMG leader's prowess as an elite emcee. "Santorini Greece," "Game Ain't Based On Sympathy" and "Scientology," are just a handful of the gems on this high-powered long player.

3. Future - HNDRXX

The hardest working man in hip-hop this side of 2Pac and Lil Wayne, Future, has spent the past few years lapping the field with a steady stream of album releases, collaborative projects and mixtapes, and 2017 was no different. The Atlanta native made history as the first artist to debut at No. 1 with albums in consecutive weeks after releasing FUTURE and HNDRXX this in February 2017, with the latter of the two going on to be a critical and commercial success. Future delivers a collection of rap ballads with HNDRXX, a sonically rich affair with instant replay-value.

4. Logic - Everybody

Logic has emerged as one of the more promising young talents in rap and 2017 was the Maryland native's coming-out party. The rapper's third studio album, Everybody, would be his first to debut atop the Billboard charts, indicative of his growing fan base and reputation for releasing strong material. From blockbuster singles like the Alessia Cara and khalid assisted "1-800-273-8255," which earned the rapper a Grammy nomination for Song of the Year, to riveting deep cuts like "Confess" and "Anziety," Everybody had something for literally everyone and was one of the feel-good projects of 2017

5. Brother Ali - All the Beauty in This Whole Life

To deem Brother Ali underrated would be a bit an under-statement, as he's arguably been one of the more brilliant and cerebral scribes in all of hip-hop for quite some time now. After taking a lengthy hiatus, Brother Ali blessed fans with his latest long player, All the Beauty in This Whole Life, a body of work that runs the gamut of sociopolitical issues from various angles and vantage points. "Own Light (What Hearts Are For)," "Dear Black Son" and "Before They Called You White" are among the standout selections from All the Beauty in This Whole Life that makes it a noteworthy body of work.

6. Drake - More Life

After a monstrous 2016, Drake was relatively quiet throughout 2017, but did make major news with the release of his playlist project, More Life. Collaborating with and showcasing a slew of talent, Drake did what he does best, which is make hits, with cuts like "Passionfruit," "Portland" and "Fake Love" all finding their way into heavy rotation throughout the year.

7. GoldLink - At What Cost

One of the more pleasant surprises in rap this year was Washington D.C. native GoldLink's debut album, At What Cost, which was hailed a slice of life in the DMV in sonic form. In addition to the addictive hit single "Crew," At What Cost includes a number of album cuts that are steeped in the vibe of D.C., with GoldLink staying true to his surroundings throughout, from Go-Go inspired cuts to numerous references to the cities most cherished landmarks and locales.

8. A Tribe Called Quest - We Got It From Here

A noticeable snub rap fans took note of when looking at this year's Grammy nominations was that of A Tribe Called Quest's swan song We Got It from Here... Thank You 4 Your Service, the group's first album in nearly 20 years. Introducing their socially conscious brand of rap to a new generation while rekindling the connection between them and their core base, A Tribe Called Quest delivered with We Got It from Here... Thank You 4 Your Service, an album that closes the book on one of rap's legacy acts.

9. Dram - Big Baby DRAM

Since debuting in 2015 with the hit single "Cha Cha" and earning his first Top 5 Billboard hit with his Lil Yachty-assisted track "Broccoli," Virginia native DRAM has continued to make a name for himself as one of the more feel-good acts in rap. In 2016, DRAM liberated his debut album, Big Baby DRAM, which housed the standout cuts "Cute," "WiFi" featuring Erykah Badu, and "Monticello Ave," helping push the album to gold certification and critics to laud the Atlantic Records signee's talent and potential for greatness.

10. Meek Mill - DC4

With his back to the wall in the aftermath of his lyrical dust-up with Drake, Meek Mill had a lot to prove to those who counted him out and one of the first big steps he took towards repairing his image was his 2016 mixtape DC4. The tape would feature some of Meek Mill's more introspective songs to date ("Shine" and "Blue Notes"), as well as the standard offerings for the turn-up ("Litty" and "Offended) resulting in a balanced effort that shifted the momentum back in his favor.

11. Kid Cudi - Passion, Pain & Demon Slaying

Kid Cudi bounced back from a bout with depression in 2016 to end the year on a high note with the release of Passion, Pain & Demon Slaying, his sixth studio album. Released as a double disc album, Passion, Pain & Demon Slaying is steeped in Cudi's emotive overtones, with guest stars like Pharrell Williams, Andre 3000, Travis Scott, and Willow Smith all contributing to the proceedings, resulting in another conceptual masterpiece on the part of the Man on the Moon.

12. Roc Marciano - Rosebudd's Revenge

Venerable New York rhyme pugilist Roc Marciano returned after a three year absence with Rosebudd's Revenge, which showcases his knack for painting visceral pictures over dusty, sample-based production. Keeping the guests to a minimum and going for dolo over 13 of the album's 15 tracks, Roc Marciano tackles the brunt of the duties on Rosebudd's Revenge, one of the premier indie rap releases of the past year.

13. Jidenna - The Chief

Some may have underestimated him in the wake of his 2015 smash single "Classic Man" losing steam, but Jidenna silenced all naysayers when he rose to the occasion with his debut album, The Chief, this past February. Pairing rollicking offerings like the lead-single "Long Live The Chief" with more serene compositions like "Bambi" and "Adaora," Jidenna wields his versatility in spades on The Chief, an unsung release that exceeds expectations.

14. Joey Badass - All-Amerikkan Badass

Brooklyn phenom Joey Bada$$ has grown from a being touted as a teenage prodigy to a highly respected figure in hip-hop and among the more bankable acts in hip-hop due to a rabid fan base. In 2017, Joey Bada$$ took yet another leap with his sophomore album, All-Amerikkkan Bada$$, an album that took the country to task in light of the racism, bigotry and inequality that have become constant theme in recent times.

15. Vic Mensa - The Autobiography

In 2017, Chicago native and Roc Nation rapper Vic Mensa released The Autobiography, his long-awaited debut album and one that put the focus on the talented upstarts artistry. With an eclectic cast of costars and key solo cuts like "Didn't I (Say I Didn't)," "Memories on 47th St." and "The Fire Next Time, for new fans, The Autobiography serves as a fitting introduction into the mind of Mensa, while pleasing loyal disciples alike.

16. Vince Staples - Big Fish Theory

With his popularity at a fever pitch and regarded as a media darling, it was only right that west coaster Vince Staples took the next step in his career as an artist with an album that creates as much conversation as his hot takes. And that's exactly what he did with the release of his sophomore studio album, Big Fish Theory, a body of work that ranges from boisterous ("Big Fish" and "BagBak") to trippy ("Love Can Be..." and "Yeah Right") and thrusts the youngster even closer to superstardom.

17. Brockhampton - Self Titled

Collectives appear to be making a strong resurgence in rap as of late and one of the more promising crews to come to prominence in the past year is Cali-based group Brockhampton, who made a big splash with their Saturation trilogy. Of the three tapes in the series, it would be the second installment that would garner the most buzz and fanfare, with key selections like "Gummy" and "Queer" striking a chord with listeners and making them one of the more trendy acts of 2017.

18. XXXTentacion - 17

Controversy has plagued his career thus far, but in spite of his polarizing personality, XXXTentacion has proven to be the real deal. While allegations stemming from him being charged with false imprisonment, witness tampering and aggravated battery of a pregnant woman have given both critics and fans cause to pause, musically, he's been nothing but money, with his debut album, 17, being one of the more impressive projects of 2017.

19. Young Thug - Beautiful Thugger Girls

One rapper that was particularly active in 2017 was Young Thug, who unleashed a trio of projects and sustained his rep as one of the more entertaining and unpredictable artists in rap. Beautiful Thugger Girls, the rapper's only solo release this past year, was one of the more musically progressive albums of 2017, with Thugger laying down impassioned vocals over acoustic guitars and other live instrumentation.

20. Amine - Good for You

One rookie that caught a major buzz over the past year is Portland rep Amine, who scored a crossover hit with his single "Caroline," a quirky ditty that dominated radio throughout 2017. Dispelling any notions that he was a one-hit wonder, Amine unveiled his debut album, Good for You, this past July, impressing listeners with his tales of life as an average Joe striving for success while coping with matters of the heart.

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Saba's Rhymes Mean A Lot But John Walt Day Means More

“Act like ya’ll know, man. This a holiday,” boasted Frsh Waters, the co-founder of Chicago collective Pivot Gang and the opener of the second annual John Walt Day concert. It's Thanksgiving weekend and while families are gathered around the dinner table, lovers and supporters of Pivot Gang–comprised of Saba, MFn Melo, Waters, SqueakPIVO and a few more–filled the spaces of the city's Concord Music Hall to keep up a holiday tradition of their own.

With a newly-grown fro, Waters enters the stage with no introduction, a contrast from initial mic stand-clasping nervousness during the inaugural John Walt Day, launched at House of Blues Chicago in 2017. Walt Jr., the cousin of Saba, was killed last year and is the sole inspiration for the rapper's John Walt Foundation that brings the arts to children in the city.

The concert is a resounding tradition that his Pivot Gang brothers don’t plan to break anytime soon, with anticipation flooding the city each Thanksgiving weekend and a simultaneous celebration of Walt’s birthday on November 25th. The concert is just a piece of the loving puzzle Saba, Waters and the rest of the group created to keep his legacy alive.

With repeated crouching and soulful backing by Chicago band, The Oh’My’s, Waters regained balance after kneeling on an uneven speaker, referring to the crowd as "Church,” a christening that he echoes on the ending of "GPS" a feature from Saba’s well-received debut album Bucket List Project.


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Happy 26th @dinnerwithjohn Long Live my niqqa Johnny 📷 @bda.photo

A post shared by Westside Cat (@frshwaters) on Nov 25, 2018 at 11:37am PST

Saba may have dropped the stellar sophomore project, Care For Me this year, but the continuation of John Walt Day means more. Sold out for its second year in a row with 1,400 in attendance, Pivot Gang house-DJ Squeak Pivot blares "Scenario" by A Tribe Called Quest as the crowd multiplies before his booth. Avid fans gather in all creases of Concord Music Hall, especially on the second floor, where a merch stand resides exclusively for John Walt items. A haloed painting of Walt (or DinnerWithJohn as listeners knew him best), sits next to an assortment of buttons and t-shirts, as a guest brings a newly finished painting of Walt to the show.

Between sets, the crowd roared for cuts by Chicagoans Ravyn Lenae and Noname, who’s Room 25 track "Ace" is cut abruptly before MfnMelo takes the stage. With orchestration by Care For Me co-producer Dae Dae and harpist Yomi, Melo flowed through "Can’t Even Do It" and briefly spoke to the crowd about Thanksgiving, inviting attendees with leftover pies to meet him after the show.

Strutting to Ariana Grande's kiss-off anthem "thank u, next," The Plastics EP rapper Joseph Chilliams poses freely, cloaked in a light pink teddy bear coat. “I made this song because there aren’t a lot of black people [in Mean Girls]. I realized that the fourth time,” Chilliams joked before performing "Unfriendly Black Hotties."

Joined by four-year-old Snacks Pivot, John Walt’s mother Nachelle Pugh pinpoints her nephew’s curiosity of joining his older cousins Saba and Joseph Chilliams as their miniature hype-man.


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John Walt Day It didn’t even feel real, so much love in the room. For the encore they usually yell the artist name or one more song or something like that. But on this night they yelled “LONG LIVE JOHN WALT”. I wish this could be everyday. I wish I could play you this new shit we just did. I wish you were here. Love you @dinnerwithjohn look at this coat” lmao 💗💗💗💗 📸 by my shooter @notryan_gosling

A post shared by Joseph Chilliams (@josephchilliams) on Nov 26, 2018 at 3:29pm PST

“It’s like Walter jumped into his body and he’s coming back through this kid," she said of the toddler's enthusiasm. "He’s studied Saba, he’s studied Joseph, and he’ll say 'Auntie, can I use your phone?' So he’d use my phone and watch the boys’ videos on YouTube. Joseph is a person that the kids look at and say ‘He’s so fun,’ and [Snacks] wants to be like him. Everything that they do, [Snacks] is studying them.”

Pugh credits Young Chicago Authors for sparking her son’s musical pursuits, with guidance by poet Kevin Coval. “Kevin mentored him until the day he passed. I really love and respect someone that can just work with kids and give them a place to express themselves creatively,” Pugh said. “Working towards a goal of creating something that I know [Walt] wanted to do, and to help others in the same token, that gives me a sense of accomplishment.”

The stage then transformed into a resting kitchen with illuminating lights on the bottom of side-by-side counters, with Care for Me co-producers Dae Dae and Daoud behind their respective keyboards. Once settled, Saba rushed the stage to perform "Busy," with a special appearance by singer theMIND. The pulse of the venue throbbed as Saba took brief pauses to talk intimately to the crowd. “I lost a lot of people close to me,” he said. “A song like "Stoney" is such a celebration of life. It’s crazy to think how long ago that sh*t was. John was still alive.”

As Saba diverted into memories of Walt’s life, Nachelle recalled the album listening event for Care For Me. “Saba wouldn’t let me listen to it. He didn’t even tell me that he was working on it until it got really close [to the album’s release]," she said. "Then, he warned me about "Prom/King." I think he was thinking about letting me listen to it by myself at first, but then he thought about it like ‘Nah, I’m not gonna do that while she’s by herself, let me just let her listen to it while she’s with everybody else.’ That was an easier way to break it to me, so I wouldn’t really break down.”

Saba capered into "Prom/King," but performing the heart-tugging ode to Walt was a first, even after embarking on his 2018 Care For Me tour.

“I didn’t know he was gonna do that. I didn’t think that he’d ever be able to do that. I don’t think he thought he’d be able to do that,” Pugh explained. “I don’t know if anybody captured the expressions, but I think he was in tears and he was just fighting through it. We went through this fight together on the day we found out what happened with Walt. When he got finished, he sat down, turned around and he looked at me and I’m like 'We did it.'”

Even with "Prom/King" being the most grief-stricken track on Care For Me, Nachelle revealed that the most poignant song about her son was "Heaven All Around Me," realizing the message just months after the album’s release. “I was like, 'Walter wrote that song through Saba,' she said. "That’s the song that gets me the most off Care For Me. I don’t think [Saba] intentionally did so, but it just put so much power behind "Prom/King" because you see what happened. He told a story.”

The storytelling of Walt’s legacy was fulfilled throughout John Walt Day, from Joseph Chilliams doing a comedic, warbled rendition of "Ordinary People," Walt’s favorite song to play on the aux cord, to the entire Pivot Gang reuniting to perform their ensemble track "Blood" for the first time. Walt’s presence was unwavering, with remaining Pivot Gang members continuing to carry his eternal flame.

“This year’s show, the passion was a little bit stronger, because at the time we did last year’s show, I think we were all still in denial, like 'We’re gonna wake up from this dream’ type of thing.' Pugh said. “I think we accepted the fact that [Walt’s] not coming back. They wanted to go as hard as possible because they were doing this for him.”


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JOHN WALT DAY was so beautiful. We gotta find a bigger venue for next year. I made so many new friends. Pivot tape up next 💪🏽🔥

A post shared by Joseph Chilliams (@josephchilliams) on Dec 1, 2018 at 5:15pm PST

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15 R&B Songs We Obsessed Over Most In 2018

Hip-hop may have become the Nielsen Music-declared most dominant music genre, but let's not overlook the strides R&B (including all its many sub-genres and cousin genres) have taken on the airwaves and within the culture in this year alone.

While persistent naysayers keep peddling the tired argument that "R&B is dead," the most recent news cycle has proven the exact opposite, as talks of a supposed King of R&B dominated discussions both on- and offline. Jacquees' lofty declaration notwithstanding, there's no denying that there are ample songs swimming around the 'Net from talented vocalists killing it within the genre.

For those looking to satiate rhythm and blues earworms—and in no particular order—VIBE compiled a list of the 15 bonafide R&B songs of 2018 (or at least ones that fall within the genre's orbit) that pulled us into our feelings each and every time we pressed play.

READ MORE: Let Jacquees Tell It, He’s The Jodeci Of This R&B Game

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Ian Reid

Let Jacquees Tell It, He’s The Jodeci Of This R&B Game

Rodriquez Jacquees Broadnax doesn’t want to be the bad guy of R&B. He says this with a sinister, yet warm smile. With year-end debates taking over social circles, Jacquees wants all the flowers for his glowing debut, 4275. “I ain't never had a year like this, I got one of those careers and lives that keep going like this,” he says, as he raises his iced out wrist to draw his progression. “It keeps going up, my sh*t just keeps going up.”

At 24 years old, the singer knows a thing or two about the ever-changing genre. Nearly half of his life has been dedicated to music, specifically to quiet storm-like sounds that now take on new meaning in our adult love lives. He’s hibernated under the radar for some time with his 2014 debut EP 19 and released gentle falsettos and big name features with Chris Brown, Ty Dolla $ign and Trey Songz along the way.

But between his accolades, he’s been condemned for his favorable “Quemix” of Ella Mai’s “Trip” and now, his self-proclaimed status of “The King of R&B” for his generation.

"I just wanna let everybody know that I'm the king of R&B right now," Jacquees said in an Instagram post on Sunday (Dec. 9). "For this generation, I understand who done came and who done did that and that and that, but now it's my time. Jacquees, the king of R&B.”

R&B artists like J. Holiday and Pleasure P shared their two cents on the matter while the game’s most elite like Tank, Tyrese and Eric Bellinger dropping stacks of knowledge on the gift of consistency, respect, and talent. But Jacquees has these things and then some with legends like Jon B., Donell Jones and Jermaine Dupri in his corner. Despite quick reactions from his peers, Jacquees is confident in nature and proud of his space in the game.

“I think I'm the leader though, as far as males go, I think I'm the number one,” he tells VIBE, just days before his “King of R&B” comments went viral. “You're talking about R&B young dudes who understand who goin’ [at] it, [but] who are they going to put in the front? I believe everyone will say Jacquees.”

Jacquees’ music is just a branch of what R&B has evolved into. Over the years, artists like SZA, H.E.R., Daniel Caesar, The Internet, Miguel and many more have flipped the genre on its head by churning out music that not only speaks to the soul, but to their vocal abilities. Successful R&B records aren’t confined to rap guest verses and traditional instruments now take center stage. But Jacquees sits in an interesting space seeing as his style caters to a grey area of folks who just heard their first Monica album yesterday and now appreciate a good nayhoo like the rest of us.

With hopes to release his sophomore album in February 2019, Jacquees chats with VIBE about his confidence, making 7275 and why he’s the perfect leader for R&B today.


What have you learned about yourself as a human and an artist in 2018?


quees: This was my biggest year. I made the most money I’ve ever made. I dropped my album and was able to take care of my family. I ain’t never had a year like this and I thank God for that. I got one of those careers and lives that keep going like this, (slowly raises a hand to the ceiling) It keeps going up, my sh*t just keeps going up.

I think I learned about my whole self in 2018. Being that it was my biggest year, I went through a lot of stuff personally, but I think the biggest thing for me was listening to other people but also trusting myself. I have a strong mind so more of listening to myself helped.

Do you think you're the good guy or the bad guy in R&B?

Who do you think I am?

I think you’re a sweetie.

I don’t wanna be the bad guy, I’m a good guy. I’m easy to deal with. I’m a sweetie, but ain’t sh*t sweet though. (Laughs)

You have a lot of ‘90s and 2000s influence in your music. Do you ever feel you might sound dated, or do you think you’re bringing new sounds into the genre?

I just think I'm bringing a whole new sound. When I was younger, someone told me if you switch up what you’re doing, someone else is going to do it and you’re going to be pissed off. Just stick with it. When I was 14, everyone was telling me I needed to make club records but I didn’t want to do it. I remember CEOs saying, “Just let Jacquees do that [what he wants,]” because it’s a clock.

I figured out how to get my records at the club without changing who I was. I remember making “B.E.D.” and finding my flow on my project 19, you know? That’s when I got my swag.

What does love look like to you right now?

I think about a family. I think about me, a girl, a kid or something, like a whole family. One day I’m going to have it. I’ll still be in the game but I’ll say, “Yeah, that’s my wife over there with our son and daughter.” I'm getting older, too. I’ve been in the game for 10 years for real, but I’ll be 25 next year and soon they’ll be a little Jacquees.

There are a lot of layers in today’s R&B, especially in the mainstream resurgence it’s had. In that, there aren’t as many young male black vocalists being pushed to the forefront. I want to know your thoughts on where you exist in the genre today.

I think there's a big wave coming back right now because even if R&B didn't die down they weren’t promoting it that heavy. Artists were making songs, they just weren’t being acknowledged on a mainstream level. I think the game is really putting R&B back on top. You know, you’ve got artists like me, Tory [Lanez], Ella Mai, H.E.R., so many people, you know what I’m saying? Of course, you had Chris [Brown], Trey [Songz], all of them but that’s when we were in school. It’s a new time, ain’t no big male R&B singers.

I think I'm the leader though, as far as males go, I think I'm the number one. You're talking about R&B young dudes who understand who goin’ [at] it, [but] who are they going to put in the front? I believe everyone will say Jacquees. They’re not rugged like me. You’ve got Jodeci and Boyz II Men. I’m Jodeci, they’re all Boyz II Men. I’m street, they’re not street like me. You can hear it in their voice. There’s a difference.

It’s no disrespect to nobody because they’re all my friends, but I still wanna be number one. If we’re playing the game and I lose, I’ll be mad as hell but I’m still a good person. I just want to win.

As you should. Everyone wants to make the best music they can–

But I ain’t no hater either. The game is like a sport. The game is like high school. I remember being at this year’s BET Awards and seeing certain singers and thinking, ‘Oh, they’re seniors.’ I knew I was a freshman, but I saw Meek and all of them thought, “He’s a senior.’ You know how it is when you walk through school in the first year. Then the second you’re like, “I’m the ni**a now.”

When I did the Soul Train Awards in November, I felt like a sophomore that everybody knew. They knew me from my freshman year, but this time I’m playing varsity.

You’ve said before you want to do this for a long time–

Yeah, I want to make music forever and it’s my choice. I want to make enough money for me to turn down shows because now, I have to take everything I get. I always tell artists, you got this much time to make this much money. Because after that, sh*t’s closed. I've seen it happen.

For me, I know I got longevity in this game because I'm an R&B singer and a lot of R&B singers have longevity if you take care of yourself, you know what I'm saying? Even rappers, you know what I'm saying? You keep that flow going, don't do no lame sh*t, you know you’re stick around.

How do you take care of yourself?

You gotta take care of your health. That's number one. Your mind and your health is your biggest thing. Keeping good people around you...stay in good spirits with me. I like to keep good people around me. I like people around me [who] make me laugh. Smile, I don't really like people around me that I got to be like, “What's going on?” I just like people who are themselves.

Stream 4275 below.

READ MORE: Tyrese, Usher And Others Reacts To Jacquees' Claim That He's The King Of R&B

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