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'Avengers: Infinity War' Hits $1B Mark In Record Time

The mega-superhero mashup supplants 'Star Wars: The Force Awakens,' which achieved the global milestone in 12 days.

Disney's and Marvel's Avengers: Infinity War is crossing $1 billion at the worldwide box office faster than any film in history.

Directed by Anthony and Joe Russo, the superhero mashup will achieve the milestone Friday or early Saturday, its 10th and 11th day in release, respectively. That supplants the 12 days it took for fellow Disney title Star Wars: The Force Awakens to join the billion-dollar club. (The clock begins on the day a film opens overseas, which, in the case of Infinity War, was April 25.)

Infinity War finished Thursday with a worldwide total of $905.1 million, including $338.4 million in North America, where last weekend it eclipsed the December 2015 launch of Lucasfilms' Force Awakens ($248 million) to score the top domestic opening of all with $257.8 million.

The film's international total of $556.7 million through Thursday is all the more impressive for the fact that it doesn't set sail in China until May 11. It debuted in Russia on Thursday to $4.9 million, the biggest opening day of all time.

Infinity War becomes the 34th movie to cross $1 billion at the global box office, not accounting for inflation. The Disney empire lays claim to 17 of those titles, including six Marvel films (The AvengersAvengers: Age of UltronBlack PantherIron Man 3Captain America: Civil War and Infinity War).

Topping the list overall is Fox's Avatar ($2.788 billion), Paramount/Fox's Titanic ($2.187 billion) and Disney/Lucasfilm's Force Awakens ($2.068 billion). They are the only three films that have earned north of $2 billion, and all three were released over the year-end holidays. Universal's Jurassic World ($1.671 billion) and The Avengers ($1.518 billion), both released in summer like Infinity War, round out the top five.

Avengers: Infinity War has already outperformed a slew of superhero films. On Thursday, it surpassed the entire worldwide run of Spider-Man 3 ($890.9 million), Spider-Man: Homecoming ($880.2 million), Batman v. Superman: Dawn of Justice ($873.6 million) and Guardians of the Galaxy Vol. 2 ($863.8 million).

That's after passing up Thor: Ragnarok ($854M), Wonder Woman ($822M) and Spider-Man ($822M) on Wednesday, and Deadpool ($783M), Guardians of the Galaxy ($773M), The Amazing Spider-Man ($758M), X-Men: Days of Future Past ($748M) and Suicide Squad ($747M) on Tuesday.The other major Hollywood studios continue to hold off unfurling their big summer pics because of Infinity War. Instead, a trio of smaller films brave the waters at the domestic box office this weekend, where the Avengerstentpole will easily dominate with a sophomore outing in the $100 million to $125 million range.

Continue reading over on The Hollywood Reporter.

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‘Antebellum’ Star Janelle Monáe: ‘This World Owes Black Women So Much’

For us Black folk, the fight for social justice in America continues to be a long and arduous fight. Since the day our African ancestors set foot on this land, we’ve endured the chains and whips of systemic oppression and marched arm in arm for our civil and economic rights. Along the way, we’ve witnessed the senseless killing of our Black brothers and sisters at the hands of police brutality and white supremacy.

Let’s face it. Today, 400 odd years later and in the midst of an anxiety-inducing pandemic, being Black in America is still exhausting. Our Black brothers can’t go for an afternoon jog without running into the armed, confrontational, and self-appointed neighborhood watch. Or question their arrest before being handcuffed and forced to lie face-down, while gasping for air under the pressure of a police officer’s knee on their neck. The most disheartening of all is that our Black sisters can’t rest peacefully in their beds without trigger-happy police officers raiding their homes with a fatal shower of bullets.

The gut-punch of it all? Justice for Black bodies is far and in between. And the group less likely to see any form of justice? Black women. The women who’ve carried and birthed nations. The women who’ve fearlessly aided and led historic uprisings while fighting on the front lines to spark social change. In the upsetting case of Breonna Taylor, one of the officers responsible for her death has been indicted on “three counts of wanton endangerment” for endangering the lives of those in a neighboring apartment.

One activist who has been vocal about the lives of Black people in America is eight-time Grammy award-nominated artist Janelle Monáe.

“I feel like this world owes Black women so much. At the very least, it owes us peace...I have to actively fight for my own peace,” shared the actress in a recent sit-down with VIBE correspondent Jazzie Belle. “It's tough, especially when you see your brothers and sisters, that look like you being murdered and killed, all you can really feel is rage. And when that festers in you, it's hard to shake it. It's hard for me to unwatch the videos I watched of Sandra Bland, of Trayvon Martin, of Jacob Blake, thinking about Breonna Taylor, it's difficult. So, you have to actively fight. I have to actively fight for my own peace.”

In the newly released thriller Antebellum, Monáe plays Veronica Henley, a best-selling author and outspoken sociologist. After speaking on the marginalization of Black people in America at an event in New Orleans, Veronica wakes up as Eden, an enslaved woman working on a Louisiana plantation in a Civil War era. As Veronica experiences the past life of slavery, she (Eden) finds her strength and voice to plan and lead fellow slaves to freedom. Even if she fails over and over again.

“I used to say, ‘Black women are superheroes.’ That's not what I say at all. It's not our job to be superhuman. It's not our job to clean up systemic racism or dismantle them,” pointed out Monáe.

“This film [Antebellum] is a look at what it is like for a Black woman to carry the burden of dismantling and deconstructing white supremacy every single day. We persevere through it. We are triumphant, but we shouldn't have to carry that emotional labor and that heaviness every single day.”

This same weight of responsibility can be seen in today’s oftentimes women-led social movements and calls to action in the streets of America. You can see how it’s cinematically embedded as a theme in the twisted Gerard Bush and Christopher Renz co-directed film. But there’s one thing that must take precedence during any physically and mentally demanding mission for change: rest. And those of us protesting for equality should have loved ones around to serve as a reminder of joy and lightheartedness. For self-care is an underrated superpower.

“I think that it's important to surround yourself around people that if you are doing heavy lifting, if you're out there on the front line, if you’re just having a difficult time, [you can] go watch some comedy films,” encouraged Monáe. “Just be around people that make you laugh. That's really important. I think laughter is something that we can do a lot more of together.”

Watch the full interview with Janelle Monáe above. Also, catch our chat with Antebellum's co-directors Bush and Renz where they talk about how one nightmare inspired the film’s premise.

Antebellum, co-starring Gabourey Sidibe, Kiersey Clemons, and more, is available now on premium video-on-demand platforms.

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The Game Reboot Lands At Paramount+ Streaming Service

A revival of the BET’s The Game is officially in development under the ViacomCBS digital subscription streaming service Paramount+, which was originally branded as CBS All Access.

The series reboot was announced on Tuesday (Sept. 15), along with a list of original and rebooted shows headed for the streaming outlet which includes a limited series chronicling the making of The Godfather, a new edition of VH1’s Behind the Music, and the true crime docuseries, The Real Criminal Minds. The programming will join CBS All Access’ list of more than 20,000 episodes and movies across BET, MTV, CBS, Comedy Central, Paramount Pictures, Nickelodeon, and more.

Although no details have been released about The Game revival, the series will fall under BET’s Paramount+ programming from CBS Television Studios and Garment Productions. It’s unclear if any of the show's original cast members like, Tia Mowry, Pooch Hall, and Wendy Raquel Robinson, will be involved in the new installment.

The hit sports series was created by Mara Brock Akil, as a spinoff of her other hit sitcom, Girlfriends. Akil recently inked an overall deal with Netflix to develop new projects for the streamer. The company also acquired the rights to Girlfriends, Sister, Sister, Moesha, and The Parkers.

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50 Cent Developing Starz Series About Beef With The Game

Add a couple more credits to 50 Cent’s long list of TV projects. The rapper-turned-TV-producer inked a deal to develop two new series for Starz, one of which will explore his feud with The Game, the cable network announced on Monday (Sept. 14).

The seasonal anthology series tentatively titled, Moment in Time: The Massacre, chronicles “true stories in which iconic hip hop moments collided with the sensational and sometimes criminal events behind the scenes.” Season one focuses on the beef between Fif and Game that “led to an all-street war, pitting G-Unit against music impresario Jimmy Henchman.”

Henchman, The Game’s former manager, is currently serving life for the murder-for-hire of a G-Unit affiliate. Moment in Time will be written and executive produced by Abdul William, who penned The Bobby Brown Story, The New Edition Story, Lottery Ticket, and Lifetime’s forthcoming Salt-N-Pepa mini series.

Inspired by the life of sports agent and attorney Nicole Lynn, who serves as executive producer, the second series follows a Black female sports agent’s rise up the ranks in the male dominated industry of sports agents. Tash Grey will produce the series and pen the script. Grey’s notable credits include the Power spinoff Raising Kanan, Snowfall, P-Valley, and the true-crime drama, Unsolved: The Murders of Tupac and Notorious B.I.G.

Both series will be executive produced by 50 Cent and his G-Unit Film & Television imprint.

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