2007 NCLR ALMA Awards - Show
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Questlove Will Curate 'Symphonic Celebration of Prince' Tour

The tour will kick off in Sept. 2018. 

Questlove has some major plans in store for this fall season. The artist is reportedly gearing up to curate a national tribute tour for Prince. The tour, which is officially called 4U: A Symphonic Celebration of Prince, will reportedly feature live band and vocal performances of the icon's greatest hits.

The tour will reportedly kick off on Sept. 6, at the State Theatre in New Brunswick, New Jersey. It will also make stops in major cities including Dallas, Chicago, Washington DC, Atlanta, and Orlando, before concluding on Oct. 21, at the Arvest Bank Theatre in Kansas City, Missouri.

4U: A Symphonic Celebration of Prince will be produced by Live Nation and has reportedly gotten approval from the singer's estate. Prince estate will reportedly provide archived photos and videos for the shows. This is the first major tour the estate has approved. Prior to this schedule, they had been quite selective. The only events regarding Prince's music and legacy were reportedly hosted at Paisley Park.

The full list of performers has not been announced at this time. You can check out the tour dates below, and stay tuned for more updates.

September 6 – New Brunswick, NJ @ State Theatre September 8 – Washington, DC @ Wolftrap
September 9 – Richmond, VA @ Altria Theatre
September 11 – Norfolk, VA @ Chrysler Hall
September 12 – Charlotte, NC @ Metro Credit Union Amphitheatre
September 13 – Raleigh, NC @ Red Hat Amphitheatre
September 14 – Asheville, NC @ Cellular Center
September 15 – Atlanta, GA @ Verizon Amphitheatre
September 19 – Buffalo, NY @ Buffalo Center for the Arts
September 20 – Brooklyn, NY @ Kings Theatre
September 21 – Binghamton, NY @ Anderson Center
September 22 – Lynn, MA @ Lynn Memorial Hall
September 24 – Cincinnati, OH @ Taft Theatre
September 25 – Columbus, OH @ Ohio Theatre
September 26 – Nashville, TN @ Jackson Hall (TPAC)
September 27 – Nashville, TN @ Jackson Hall (TPAC)
September 28 – Detroit, MI @ Fox Theatre
September 29 – Cleveland, OH @ State Theatre
September 30 – Chicago, IL @ Chicago Theatre
October 2 – Huntsville, AL @ Von Braun Center
October 3 – Gainesville, FL @ O'Connell Center
October 4 – Ft. Lauderdale, FL @ Broward Center
October 5 – Tampa, FL @ Sun Dome
October 6 – Jacksonville, FL @ Florida Theatre
October 7 – Orlando, FL @ Dr. Phillips Center
October 10 – Grand Rapids, MI @ 20 Monroe
October 11 – Milwaukee, WI @ Riverside Theatre
October 12 – Louisville, KY @ The Palace
October 13 – Indianapolis, IN @ Murat Theatre
October 14 – St. Louis, MO @ Fox Theatre
October 16 – Midland, TX @ Wagner Noel
October 17 – Dallas, TX @ Music Factory
October 18 – Houston, TX @ Smart Financial Centre
October 19 – San Antonio, TX @ Majestic Theater
October 21 – Kansas City, MO @ Arvest Bank Theatre at The Midland

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Judge Sides With Nicki Minaj In Tracy Chapman Court Battle

A judge has sided with Nicki Minaj in her legal dispute with Tracy Chapman. U.S. District Judge Virginia A. Phillips ruled that Minaj’s song “Sorry” falls under the “fair use” and not copyright infringement as Chapman claimed, Variety reports.

Minaj was reportedly unaware that her song, “Sorry,” featured lyrics and a bit of the melody from Chapman’s 1988 track, “Baby Can I Hold You” when it was recorded. She  reached out to Chapman to get permission to use the song but was ultimately turned down. Since she couldn't get legal clearance, the track never made it to the Queen album, but Chapman’s attorneys accused Minaj of leaking the track to Funkmaster Flex. Although Minaj confirmed sending Flex an Instagram message about the song, she denies actually sending it. “I had a change of heart,” she later testified. “I never sent the recording.”

Flex said that he obtained the recording from a “blogger,” not Minaj.

In her decision, Judge Phillips reportedly noted that artists tend to “experiment” with music before they attempt to get proper licensing.

“Artists usually experiment with works before seeking licenses from rights holders and rights holders typically ask to see a proposed work before approving a license,” the judge wrote. “A ruling uprooting these common practices would limit creativity and stifle innovation within the music industry.”

Despite the ruling, the question remains over whether or not Minaj should be held liable for the song being leaked. Last month, Minaj’s attorneys filed court papers requesting that Chapman’s motion for a summary judgment be denied in full.

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Big Sean Debuts ‘Deep Reverence’ Feat. Nipsey Hussle

Big Sean delivered his collaboration with Nipsey Hustle “Deep Reverence” on Monday (Aug. 24). The 32-year-old rapper decided to drop the song after  finishing up his highly anticipated Detroit 2 album due out next week.

“My heart and my gut was saying not only do people deserve that song right now,”  Sean tweeted on Tuesday (Aug. 25). “I felt like hearing nips [sic] voice, his presence and the energy of the song itself was needed and deserved it’s own moment!”

A snippet of the song debuted during Hit-Boy and Boi1da's Verzuz battle in April. Sean said that he has wanted to release the song ever since then.

“My label (a few people there, not the whole label) thought it wasn’t smart to put this song out ahead of my album, they told my team I should hold on to it...they still supported my decision in the end tho [sic],” he explained in another tweet.

The record opens with a clever and poignant verse from Nipsey. “F*ck rap I’m a street legend, block love me with a deep reverence,” he raps. “I was birthed in a C-section/Hella cops and police presence, we got opps so we keep weapons. We on y’all block while y’all eat breakfast. A lot of shots, we broke street records. Watch how you talk, I got reflexes.”

 

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Rest In Power bro! The World miss you n need to hear your voice! DEEP REVERENCE OUT NOW 🏁💙🙏🏾 Prod by. @hitboy & @g.ryomo

A post shared by BIGSEAN (@bigsean) on Aug 24, 2020 at 9:07pm PDT

On Sean’s verse, he reveals that he reached out to Kendrick Lamar after Nipsey was killed and addresses the alleged beef between him and the Compton MC. Fans also believe that he hinted at  Jhené Aiko suffering a miscarriage. “Should be a billionaire based on the time off I’m not takin,’” raps Sean. “Probably why the sh*t with me got crazy and we lost a baby.”

Detroit 2 is executive produced by Hit-Boy, Sean and Kanye West. The album drops on Sept. 4.

Listen to “Deep Reverence” below.

 

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My fifth album #Detroit2 September 4th 🌎✊🏾🌹🖤 🌟 🙏🏾

A post shared by BIGSEAN (@bigsean) on Aug 24, 2020 at 11:15am PDT

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Listen To Brandy's Highly Anticipated ‘B7’ Album

Brandy’s new album, B7, arrived on Friday (July 31). Led by the single “Baby Mama,” the 15-track album about love, heartbreak and growth, includes appearances from  Chance the Rapper, Daniel Caeser, and Brandy's teenage daughter, Sy'rai Smith, who joins her mother on the track “High Heels.”

Along with the new album -- her first since 2012 -- Brandy debuted the music video for her latest single, “Borderline.”

“I spilled so much of my heart on this album,” she proudly told fans during a listening party on YouTube on Thursday (July 30).

In a more sobering moment from the virtual party, Brandy opened up about the death of her friend and producer, Lashawn Daniels. “It feels very strange although I’m excited and grateful to have the music out, it’s just hard not having him here to hear the complete project,” she said.

“But I take him with me wherever I go. I know everything he ever said to me, ever taught me, and what he told me, I can hold onto that. If I ever feel down about my gift there’s a few things that he told me to remind me that I have no reason to feel down at all.”

Speaking with Billboard, the Grammy winner discussed the importance of Black female R&B artists sharing content, especially during these turbulent times.

“I believe that music heals. Music is the language that we all speak. It is what we all need, and I feel like we need it more now than we ever have,” she explained. “This is the year where we all need to feel like we have something to get us through. ... I was a little hesitant with putting out music in this time because, of course, you want to speak to the times. And I'm thinking, ‘My music is not about exactly what's going on right now.’ But then I thought, ‘But this is the time where people need to feel like they have something to just escape and just help them heal.’ ...that's what made me feel better about releasing [the album].

“And I think that we don’t want to feel alone,” added Brandy. “We need to feel community, we need to feel togetherness, we need to feel love right now. And I think music is the best way to feel that. It’s the shortcut to feeling that right away.”

Stream B7 below.

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