Boots-Riley-Sorry-To-Bother-You-Vibe-2018
Getty Images

No Spoiler: Boots Riley Explains ‘Sorry To Bother You’s’ Wild Ending

Some people were like, "That's a step too far. You had me until that."

There are many messages in Boots Riley's directorial debut Sorry To Bother You but don't expect to grasp them all on a first watch. Paired with Lakeith Stanfield's standout performance, the film leaves just enough room for audiences to react to the film's insane ending, which is what Riley wanted all along.

Without giving away the film's ending, Riley spoke with The Ringer Monday (July 9) about his intentions with the film. Per the trailer, STBY tells the story of Cassius (Lakeith Stanfield) and his journey into telemarketing. Topics of code-switching, capitalism, and racism come into play throughout Riley's vibrant cinematic approach.

The rapper turned director explained his style of absurdist comedy. "There are so many things that are going on in this movie that happen partially, to keep [the] momentum going for something else," he said. "There are details within details. By doing that, I'm able to make you ready for anything."

The film came to fruition in 2012 and with the help of programs like the Sundance Institute, Riley was able to bring his vision to life. Riley says many were hesitant to stand behind the movie due to the very jaw-dropping ending.

Some people were like, "That's a step too far. You had me until that," he said. "I knew that I was doing something different enough to where some people weren't going to go for it. It's a game of stone and suit. You make a story where only you can tell it. There was no part of this that says, 'This is close to that let's make it like that.'

After the film was released to limited audiences last week, Riley believes moviegoers have a good understanding of the ending.

"It's been getting the reaction that I hoped for," he said. "I didn't just want to show my character going through an emotional change. I wanted to take the audience, give them an experience right then that felt similar to those emotional exchange that comes when you're exposed to new ideas and see the world differently."

Don't expect to catch all of the messages in the film. Riley broke down how the film should be digested as art.

"What is Toni Morrison's Song of Solomon trying to say? What is Salman Rushdie's Midnight's Children trying to say? They're saying a lot of things," he added.

"If I made a song or a movie with one thing to say, shoot me. I would've just wasted your time and mine. The whole thing is art. I think that people got everything I wanted to say. My movie isn't saying, 'Speak your mind and everything will be fixed.' It handles that subject but says something different from what we're hearing."

Sorry to Bother You arrives in theaters nationwide Friday, July 13. Check out the trailer below and the full interview here.

READ MORE: Lakeith Stanfield Responds To Homophobic Freestyle Backlash

From the Web

More on Vibe

Mike Powell /Allsport

HBO Releases 'Leaving Neverland' Trailer And March Premiere Date

Since the reveal of a contentious documentary on Michael Jackson was announced, the conversation surrounding HBO's upcoming project has continued to increase. Now, the powerhouse cable network unveiled the Leaving Neverland trailer which depicts the recollections of two men who were reportedly sexually abused when they were boys by Jackson.

Within the trailer, James Safechuck and Wade Robson discuss certain moments that they held as secrets for decades. "He told me if they ever found out what we were doing, he and I would go to jail for the rest of our lives," Wade says in the visual. The Dan Reed-directed film also features interviews with the two men's families and significant others.

In response to the doc's Sundance premiere, Jackson's family issued a statement calling out the reel's developers. "The creators of this film were not interested in the truth," the family's statement reads. "They never interviewed a single solitary soul who knew Michael except the two perjurers and their families. That is not journalism, and it's not fair, yet the media are perpetuating these stories."

Watch the trailer below ahead of its two-night premiere on March 3-4.

Continue Reading
Don Cheadle as Mo in 'Black Monday,' Episode 4 ("295")
Erin Simkin/SHOWTIME

'Black Monday' Recap: Mo Feels The Weight Of Playing God

Another week, another dive into Black Monday. In this week's episode, “295,” Mo tries to salvage his plan to get the Georgina company’s shares after Blair and Tiffany Georgina’s surprise breakup in the previous episode threw a wrench in that plan. By the end of this week’s episode, Mo gets what he wants but it doesn’t go as planned. Don Cheadle told VIBE that Black Monday was “insane...in a good way,” and this episode shows just that, starting with Mo’s God complex.

Stop Trying To Be God

You need a certain cocktail of self-aggrandization and delusions of grandeur to walk around with a God complex. Mo has that cocktail coursing through his veins. The entire episode revolves around Mo’s attempt to control the actions of humans by placing them in certain situations he is sure will yield his desired results. Only someone blinded by their obsession with being right wouldn’t see having to fix a “foolproof” plan makes him a fool.

The writing expertly showed that when you play God your creation is your reflection, especially in the tense scene at Mo’s dining room table with Blair and Dawn. He turned Blair into a cocaine-addicted party animal to show him how empty life is without having someone you love. Then, in one scene, Dawn exposed how all Mo did was build Blair in his image without realizing that part of his plan was to inadvertently show Blair just how miserable Mo really lives.

Even ostensibly innocuous details carry a huge emotional weight thanks to Black Monday’s writing and Cheadle’s consistently engaging performance. The writers literally had Mo on the outside looking in at forces out of his control at the end of the episode when he’s looking into the bar. It’s at this climactic moment of the show that Mo realizes his own mortality by getting what he wants but missing out on what he knows he needs.

It’s also at this moment that the show’s most boring lead character grew into someone worth watching.

Blair Is Here

For the first three episodes, Blair was as interesting as paint on the wall; always in front of your face but in the back of your mind. Before a single character utters a word in this episode, Blair is chain-smoking cigarettes, snorting coke and dressed like a Saturday Night Fever extra. He died “for a song and a half” and was electroshocked back to life, all in the first minute of the new episode. Blair has finally joined the Black Monday party and the show is better for it.

Mo molding Blair into his image allowed Blair to tap into a new level of confidence.  Blair’s exchange with Dawn about the implicit racism and sexism in 1980s films like Teen Wolf was rewind-worthy hilarious and ends with Blair remarking, “My favorite line from the movie is, ‘I’m not a f*g, I’m a werewolf. Oh, Michael J,” easily one of the funniest 1980s critiques on a show full of them.

The episode also entangled Blair in the show’s first love triangle, ensuring that Blair’s character growth is probably not done. With Blair now being compelling, following Dawn and Keith’s character-defining performances in the previous episode, Black Monday has set up its four most accomplished actors to be able to carry entire story arcs without relying on each other. But, the Black Monday world got bigger than those four in this week’s episode.

The Wall Street Mythology

There’s not enough time in a 30-minute episode to flesh out every character’s backstory and fully formed personality. The most surprisingly funny part of episode “295” was the story arc of Jammer Group traders Keith and Yassir (Yassir Lester) trying to stop Wayne (Horatio Sanz) from completing a “The LaGuardia Spread”. The arc showed that Black Monday has an ingenious way of speeding up character development: mythologize Wall Street.

On Black Monday, “The LaGuardia Spread” is when a trader takes a huge position on a stock, goes to LaGuardia Airport and waits to see if they made a huge profit or debilitating loss. If you guess right, you come home. If you guess wrong, “you don’t come home ever. You get on a plane and you f**king disappear,” according to a frantic Keith. Wayne was nothing more than a bumbling joke punchline of a trader before this episode. In only a few minutes of screentime we find out Wayne slept with his wife’s sister, has some weird dislike for The Howard Stern Show’s weekly guest Jackie Martling, and is so money hungry that he’d be giddy at the news of a mad cows disease epidemic and it’s positive effect on his “LaGuardia Spread” trade.

A similar result happened before on Black Monday. In the series premiere, the Lehman twins (Ken Marino) laid out the Georgina Play, the foundation of Mo’s plans to get all the shares from the Georgina company from Blair after he marries Tiffany. That Wall Street myth led to their grandfather setting himself on fire. That myth also showed that at any moment any person you see on screen become valuable because of what they about know how this fictionalized world works. As long as Black Monday continues to use the inherent absurdity of Wall Street as a machine for character development, this show could begin entering the conversation for one of the best ensemble casts on television.

Continue Reading
Actor Kel Mitchell and actor Kenan Thompson attend the 50th Annual Writers Guild of America Awards on February 21, 1998 at Beverly Hilton Hotel in Beverly Hills, California. (Photo by Ron Galella, Ltd/WireImage)

Kenan Thompson Says Kel Mitchell Will Appear In Revamped 'All That' Series

Pretty much everyone who was a fan of 90s Nickelodeon staple All That was thrilled to hear Kenan Thompson's role of executive producer in the revamped series. Now more great news has arrived as the comedian shared that Kel Michell will also return to the sketch comedy show.

Speaking with Page Six at the Writers Guild Awards Sunday (Feb. 16), Thompson shared his hopes to bridge the gap between the original cast and new members.

“Whoever’s down to [come to] do it, we would love to have them in my opinion,” Thompson said. “I know Kel [Mitchell’s] coming back, and I remember working close [sic] with Josh Server as well. I think all the old cast members should come support the new cast members. That’s just how it should go.”

Before their spinoff Kenan and Kel, the two were golden on All That with skits joint skits like Good Burger and solo characters Pierre Escargot and Repairman.

So far, things seemed to be going Thompson's way. Former All That alum  Danny Tamberelli also told Page Six he was thrilled to hear about the revival.

“I think it’s awesome!” Tamberelli said."All That was a show that reached out to so many kids from all different backgrounds and brought them all together through laughter.”

Tamberelli was apart of seasons four through six and was also one of the main character's on Nick's other enjoyable series, Pete and Pete.

Check out some memorable skits from All That below.

Continue Reading

Top Stories