don cheadle as mo on showtime's black monday episode 4
Erin Simkin/SHOWTIME

'Black Monday' Recap: Mo Feels The Weight Of Playing God

This week, Mo and Dawn try to reunite Blair and Tiff for the sake of their get-rich plan but it ends up backfiring.

Another week, another dive into Black Monday. In this week's episode, “295,” Mo tries to salvage his plan to get the Georgina company’s shares after Blair and Tiffany Georgina’s surprise breakup in the previous episode threw a wrench in that plan. By the end of this week’s episode, Mo gets what he wants but it doesn’t go as planned. Don Cheadle told VIBE that Black Monday was “insane...in a good way,” and this episode shows just that, starting with Mo’s God complex.

Stop Trying To Be God

You need a certain cocktail of self-aggrandization and delusions of grandeur to walk around with a God complex. Mo has that cocktail coursing through his veins. The entire episode revolves around Mo’s attempt to control the actions of humans by placing them in certain situations he is sure will yield his desired results. Only someone blinded by their obsession with being right wouldn’t see having to fix a “foolproof” plan makes him a fool.

The writing expertly showed that when you play God your creation is your reflection, especially in the tense scene at Mo’s dining room table with Blair and Dawn. He turned Blair into a cocaine-addicted party animal to show him how empty life is without having someone you love. Then, in one scene, Dawn exposed how all Mo did was build Blair in his image without realizing that part of his plan was to inadvertently show Blair just how miserable Mo really lives.

Even ostensibly innocuous details carry a huge emotional weight thanks to Black Monday’s writing and Cheadle’s consistently engaging performance. The writers literally had Mo on the outside looking in at forces out of his control at the end of the episode when he’s looking into the bar. It’s at this climactic moment of the show that Mo realizes his own mortality by getting what he wants but missing out on what he knows he needs.

It’s also at this moment that the show’s most boring lead character grew into someone worth watching.

Blair Is Here

For the first three episodes, Blair was as interesting as paint on the wall; always in front of your face but in the back of your mind. Before a single character utters a word in this episode, Blair is chain-smoking cigarettes, snorting coke and dressed like a Saturday Night Fever extra. He died “for a song and a half” and was electroshocked back to life, all in the first minute of the new episode. Blair has finally joined the Black Monday party and the show is better for it.

Mo molding Blair into his image allowed Blair to tap into a new level of confidence.  Blair’s exchange with Dawn about the implicit racism and sexism in 1980s films like Teen Wolf was rewind-worthy hilarious and ends with Blair remarking, “My favorite line from the movie is, ‘I’m not a f*g, I’m a werewolf. Oh, Michael J,” easily one of the funniest 1980s critiques on a show full of them.

The episode also entangled Blair in the show’s first love triangle, ensuring that Blair’s character growth is probably not done. With Blair now being compelling, following Dawn and Keith’s character-defining performances in the previous episode, Black Monday has set up its four most accomplished actors to be able to carry entire story arcs without relying on each other. But, the Black Monday world got bigger than those four in this week’s episode.

The Wall Street Mythology

There’s not enough time in a 30-minute episode to flesh out every character’s backstory and fully formed personality. The most surprisingly funny part of episode “295” was the story arc of Jammer Group traders Keith and Yassir (Yassir Lester) trying to stop Wayne (Horatio Sanz) from completing a “The LaGuardia Spread”. The arc showed that Black Monday has an ingenious way of speeding up character development: mythologize Wall Street.

On Black Monday, “The LaGuardia Spread” is when a trader takes a huge position on a stock, goes to LaGuardia Airport and waits to see if they made a huge profit or debilitating loss. If you guess right, you come home. If you guess wrong, “you don’t come home ever. You get on a plane and you f**king disappear,” according to a frantic Keith. Wayne was nothing more than a bumbling joke punchline of a trader before this episode. In only a few minutes of screentime we find out Wayne slept with his wife’s sister, has some weird dislike for The Howard Stern Show’s weekly guest Jackie Martling, and is so money hungry that he’d be giddy at the news of a mad cows disease epidemic and it’s positive effect on his “LaGuardia Spread” trade.

A similar result happened before on Black Monday. In the series premiere, the Lehman twins (Ken Marino) laid out the Georgina Play, the foundation of Mo’s plans to get all the shares from the Georgina company from Blair after he marries Tiffany. That Wall Street myth led to their grandfather setting himself on fire. That myth also showed that at any moment any person you see on screen become valuable because of what they about know how this fictionalized world works. As long as Black Monday continues to use the inherent absurdity of Wall Street as a machine for character development, this show could begin entering the conversation for one of the best ensemble casts on television.

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Love can truly be an emotional rollercoaster. When it's high, it feels beautifully warm. But when it's low, it can become really cold and dark. The enactment of the latter can be seen in Tyler Perry's upcoming Netflix film, A Fall From Grace.

While feeling disheartened after discovering her ex-husband's affair, new divorcee Grace Waters played by Crystal Fox (The Haves and Have Nots) finds herself alone and lonely. With encouragement from her best friend Sarah Miller (Phylicia Rashad), she goes out to an event where she meets what she thought to be the love of her life which she soon finds to be her biggest nightmare.

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VIBE chatted with the actors behind these characters to talk about love and relationships and the importance of being aware.

"Keep your heart open but keep your eyes open, too; Watch out for red flags," said the film's writer, director, and producer. "Keep your heart open. Love yourself before you look for somebody else to love you, and remember that grace is over you and in you," added leading lady Fox.

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Ultimately, this movie is a must-see and what is said to be Tyler Perry's best work. A Fall From Grace hits streaming platforms Friday, January 17 on Netflix.

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Issa Rae And Kumail Nanjiani Are 'Lovebirds' Turned Investigators In Upcoming Film

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On Thursday (Jan. 16), the trailer for her latest movie The Lovebirds, co-starring Kumail Nanjiani (Hot Tub Time Machine 2), pits the budding couple at the center of a murder they didn’t commit. When they decide what to do about the dead person, two bystanders phone the police and give them Rae and Nanjiani’s description. The pair then set out on a hunt for the real suspect(s) as they dodge law enforcement’s grasp.

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WHAT I completely missed that Aaron Abrams co-wrote The Lovebirds, #fannibalfamily we've got what looks like a super fun movie to see.

— Alana Bloom's Wardrobe (@EthicsAesthetic) January 16, 2020

Lovebirds gonna be the funniest/ best movie 2020 @IssaRae 😂😂😂 that trailer had me fucking dying dawg

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@IssaRae has two movies coming out this year and i definitely plan on watching them both ; The Lovebirds & The Photograph. They both look great & Insecure coming back on... hopefully we getting 1 hr episodes sis? pic.twitter.com/Y7phXN0O0Q

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It's The Lovebirds and The Photograph.

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Season 4 & new movies 😭😭😭😭 @IssaRae just ... thank you. #lovebirds #ThePhotographMovie

— Daryle-Kennedy (@itsdaryle) January 16, 2020

Presented by Paramount Pictures and MRC Film, The Lovebirds debut in theaters April 3. Watch the trailer above.

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Watch the trailer below.

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