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VICELAND

Meet John Henry, Host Of VICELAND's New Business Show 'Hustle'

"The byproduct of this show is going to be good because people are going to have role models, they are going to see real stories of people who look like them striving to make it, and making it."

John Henry is a hustler. The 26-year-old, born to Dominican parents and raised in Harlem, knows the right thing to say at the perfect time. His uncanny ability to maneuver in different settings paired with his innate business acumen has catapulted him from a doorman to a part-owner of Harlem Capital, a company designed to invest in businesses created by women and minorities.  

At 18, Henry’s entrepreneurial journey started when a resident of the Brooklyn building where he worked took notice of his intellect and vibrant personality. The tenant owned a dry-cleaning business and offered Henry a chance to make money if he contracted clients for his venture. Eventually, he would end up making the larger part of the profits. This small start led him to develop Mobile City, a dry-cleaning service that winded up catering to Hollywood’s most prominent television and film sets. His first big break in Tinsel Town was in the costume department for The Wolf of Wall Street. He ended up landing more contracts within entertainment, which led him to drop out of community college to solely focus on his company. Since then, he’s sold the business for an undisclosed hefty amount.

“I understood early on that the real money wasn’t the $14 an hour that I was making — the real currency was the people that were there,” Henry tells VIBE. “I had a very people focus approach very early on. When people see something in someone they want to help them out, so there was this one resident in particular, a Boricua guy, who told me, 'You’re too fu**ing smart to be behind the desk, you can have your own doorman. Don’t settle for being the doorman.'”

Now, with his new VICELAND show titled Hustle (executive produced by Alicia Keys and Marcus Samuelsson), Henry sounds like a seasoned vet who’s an owner of five Fortune 500 companies while mentoring the entrepreneurs featured on the eight-episode show. He uses terms like Riches n Niches, Brand Equity, and Biz Def to break down his strategy on helping these businesses go from unknown status to mainstream lucrative ubiquity.

On the first episode, viewers meet Ashley Rouse, the owner of Trade Street Jam, a company that sells $12 vegan jams made out of fruit with low sugar. During the episode, Henry persistently attempts to coax Ashley into quitting her 9 to 5 job to focus on her business. According to a recent interview with XO Necole, Rouse did leave her corporate job.

Amid hosting Hustle and being a part-owner of Harlem Capital, Henry also owns a real estate business and owns 17 apartments in two buildings in Allentown, Penn., Fortune reports. “The sky is the limit” is definitely an understatement when it comes to Henry’s work ethic and drive.

Here, VIBE chatted with him about how he hustled his way to Hustle.

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VIBE: How did you come up with the idea of a dry-cleaning business at 18, and then get Hollywood clients off it?
John Henry: I didn’t come up with the idea for the dry cleaner. I didn’t come up with the idea for a lot of stuff that I’ve done, which is interesting because we’re made to feel like an entrepreneur is someone who has this brilliant idea — and sometimes that’s true, but, more often than not, it’s just a matter of making something out of what’s presented to you.

And here’s what I mean: this resident already owned a dry cleaner. That’s how he made his money. He said, “John, I own this dry-cleaning facility. I don’t have much in this world, but I have this. You go and make something out of it. Convince anyone, I don’t care who it is, go out there and hustle and convince someone to give you their clothes. And if you bring this to me, I’ll clean them for wholesale rate. You charge the market rate and you make the spread.”

So in other words, a suit would cost you $12 to dry clean, it would cost me $4 so I would make the $8 spread. So I was like "Ok.” Eight dollars a piece isn’t much money, but if you’re talking 100 pieces it’s looking much better or 1,000 pieces that’s even better than that. Immediately, I fell in love with the idea that in entrepreneurship the results are really in your hands because no matter how much I open that door, my income was capped as a doorman. Whereas being an entrepreneur it was all up to me.  

To answer your question on how I got started in Hollywood, that also wasn’t my idea. I started promoting my business, so one of the residents in the building told me “I’m in film/TV, we need someone to do our dry cleaning because we shoot at three in the morning and no dry cleaner is open at that time.”

Obviously, he’s like, “What time do you get out.” And I was like, “At 11.” He picked me up, took to me to set of what became my first film account, which was The Wolf Of Wall Street. I was fortunate they gave me a chance. I did well with it. And then he said, "There is a new account. I’m going to introduce you.” That new account was Boardwalk Empire, and Law & Order: A Person Of Interest. Then I went on to do White Collar and Ninja Turtle. I quit my job. I dropped out of college and I really went for this full time.

How did your parents take you dropping out of college?
As immigrant parents, they came here and they always had this vision of us being a doctor or a lawyer. They were definitely not thrilled when I told them that I was going to leave school and that I was going to start a business. They were like, “Alright what business?” I said, “Dry cleaner.” They were like, “What?!” because my father was actually a presser growing up. They felt like, “Dude we didn’t come here so you can take a step back, we want you to take a step forward.” But they didn’t understand at the time that it wasn’t about the industry, it was about ownership. That’s the first time I ever really owned anything and now they are my biggest fans. They came around but it took them a little while.   

Did you handpick the contestants on Hustle?
VICE gives me a lot of creative liberty. We have a casting company that spreads the word and gets hundreds of applications. Then they’ll do all that part for me and boil it down to like maybe five or 10 finalists per episode. And then I choose who I get most excited by. I drive what happens in the episodes. It’s my vision for how the entrepreneur should grow their business. I told them early on that it would be hard for me to work with a business that didn’t fascinate me. With Ashley, for instance, I hand chose her and I was really adamant about working with her. Every business in the whole season you’ll see was hand selected by me and I was very excited to work with each one of them.

Did you come up with the three business models presented on the show: Riches n Niches, Biz Def and Brand Equity? Do you use them in your own business approach?
That section of the show we call Biz Pod. It’s something we came up with. I’m glad you asked because it was kind of a funny story of how that whole device came to be. We were shooting the pilot and I’m so engulfed in my own world that I’m not even noticing when I’m using business lingo. I keep saying we have to biz def or we have to build brand equity. Those are not terms that I made up, but those are terms that are used in business, that maybe are not commonly used outside of business. My director was like, “John what the hell is biz def?” Then Ashley was like, “What’s biz def?” That’s when we realized there is an opportunity here to actually educate the viewer.

We really fell in love with this idea of producing the show around showing an authentic look at entrepreneurship and along the way educate the viewer on some key terms that we think they should take away. That’s kind of how we came up with that little device that ended up being called biz pods. I choose all the terms as well. My director and I go back and forth on what we feel is the best biz pod for the episode and then we take it from there.

On the show, you speak with a lot of conviction about the decisions you think must be made in order to achieve success. Were you always this confident or was this a muscle you had to develop?
Definitely a muscle I had to develop. The more time you spend in the arena, the more confident you become in your own abilities. But also, the more self-awareness you develop. I have no problem saying, “I’m being too stubborn,” or taking a step back and saying, “I think I’m wrong here.” But one thing I did learn over the years is when you’re in the driver’s seat you have to be careful because sometimes people come with interests that are not aligned with yours. That is a learned skill that comes with time.

What are some challenges that you’ve faced in your career?
So many. For starters, I would say one of my biggest challenges was figuring out how the whole machine works. The reason why I’m really passionate about the show is because we get a chance to offer a glimpse to people about the fundamentals of building a business, like the basic building blocks because if you grow up in an affluent neighborhood you kind of have examples, role-models, support networks, all around you at any given time.

If you have a question about taxes you have an uncle that’s an accountant, or your auntie that’s a lawyer or something like that. Growing up in The Heights, in any underserved low-income community, that infrastructure does not exist so the hardest part that took me years to learn was how the whole game works. I’m talking about how the whole machinery works.

How does business affect a community? How does real estate affect a community? How does politics affect business? All these pieces that seem kind of separate are actually very closely interconnected. And it took me probably five or six years to really develop a macro perspective. Now that I have that framework I really feel like I can go on and do anything. So that’s the same understanding that I really want to impart on people both through my personal efforts like the content I create on Instagram and obviously something like the show.

Dominicans make good business people. In New York, many of the corner grocery stores are Dominican or Arab-owned. And Dominicans also own a lot of taxi car companies. Has your cultural background influenced your business sense?
Absolutely, and you’re right Dominican people are good at business. In New York, we tend to be more merchants, but the skills that I learned from our culture are fu**ing invaluable. Even just my mom buying plantains on the corner. She would constantly negotiate. My dad trained me to be really resourceful. We had so little growing up that he would teach me to make the most out of it. All these ingrained lessons from our communities were instilled in me. Now that I’m in the corporate arena I’m a beast because a lot of these kids I’m with grew up in a different life path. Now that we’re in the same rooms I find myself consistently outwitting and outmaneuvering a lot of these people because maybe they don’t have some of that cultural edge.

If you can come from a disadvantaged position and make it, you end up having such a massive edge because then you have both; street smarts and book smarts. I think of Jay-Z, he maneuvered real danger and the streets. And now for him to sit in a boardroom there is no one else in that boardroom who’s had his life experience, which makes it even more valuable.

What do you think is the biggest risk you can take in your career now?
The biggest risk right now that you can take as a business person is to take no risk. If you default to just doing things the way you’ve done them you will go out of business because everything is changing so fast. The media is being consumed differently. Weed is being legalized, retail is going out of business. The mall that used to be so hot is now being replaced by Amazon. Lawmaking and policy-making are now being shifted by artificial intelligence, cars are going to be self-driven. Every industry is changing so much, so the most dangerous risk you can take is not doing anything different.

I love risks because with high risks comes high reward. And it doesn’t always work out and that’s the scary part about it. I’m just focusing on leveraging this opportunity. My biggest risks are all on the Harlem Capital side. I have a $25 million fund and we invest in women and minorities. I don’t just talk about this. We put our money where our mouth is and invest our money into companies owned by people that look like us, and that’s very risky business because a lot of businesses don’t make it.

What do you hope people in your community will take away from being on this show?
I’m already starting to see the response. Dozens of people a day are reaching out to me saying, “I’m so proud just to see someone who looks like me that understands business and is on camera while helping other people.” The byproduct of this show is going to be good because people are going to have role models, they are going to see real stories of people who look like them striving to make it, and making it.

Hustle airs on Sundays at 9 p.m. EST on VICELAND. 

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Then & Now: Common Details How He And J Dilla Collaborated On The "Thelonious" Track With Slum Village

J Dilla and Common had a really tight creative bond and, at one point, lived together in L.A. So you know that Common got dibs on all of his hot beats first. They were hip-hop brethren just trying to work together and of all of their collaborations, living and posthumous, the track “Thelonius,” is the sharpest intersection of the two legendary artists' careers.

A singular song fit for two albums, the cut was placed on Common’s fourth studio album Like Water for Chocolate and Fantastic Vol. II, Slum Village's classic sophomore album. “Thelonius” as we know it was in a way an accident...a soulful snafu that we get to enjoy forever. In this excerpt of VIBE's Then & Now video franchise, Common shares how the song manifested unplanned, willed into existence by Dilla’s uncompromising creative compass.

The story is brought to life with artwork by visual artist supreme, Dan Lish (@DanLish1), the man behind Raekwon’s The Wild album artwork. The illustrations you see in this video are a small fraction of what you can find in his upcoming book: Egostrip Vol 1 – The Essential Hip Hop Art Book, a psychedelic visual history of hip-hop to be enjoyed by the genre’s oldest and youngest fans alike. 

Today is the last day to support Lish's Kickstarter for the incredible project. Click the following link for a copy of your own: https://www.kickstarter.com/projects/dan-lish/egostrip-book-1 

“I picked up on what inspired me about the artists, whether it be a certain lyric from a classic song or my perception of what may be going through their mind at the moment of creation,” says Lish.

There is much more to be said about all of these artists. For more stories on Common’s catalog, including several more Dilla cuts, stay tuned for the upcoming episode of Then & Now, where we dig deeper into notable tracks in the career of one Lonnie Rashid "Common" Lynn, Jr.

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Courtesy of Biz 3 / FCF

Quavo Is Introducing 'Fan Controlled Football' To The Culture

From their penchant for popping tags and name-dropping designer brands in their rhymes to the obsession with diamond-encrusted neckwear, the Migos are the modern-day poster-children for decadence and opulence. But when it comes to balling, group member Quavo is a seasoned veteran, literally and figuratively. Notorious for his appearances in NBA all-star celebrity games, where he routinely dominates the competition, Huncho has built a rep as one of the athletically gifted hit-makers in music today.

Although he's known for his skills on the hardwood, football is definitely among his passions. His newest endeavor, an ownership stake in Fan Controlled Football (FCF), the first professional sports league to put the viewer in the coach's seat and the general manager's office, in live time, finds him putting his focus back on the gridiron. Having inked an exclusive, multi-year streaming broadcast partnership with Twitch, the FCF will be the first professional sports league to be fully integrated with the streaming platform with the potential to explode in the digital age, where user interest and participation is the main recipe for success.

Having tossed the pigskin around as a Georgia high school football star, to Quavo, it was a no-brainer to get involved with the innovative league on the ground level. “We are building a brand and something different in our league – with the fans. They are in control and get to pick the team names, colors, logos, and more,” said Quavo said in a press release. “I’m really excited because FCF is fast-paced, high-scoring 7v7 football and you are in control. You go from sitting on the couch watching TV and pressing buttons on the remote to actually pressing the buttons on the plays.”

Played on "a 35-yard x 50-yard field with 10-yard end zones,” the Fan Controlled Football league will kick off in February 2021, with a four-week regular season, one week of playoffs, and a Championship week. The league will consist of former elite D-1 athletes, the CFL, XFL, and the Indoor Football League. Broadcasted live from the FCF’s state-of-the-art facility in Atlanta, each game will be 60 minutes in length and will allow the viewers to play a hand in the final outcome on Twitch.

Aside from sports, Quavo has been relatively lowkey on the musical tip as of late, with two years having passed since a solo release or a Migos album. However, according to him, this delay can be considered the calm before the storm, as he assures him and his brethren are primed for one of their biggest years yet. VIBE hopped on the line with Quavo to talk Fan Controlled Football, what he's got cooking in the studio, and his foray into TV and film.

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You're the newest team owner at Fan Controlled Football (FCF). What about the league piqued your interest and made you wanna get involved?

It's just showing my interest in the game of football and just trying to put a twist to where it's fan-controlled, fan-involved. A lot of times we watch the game, you watch the game, you just have some concerns. Sometimes you feel you can make the plays or call the play, [with FCF], you can sit on the couch and make the play. I just think we came together to make something crazy like that. I feel like it's something hard, it's something new, it's something fresh. It's a new beginning to something, like giving ni**as a chance. Giving D-1 players who couldn't make it to the league a chance, giving ex-NFL ni**as a chance if they still got it, [and] to go with the fans. When we saw the Falcons lose the Superbowl LI, we [fans] just knew what plays to call, we knew to run the ball. We were up 28-3. All we had to do was hold the ball, but we wanted to air it out and we made a mistake and lost to Tom Brady. Just like when Marshawn could've won a Superbowl. If they'd have given him the ball on the two-yard line. We knew that Marshawn Lynch was supposed to get the ball, [but] they wanted Russell Wilson to win it and the New England Patriots caught an interception. So that's how we're trying to shape it, we're trying to make something new.

The FCF will be live-streamed exclusively on Twitch, which has become one of the leading platforms for eSports live-streaming and will kick off in February 2021. Do you feel the FCF has the opportunity to fill that NFL void during the spring, particularly given the fan engagement that FCF enables?

Most definitely, cause after the Super Bowl, it just feels like you just want another game. You feel like you want one more game. and coming from something [where it's] eleven on eleven players to seven on seven, I feel [there’s] still a difference. After coming from watching the game and the regular politics, the regular structure of the game, now you're getting to be involved in a game that you can control. You can pick the jersey, you can pick the helmets, you can pick the jerseys, you can pick the coaches, you can pick the plays. I just feel there are two different dynamics [between the NFL and FCF). You come from sitting on the couch and pressing the remote to actually pressing the button on the plays."

Speaking of fan engagement, the FCF is the only professional sports league that enables fans to call the plays in real-time and puts the viewer in control of a game’s outcome like never before. Have you ever had that experience, as far as fantasy football?

Nah, but I'm into Madden. You can sit at home and pick your plays [with FCF], it's just like the lifestyle of Madden. It's like a reality of Madden. You're playing with people at home, with these unique athletes, and it's seven-on-seven.

As an Atlanta native, how significant was the FCF’s state-of-the-art facility being in your hometown in your decision to come on board as an owner?

It's very important. We got top-tier talent here, so it's opening up opportunities for a lot of guys. We're just glad it's in the south, it's like a hub. Everybody loves Atlanta and everybody wanna be here. Everybody wanna play and the weather is good.

NFL Super Bowl Champions Richard Sherman and Marshawn Lynch, boxing legend Mike Tyson, and YouTuber and podcaster empire Greg Miller are among the FCF's team owners. How does it feel to be competing against some of the most accomplished athletes and entertainers in the world? Have you had the opportunity to meet with any of them?

Most definitely. I have a good relationship with Mike Tyson. I've met Marshawn Lynch, it's a blessing. I feel like we're not competing right now, I feel like we're building a brand. I feel like we're building a league. I feel like we're trying to make the world understand what we're bringing to the table and what type of game we bring to the table, you feel me? I feel we're trying to create something different. Once we get the ball rolling, it's all together and moving into a real FCF league, then we'll get to compete. Of course, we all wanna win, but right now, we're just trying to get the foundation and the basics going and letting the strength of the owners and the relationships show on the field.

Being that you'll all be working with your respective fan bases in shaping your team’s personality and identity, any thoughts about what the team’s name will be? 

Man, I wish I did, but it's so straight strictly fans that you never know. Just like with music, can have an idea that is a smash, and then the fans don't think it is. You gotta strictly listen to the fans on this one. You gotta listen strictly to how they want it because it's the point of the game, that's the point of the league. We gotta let them control this game and then we the players and we the people that's listening to the people, the culture. FCF stands for culture, too, you feel what I'm saying? We listen to the culture, we're letting the culture run the field.

How involved will you be in the drafting and scouting process for your squad?

The fans make the draft, fans get to see everything. Open books, everything. It's an open thing, it ain't nothing to hide over here. The fans control it all.

In addition to sports, you've also been delving into acting, with cameos in shows like Atlanta, Star, Black-ish, and Ballers. Earlier this year, you appeared as yourself in Narcos: Mexico. How did that opportunity come about? 

Narcos reached out. We [Migos] had this song called “Narcos” on the [Culture II] album and we went and shot [the video] in Miami and everybody thought it was a Narcos movie scene and it ended up being Madonna's house. So we just shot that there and then they reached out to us. I think Offset had a performance somewhere and Takeoff had to do something and I just ended up being free that day and I went and shot it in New Mexico. I had fun, I loved it.

Do you have plans to pursue any supporting or leading roles in film or television?

Hell yeah, most definitely. I've been sitting down and having real great meetings with directors and people that got some movies in the works for 2021. I feel like I’ve got some good spots. I don't wanna tell it cause they’re gonna make some announcements. It's coming soon.

It's been two years since you've released a solo project or one with the Migos. Can fans expect any new music from you anytime soon and what are your next plans on that front?

Most definitely, hell yeah, we're shooting videos right now. We’re vaulting up a whole lot of videos so we can give you music and visuals at the same time. “Need It," the song came first and then the video. Right now, we wanna get a lot of videos and a lot records in the vault and smash [them] all at once 'cause it's been two years.

Pop Smoke's passing was one of the more tragic events in rap in recent memory, but his debut album, which you appeared on throughout, has been one of the most successful and acclaimed projects of 2020. How has it been seeing how the album’s been received, especially after you and him developed such a bond in a short time?

I'm happy. I'm proud of him, that was my partner. We did a lot of records, we spent a lot of time together and I feel like the album would've did even more with him being alive. A lot of people's album just go crazy when they die, I feel like his sh*t would've still went crazy. He had the momentum, he had the buzz. He was having fun. He was hot, he was fresh, he had everything ready.

This interview has been edited for length and clarity.

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Toots Hibbert performing at Hammersmith Palais, London in 1983.
Photo by David Corio/Redferns

Remembering Toots Hibbert

The best singers don’t need too many words to make their point. Otis Redding could let loose with a sad sad song like “Fa-fa-fa-fa-fa-fa-fa-fa-fa” and get you all in your feelings. Bob Marley got pulses pounding with his “Whoi-yoooo” rebel yell. Gregory Isaacs melted hearts with nothing more than a gentle sigh. Toots Hibbert, who died last Friday at the age of 77, could sing just about anything and make it sound good. One of the world's greatest vocalists in any genre, Toots paired his powerful voice with the understated harmonies of Raleigh Gordon and Jerry Mathias to form The Maytals, a vocal trinity that never followed fashion and remained relevant throughout the evolution of Jamaican music—from the ska era to rock steady straight through to reggae, a genre named after The Maytals' 1968 classic “Do The Reggay.”

Whether they were singing a sufferer’s selection (“Time Tough”), a churchical chant (“Hallelujah”), or the tender tale of a country wedding (“Sweet and Dandy”), The Maytals blew like a tropical storm raining sweat and tears. The lyrics to Six and Seven Books,” one of The Maytals' earliest hits, are pretty much just Toots listing the books of the Bible. “You have Genesis and Exodus,” he declares over a Studio One ska beat, “Leviticus and Numbers, Deuteronomy and Joshua, Judges and Ruth...” Having grown up singing in his parents' Seventh Day Adventist Church in the rural Jamaican town of May Pen, Toots knew the Good Book well.

The Maytals broke out worldwide in 1966 thanks to the song “Bam Bam,” which won Jamaica's first-ever Independence Festival Song Competition, held during the first week of August as the island nation celebrated both independence from Great Britain in 1862 and emancipation in 1834. They would go on to win the coveted title two more times, but “Bam Bam” was a singular song with a message every bit as powerful as Toots' voice. “I want you to know that I am the man," Toots sang. He was young and strong, ready to "fight for the right, not for the wrong." The trajectory of "Bam Bam" would not only transform Toots' life but make waves throughout popular music worldwide.

"Festival in Jamaica is very important to all Jamaicans," the veteran singer stated in a video interview this past summer while promoting his latest entry into the annual competition. "I must tell you that I won three festivals in Jamaica already, which is “Bam Bam,” “Sweet & Dandy” and “Pomp & Pride.” Toots described that first festival competition as a joyous occasion. "Everybody just want to hear a good song that their children can sing," he recalled. "Is like every artist could be a star."

In 2016, on the 50th anniversary of "Bam Bam" winning first place, Toots looked back over the legacy of the tune that made him a star. "I didn’t know what it means but it was a big deal," he told Boomshots. "You in the music business and you want to be on top and you write a good song and you go on this competition and if they like it then it becomes #1." After The Maytals won, the group was in demand not just all over the island, but all over the world. "We start fly out like a bird," he says with a laugh. "Fly over to London."

"Bam Bam" went on to inspire numerous cover versions, starting with Sister Nancy, Yellowman, and Pliers. It would also be sampled in numerous hip hop classics, and interpolated into Lauryn Hill's "Lost Ones." But according to Toots, he did not benefit financially from these endless cover versions. "People keep on singing it over and over and over, and they don’t even pay me a compliment," he told Boomshots. "I haven’t been collecting no money from that song all now."

 

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“This man don’t trouble no one... but if you trouble this man it will bring a Bam Bam” Original Maytals Classic @tootsmaytalsofficial 🎶 All them a talk, them nuh bad like Niya Fiya Ball ☄️🔥💥 via @tonyspreadlove . 💥💣🔫#Boomshots

A post shared by Word Sound & Power (@boomshots) on Sep 12, 2020 at 8:19am PDT

When Toots began singing in his parents' church, music was not seen as a career prospect, and the profits were slim for Jamaican recording artists in the 1960s. "Those days we get 14 cents for the record to play on the radio," Toots said. "I get three shillings and five shillings for a number one record, which I had 31 number one record in Jamaica... It’s not about money for me. It’s about the quality that Jamaicans need to go back in the festival jamboree... You gotta talk to the children."

On the poignant “54-46 (Was My Number),” Toots recalls the dehumanization of his arrest and 18-month imprisonment at Jamaica's Richmond Farm Correctional Center for what he always insisted was a trumped-up ganja charge just as his music career was taking off. The song's crescendo comes two minutes in when Toots breaks into a scat solo that cannot be translated into any language known to man, delivered with palpable passion that made his message universal. During Toots' ecstatic stage performances he would follow this riff by commanding his band to “Give it to me... one time!” Then the 'd make 'em say Uh!  (Way before Master P!) “Give it to me... two times!” Uh! Uh! And so on and so forth until Toots worked the place into a frenzy.

The Maytals' live show was so explosive that Toots began touring all over the world, opening for rock megastars like The Rolling Stones and The Who. While Bob Marley richly deserved the title King of Reggae, his friend Toots was performing internationally before The Wailers, and remained a force to be reckoned with throughout his life, blazing a trail for generations of reggae artists to follow in his footsteps.

On his Grammy-winning 2004 album True Love, Toots recorded some of his greatest hits with a host of legendary artists, many of whom were also good friends, including Willie Nelson, Mick Jagger, Keith Richards, Bonnie Raitt, Sheryl Crow, and Eric Clapton. His 2006 cover of Radiohead's "Let Down" was a favorite of the band's, who used to play it on their tour bus. Radiohead guitarist Jonny Greenwood called Toots’ version “truly astounding,” according to Easy Star Records Michael Goldwasser.

Toots supported himself and his family by touring all over the world. During a 2013 show in Richmond, Virginia he was singing John Denver's "Take Me Home Country Roads" when a teenager in the crowd threw a vodka bottle at the stage and hit him on the head. He suffered a concussion and had to stop touring for several years. As his first album in a decade, Got To Be Tough was highly anticipated when it was released on Trojan Jamaica label August 28. On the cover the former boxer and lifelong fighter can be seen throwing a punch. Just a day after the album dropped, Toots came down with symptoms similar to COVID 19. Within a few days he was hospitalized where doctors placed him into a medically induced coma from which he never recovered. As his Tidal obituary pointed out, he passed away exactly 33 years after his old friend Peter Tosh died by gunfire.

Songs like "Just Brutal" from the hit different now, with Toots pleading for more love in a world gone wrong. "We were brought here," Toots sings. "Sold out. Victimized brutally. Every time I keep remembering what my grandfather said before he died."

“I’m feeling alright,” Toots said the last time we spoke, while he was still sidelined with stress issues due to the bottle-throwing incident. "I’m feeling alright. I’m feeling alright. I’m feeling just cool because is Jah works. You seet?" I asked him if the song "Bam Bam," was about him—a peaceful man who should not be provoked—or else. "Nooo don't trouble him," Toots said with a laugh. "It’s gonna be double trouble, triple trouble. A lot of trouble."

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