Kanye West Performs At Sunday Service During Coachella 2019
Rich Fury/Getty Images for Coachella

One Day In L.A.: Inside Kanye West's Sunday Service Sanctuary

One writer details the emotional experience of Ye’s weekly mountaintop gathering on the same day the world lost Nipsey Hussle.

On one weekend in Los Angeles (March 31), I got the unique opportunity to partake in an otherworldly experience: Kanye West’s Sunday Service. It was transformative, to say the least, but that weekend, something else happened in L.A., too. Nipsey Hussle was murdered in front of his Marathon clothing store. A black man’s life was taken in cold blood, and as we collectively mourn, Kanye’s Sunday Service makes so much more sense in the context of this senseless murder.

But first, how did I even wind up at Ye’s exclusive weekly praise and worship-esque Sunday Service? I really have some dope people that continue to grace my life. Through all the things that I’m passionate about—my job, music, art, motherhood—I became friends with a music producer/actor/musician who was kind enough to get me on the list for service.

I’m a true audiophile, and my love of music, especially live instrumentation, had me all into those Sunday Service videos popping up on social feeds for some time. I was that kid in church texting my best friend, the church organist, to kick off the Holy Ghost session. I’m the same person who will slide to a jam session in any city I travel to just to catch a vibe. The music really spoke to me in the videos and I felt like this is the place where Kanye was getting back to his original self. I wanted to experience that. The nature of Sunday Service was so far from any of his “slavery is a choice” statements and wild Trump rhetoric that it forced me to wash away the negative sentiments and take this experience for what it was.

 

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I approached the mountainous California ranch locale with wonder, anticipation, and some lightweight hesitation: What if they making us draw blood and we have to sacrifice a lamb? What if they’re turning water to wine in here? What happens if they have us pass a collection plate for the building fund? I didn’t bring cash. What if he’s got people in the spot saying Yeezus instead of Jesus? My co-worker friend Lena and I pulled up to the gates just before 9 a.m. We got to the entrance and were checked off on the list, then were ushered in by greeters wearing all white. Most of the people inside were white, so I made a quiet joke that maybe this was Kanye’s attempt at enslaving white people and forcing them to make a “choice.” But then I saw some black staff members which put that conspiracy theory to rest.

As we waited in the estate’s holding area, a barista offered delicately crafted matchas and lattes with frothy designs. The cool L.A. air and wispy tree leaves carried the sounds of the choir and band rehearsing. We could also hear the stories of other people who waited: a white woman in her 30s who was there to see her boyfriend in the choir and really didn’t know what to expect; older neighbors who had a standing invite to Sunday Service; a black music producer from Houston whose friend was in the band; an L.A. artist who was the plus-one of one of his homies; a Latino family with their five-year-old little girl, her brother, mom and dad outfitted in Balenciaga.

Finally, we were ushered in about seven to 10 people at a time. We ascended a hill on a dirt road that took us to a rotunda. Soft music could be heard as the choir, the band, and Ye stood around dressed in all white. It was intimate, intimate, with around 75 people in the rotunda, and about 75 as a part of the band-slash-choir. Everyone was real chill, doing the little church hellos. And just like in the videos, the whole Kardashian family was there—except I didn’t see Rob, Mama Kris, or Caitlyn. I don’t really follow the Kardashians just because I actually can’t keep up, but they do have some beautiful children. The girls (North included) were so full of life and joy, like any other kids, which was refreshing. For whatever reason, I’m always so happy to see celebrity kids having what appears to be a carefree childhood.

 

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OK, onto the actual service. All I can say is think of the best church choir you’ve ever heard, then swag them out, drop some 808s on that, then put this all in the mountains closer to God. It was magic. Unpretentious, unassuming, beautiful, soulful, groove-evoking and as much as it was gospel, it was the rhythm and syncopation of hip-hop. It was Milly Rock. It was shaking dreads. It was soul claps. It was a few white folks clapping off-beat. It was dope. As a music lover with a keen ear for sound, I could tell each instrument and voice was hand-selected for a reason. And even with Kanye as the mastermind, my friend mentioned that he felt tertiary. I would even go as far to say he felt like the fifth element. It was God, the nature, the people, the band and choir, then Ye. Each song had medicinal purpose. There were recordings of Kanye’s voice orating about life and purpose and all of the questions we ask as we attempt to ascend and evolve. It was all so timely. I strive to live a purpose-centered life, but some portions feel like they need further definition. This felt like a catapult, like a launching pad, like a playground for inspiration.

Now slight pause, because I know you’re thinking, WE CANCELLED KANYE, VEJURNAÉ. He’s been too detrimental to the culture. He’s trying to trick you with these soulful beats and 808 machines, and some Jesus and matcha. Ni**a, you’re kiki-ing with Yeezy over some beats and tea. I thought about this, too. And still am. I think where I sit is a place that is all about purpose and intent. Kanye says some outrageous and outlandish things at times, some that we support and some that we go in on him for, but who doesn’t? What he is doing in this arena has greater weight than probably anything else he has ever done, in my eyes. What he’s doing will potentially change the way that millennials interact with church. It’s a needed shift. One guy we sat with said, “If church was like this, I’d never miss a Sunday.” We’ll get back to this, though.

It’s hard for me to recall the set list. Aly Us’ “Follow Me” was dope. (They need to bring this to the house picnic.) They did Richard Smallwood’s “Total Praise.” For the church folk, the choir made this song effortless, but added a syncopation with the 808s that I will never forget. Most people know how completely perfect this specific song is, but this arrangement was PERFECTER. Yes, perfecter. The harmonies with the Amens, and breaking them down almost into footwork beats. Flipping back when they get to, “You are the source of my strength,” to hit the 808s and bring it back again. It was just... Shout out to my Second Baptist Church family that knows that Dr. Hycel B. Taylor special ending.

Then there was Stevie Wonder’s “I’ll Be Loving You Always.” That song is LOVE. I actually suggested it to my producer friend in the band a few weeks before I came to L.A. I know, that’s an extra request, and who am I? But my Mom always said, “If you never ask you’ll never know.” And yo, it actually happened. The band jammed with Kanye on the drum machine. HOW IS THIS MY LIFE? Pinch. THIS IS MY LIFE. The day before I left to go out west, my sons and I did car karaoke to this song. And how special is it that Kanye is sharing these moments with his kids, his family, his friends and the world? It’s special.

In the circular space, I was seated at eye level with Ye and the 808 machine. This was wild. You know when you’re a musician and you look at the crowd and you know who’s vibing? I was in that motherf**ker VIBING. For anyone who attends parties with me, church services, karaoke, in the car, it’s a given that music and dancing is a thing. Do you think I’m going to pull up to Kanye church and not f**k it up for Jesus (no disrespect)? With the sun beating down on all of us, the music accelerated. Then, I thought about deodorant… Have you ever started sweating hard and been hot and start thinking, How many swipes did I do this morning? Mind you, they are performing all the songs that require you to put your fully extended hands in the air… The dilemma! I just had to do a side sniff for freshness and deal with the pit stains, because I took my locs down and it was just like nirvana. We’re out here on a mountain praising God with a full choir, band and Kanye is smiling, smiling, playing the beat machine. Ni**a, whet!?

They also played some Ye classics like “Power,” “Jesus Walks,” “Good Morning,” and “Otis.” “Jesus, won’t leave us/Neva leaveeee us/NA NA,NA NA, NAH NAH NAH!” All the while, the babies are in the middle of the performance area living their best lives, dancing with their daddy. It was love. The purest love. Unadulterated God-sent love. The intensity of the band never waned, the choir never diminished, and the soloists were straight from Sister Mary Clarence for real, for real. I did the, “girl, Goodbye, you sing too good” wave about four times and I needed another cup of water, but I didn’t want to miss anything.

 

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When service ended and Ye announced that Sunday Service would be at Coachella during Weekend 2, we all then proceeded further up the hill for a full catered brunch. (Note: They had the thick bacon and at brunch, that is all anyone cares about, so thank you for that.) During the brunch, folks shared stories, networked, and simply took it all in. The West/Kardashian family mingled and embraced everyone on some regular Sunday after church service ish. I sat still in awe, thankful for the experience. I thought to go over to his table to say thank you, but I chilled because, you know, sometimes you just don’t want to be extra, so I just kept it moving recapping everything with my friend and airing out my underarms.

Post-brunch, we walked back down the hill and chatted with gospel artist Ricky Dillard about how positive the music was and how transformative the experience was. Once we got back to the original holding area, we saw Ye was just standing there talking to people as they left. Now was my time.

Me: (Gives Ye a hug) Yo, thank you.
Ye: Yo, I saw you vibing girl.
Me in My Head: NI**A, WHAT! I SAW YOU VIBING, TOO. THAT SH*T WAS BANANAS!
Me in Real Life (Remembers this is like church): I’m from Chi-town. Man, that was just amazing! It’s really going to change how young people approach church.
Me in My Head: You should let me bring Cairo and Phoenix out to Coachella.
Me in Real Life: I remember booking you when you came to [The University of Illinois Urbana-Champaign] back in the beginning of your career. The show was like $11.
Ye: (Smiles) And look, this one cost even less.
Me in Real Life: (Laughs) You’re right. You need to bring this back to the crib.
Ye: Definitely, we’re on mission work!

 

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All of it was awesome. From the restorative power of the music to the purpose-driven message to the people out here giving their full glory to God. No additional anything. It was like, Let’s go praise God and that will be sufficient, that will be enough. Let’s put our full effort into praising the Lord and see where that gets us.

In retrospect, I think this energy is the same energy and same fervor that Nipsey used to inject into his community. Like, let’s see what it looks like when I empty the tank for my hood, for my people, for these kids. Nipsey being murdered on the same day of this experience felt like someone took a pin, popped the balloon and let all the helium out. After the Ye experience, we went to Malibu, then to Venice Beach to meet up with friends. That’s when the news that he had been shot six times and killed in front of his own store broke. Like many, I was at a loss for words. Just hours ago, I felt so inspired and hopeful, and now I sat in disbelief and anger. People in L.A. were so hurt. I was so hurt. It was essentially as if someone ever did something to Chance The Rapper—the hometown guy, the home team, the one that never left but instead building up his area, investing in his people. Slain.

The one thing that felt even more real after this day was the immediacy of now. Each and every moment is your moment. Waiting won’t get the job done. If you want to make an impact, you have to take the steps now. If you want a life of value, you have to move. I reflect back on the images of Nipsey and his partner Lauren London from their ethereal GQ shoot and I think about how striking those images are. They’re so beautiful. To have love captured on camera in that way and so close to him being murdered is unfathomable. In summation, whatever “it” is to you, do it now. Have that conversation, tell them you love them, make that move, invest in that business, repair that relationship, quit that job. Make it happen today, and know that regardless, whether His presence manifests through the pews of church or some rattling 808s or the warmth of the community that raised you, God is with you.

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Then & Now: Common Details How He And J Dilla Collaborated On The "Thelonious" Track With Slum Village

J Dilla and Common had a really tight creative bond and, at one point, lived together in L.A. So you know that Common got dibs on all of his hot beats first. They were hip-hop brethren just trying to work together and of all of their collaborations, living and posthumous, the track “Thelonius,” is the sharpest intersection of the two legendary artists' careers.

A singular song fit for two albums, the cut was placed on Common’s fourth studio album Like Water for Chocolate and Fantastic Vol. II, Slum Village's classic sophomore album. “Thelonius” as we know it was in a way an accident...a soulful snafu that we get to enjoy forever. In this excerpt of VIBE's Then & Now video franchise, Common shares how the song manifested unplanned, willed into existence by Dilla’s uncompromising creative compass.

The story is brought to life with artwork by visual artist supreme, Dan Lish (@DanLish1), the man behind Raekwon’s The Wild album artwork. The illustrations you see in this video are a small fraction of what you can find in his upcoming book: Egostrip Vol 1 – The Essential Hip Hop Art Book, a psychedelic visual history of hip-hop to be enjoyed by the genre’s oldest and youngest fans alike. 

Today is the last day to support Lish's Kickstarter for the incredible project. Click the following link for a copy of your own: https://www.kickstarter.com/projects/dan-lish/egostrip-book-1 

“I picked up on what inspired me about the artists, whether it be a certain lyric from a classic song or my perception of what may be going through their mind at the moment of creation,” says Lish.

There is much more to be said about all of these artists. For more stories on Common’s catalog, including several more Dilla cuts, stay tuned for the upcoming episode of Then & Now, where we dig deeper into notable tracks in the career of one Lonnie Rashid "Common" Lynn, Jr.

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Courtesy of Biz 3 / FCF

Quavo Is Introducing 'Fan Controlled Football' To The Culture

From their penchant for popping tags and name-dropping designer brands in their rhymes to the obsession with diamond-encrusted neckwear, the Migos are the modern-day poster-children for decadence and opulence. But when it comes to balling, group member Quavo is a seasoned veteran, literally and figuratively. Notorious for his appearances in NBA all-star celebrity games, where he routinely dominates the competition, Huncho has built a rep as one of the athletically gifted hit-makers in music today.

Although he's known for his skills on the hardwood, football is definitely among his passions. His newest endeavor, an ownership stake in Fan Controlled Football (FCF), the first professional sports league to put the viewer in the coach's seat and the general manager's office, in live time, finds him putting his focus back on the gridiron. Having inked an exclusive, multi-year streaming broadcast partnership with Twitch, the FCF will be the first professional sports league to be fully integrated with the streaming platform with the potential to explode in the digital age, where user interest and participation is the main recipe for success.

Having tossed the pigskin around as a Georgia high school football star, to Quavo, it was a no-brainer to get involved with the innovative league on the ground level. “We are building a brand and something different in our league – with the fans. They are in control and get to pick the team names, colors, logos, and more,” said Quavo said in a press release. “I’m really excited because FCF is fast-paced, high-scoring 7v7 football and you are in control. You go from sitting on the couch watching TV and pressing buttons on the remote to actually pressing the buttons on the plays.”

Played on "a 35-yard x 50-yard field with 10-yard end zones,” the Fan Controlled Football league will kick off in February 2021, with a four-week regular season, one week of playoffs, and a Championship week. The league will consist of former elite D-1 athletes, the CFL, XFL, and the Indoor Football League. Broadcasted live from the FCF’s state-of-the-art facility in Atlanta, each game will be 60 minutes in length and will allow the viewers to play a hand in the final outcome on Twitch.

Aside from sports, Quavo has been relatively lowkey on the musical tip as of late, with two years having passed since a solo release or a Migos album. However, according to him, this delay can be considered the calm before the storm, as he assures him and his brethren are primed for one of their biggest years yet. VIBE hopped on the line with Quavo to talk Fan Controlled Football, what he's got cooking in the studio, and his foray into TV and film.

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You're the newest team owner at Fan Controlled Football (FCF). What about the league piqued your interest and made you wanna get involved?

It's just showing my interest in the game of football and just trying to put a twist to where it's fan-controlled, fan-involved. A lot of times we watch the game, you watch the game, you just have some concerns. Sometimes you feel you can make the plays or call the play, [with FCF], you can sit on the couch and make the play. I just think we came together to make something crazy like that. I feel like it's something hard, it's something new, it's something fresh. It's a new beginning to something, like giving ni**as a chance. Giving D-1 players who couldn't make it to the league a chance, giving ex-NFL ni**as a chance if they still got it, [and] to go with the fans. When we saw the Falcons lose the Superbowl LI, we [fans] just knew what plays to call, we knew to run the ball. We were up 28-3. All we had to do was hold the ball, but we wanted to air it out and we made a mistake and lost to Tom Brady. Just like when Marshawn could've won a Superbowl. If they'd have given him the ball on the two-yard line. We knew that Marshawn Lynch was supposed to get the ball, [but] they wanted Russell Wilson to win it and the New England Patriots caught an interception. So that's how we're trying to shape it, we're trying to make something new.

The FCF will be live-streamed exclusively on Twitch, which has become one of the leading platforms for eSports live-streaming and will kick off in February 2021. Do you feel the FCF has the opportunity to fill that NFL void during the spring, particularly given the fan engagement that FCF enables?

Most definitely, cause after the Super Bowl, it just feels like you just want another game. You feel like you want one more game. and coming from something [where it's] eleven on eleven players to seven on seven, I feel [there’s] still a difference. After coming from watching the game and the regular politics, the regular structure of the game, now you're getting to be involved in a game that you can control. You can pick the jersey, you can pick the helmets, you can pick the jerseys, you can pick the coaches, you can pick the plays. I just feel there are two different dynamics [between the NFL and FCF). You come from sitting on the couch and pressing the remote to actually pressing the button on the plays."

Speaking of fan engagement, the FCF is the only professional sports league that enables fans to call the plays in real-time and puts the viewer in control of a game’s outcome like never before. Have you ever had that experience, as far as fantasy football?

Nah, but I'm into Madden. You can sit at home and pick your plays [with FCF], it's just like the lifestyle of Madden. It's like a reality of Madden. You're playing with people at home, with these unique athletes, and it's seven-on-seven.

As an Atlanta native, how significant was the FCF’s state-of-the-art facility being in your hometown in your decision to come on board as an owner?

It's very important. We got top-tier talent here, so it's opening up opportunities for a lot of guys. We're just glad it's in the south, it's like a hub. Everybody loves Atlanta and everybody wanna be here. Everybody wanna play and the weather is good.

NFL Super Bowl Champions Richard Sherman and Marshawn Lynch, boxing legend Mike Tyson, and YouTuber and podcaster empire Greg Miller are among the FCF's team owners. How does it feel to be competing against some of the most accomplished athletes and entertainers in the world? Have you had the opportunity to meet with any of them?

Most definitely. I have a good relationship with Mike Tyson. I've met Marshawn Lynch, it's a blessing. I feel like we're not competing right now, I feel like we're building a brand. I feel like we're building a league. I feel like we're trying to make the world understand what we're bringing to the table and what type of game we bring to the table, you feel me? I feel we're trying to create something different. Once we get the ball rolling, it's all together and moving into a real FCF league, then we'll get to compete. Of course, we all wanna win, but right now, we're just trying to get the foundation and the basics going and letting the strength of the owners and the relationships show on the field.

Being that you'll all be working with your respective fan bases in shaping your team’s personality and identity, any thoughts about what the team’s name will be? 

Man, I wish I did, but it's so straight strictly fans that you never know. Just like with music, can have an idea that is a smash, and then the fans don't think it is. You gotta strictly listen to the fans on this one. You gotta listen strictly to how they want it because it's the point of the game, that's the point of the league. We gotta let them control this game and then we the players and we the people that's listening to the people, the culture. FCF stands for culture, too, you feel what I'm saying? We listen to the culture, we're letting the culture run the field.

How involved will you be in the drafting and scouting process for your squad?

The fans make the draft, fans get to see everything. Open books, everything. It's an open thing, it ain't nothing to hide over here. The fans control it all.

In addition to sports, you've also been delving into acting, with cameos in shows like Atlanta, Star, Black-ish, and Ballers. Earlier this year, you appeared as yourself in Narcos: Mexico. How did that opportunity come about? 

Narcos reached out. We [Migos] had this song called “Narcos” on the [Culture II] album and we went and shot [the video] in Miami and everybody thought it was a Narcos movie scene and it ended up being Madonna's house. So we just shot that there and then they reached out to us. I think Offset had a performance somewhere and Takeoff had to do something and I just ended up being free that day and I went and shot it in New Mexico. I had fun, I loved it.

Do you have plans to pursue any supporting or leading roles in film or television?

Hell yeah, most definitely. I've been sitting down and having real great meetings with directors and people that got some movies in the works for 2021. I feel like I’ve got some good spots. I don't wanna tell it cause they’re gonna make some announcements. It's coming soon.

It's been two years since you've released a solo project or one with the Migos. Can fans expect any new music from you anytime soon and what are your next plans on that front?

Most definitely, hell yeah, we're shooting videos right now. We’re vaulting up a whole lot of videos so we can give you music and visuals at the same time. “Need It," the song came first and then the video. Right now, we wanna get a lot of videos and a lot records in the vault and smash [them] all at once 'cause it's been two years.

Pop Smoke's passing was one of the more tragic events in rap in recent memory, but his debut album, which you appeared on throughout, has been one of the most successful and acclaimed projects of 2020. How has it been seeing how the album’s been received, especially after you and him developed such a bond in a short time?

I'm happy. I'm proud of him, that was my partner. We did a lot of records, we spent a lot of time together and I feel like the album would've did even more with him being alive. A lot of people's album just go crazy when they die, I feel like his sh*t would've still went crazy. He had the momentum, he had the buzz. He was having fun. He was hot, he was fresh, he had everything ready.

This interview has been edited for length and clarity.

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Toots Hibbert performing at Hammersmith Palais, London in 1983.
Photo by David Corio/Redferns

Remembering Toots Hibbert

The best singers don’t need too many words to make their point. Otis Redding could let loose with a sad sad song like “Fa-fa-fa-fa-fa-fa-fa-fa-fa” and get you all in your feelings. Bob Marley got pulses pounding with his “Whoi-yoooo” rebel yell. Gregory Isaacs melted hearts with nothing more than a gentle sigh. Toots Hibbert, who died last Friday at the age of 77, could sing just about anything and make it sound good. One of the world's greatest vocalists in any genre, Toots paired his powerful voice with the understated harmonies of Raleigh Gordon and Jerry Mathias to form The Maytals, a vocal trinity that never followed fashion and remained relevant throughout the evolution of Jamaican music—from the ska era to rock steady straight through to reggae, a genre named after The Maytals' 1968 classic “Do The Reggay.”

Whether they were singing a sufferer’s selection (“Time Tough”), a churchical chant (“Hallelujah”), or the tender tale of a country wedding (“Sweet and Dandy”), The Maytals blew like a tropical storm raining sweat and tears. The lyrics to Six and Seven Books,” one of The Maytals' earliest hits, are pretty much just Toots listing the books of the Bible. “You have Genesis and Exodus,” he declares over a Studio One ska beat, “Leviticus and Numbers, Deuteronomy and Joshua, Judges and Ruth...” Having grown up singing in his parents' Seventh Day Adventist Church in the rural Jamaican town of May Pen, Toots knew the Good Book well.

The Maytals broke out worldwide in 1966 thanks to the song “Bam Bam,” which won Jamaica's first-ever Independence Festival Song Competition, held during the first week of August as the island nation celebrated both independence from Great Britain in 1862 and emancipation in 1834. They would go on to win the coveted title two more times, but “Bam Bam” was a singular song with a message every bit as powerful as Toots' voice. “I want you to know that I am the man," Toots sang. He was young and strong, ready to "fight for the right, not for the wrong." The trajectory of "Bam Bam" would not only transform Toots' life but make waves throughout popular music worldwide.

"Festival in Jamaica is very important to all Jamaicans," the veteran singer stated in a video interview this past summer while promoting his latest entry into the annual competition. "I must tell you that I won three festivals in Jamaica already, which is “Bam Bam,” “Sweet & Dandy” and “Pomp & Pride.” Toots described that first festival competition as a joyous occasion. "Everybody just want to hear a good song that their children can sing," he recalled. "Is like every artist could be a star."

In 2016, on the 50th anniversary of "Bam Bam" winning first place, Toots looked back over the legacy of the tune that made him a star. "I didn’t know what it means but it was a big deal," he told Boomshots. "You in the music business and you want to be on top and you write a good song and you go on this competition and if they like it then it becomes #1." After The Maytals won, the group was in demand not just all over the island, but all over the world. "We start fly out like a bird," he says with a laugh. "Fly over to London."

"Bam Bam" went on to inspire numerous cover versions, starting with Sister Nancy, Yellowman, and Pliers. It would also be sampled in numerous hip hop classics, and interpolated into Lauryn Hill's "Lost Ones." But according to Toots, he did not benefit financially from these endless cover versions. "People keep on singing it over and over and over, and they don’t even pay me a compliment," he told Boomshots. "I haven’t been collecting no money from that song all now."

 

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“This man don’t trouble no one... but if you trouble this man it will bring a Bam Bam” Original Maytals Classic @tootsmaytalsofficial 🎶 All them a talk, them nuh bad like Niya Fiya Ball ☄️🔥💥 via @tonyspreadlove . 💥💣🔫#Boomshots

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When Toots began singing in his parents' church, music was not seen as a career prospect, and the profits were slim for Jamaican recording artists in the 1960s. "Those days we get 14 cents for the record to play on the radio," Toots said. "I get three shillings and five shillings for a number one record, which I had 31 number one record in Jamaica... It’s not about money for me. It’s about the quality that Jamaicans need to go back in the festival jamboree... You gotta talk to the children."

On the poignant “54-46 (Was My Number),” Toots recalls the dehumanization of his arrest and 18-month imprisonment at Jamaica's Richmond Farm Correctional Center for what he always insisted was a trumped-up ganja charge just as his music career was taking off. The song's crescendo comes two minutes in when Toots breaks into a scat solo that cannot be translated into any language known to man, delivered with palpable passion that made his message universal. During Toots' ecstatic stage performances he would follow this riff by commanding his band to “Give it to me... one time!” Then the 'd make 'em say Uh!  (Way before Master P!) “Give it to me... two times!” Uh! Uh! And so on and so forth until Toots worked the place into a frenzy.

The Maytals' live show was so explosive that Toots began touring all over the world, opening for rock megastars like The Rolling Stones and The Who. While Bob Marley richly deserved the title King of Reggae, his friend Toots was performing internationally before The Wailers, and remained a force to be reckoned with throughout his life, blazing a trail for generations of reggae artists to follow in his footsteps.

On his Grammy-winning 2004 album True Love, Toots recorded some of his greatest hits with a host of legendary artists, many of whom were also good friends, including Willie Nelson, Mick Jagger, Keith Richards, Bonnie Raitt, Sheryl Crow, and Eric Clapton. His 2006 cover of Radiohead's "Let Down" was a favorite of the band's, who used to play it on their tour bus. Radiohead guitarist Jonny Greenwood called Toots’ version “truly astounding,” according to Easy Star Records Michael Goldwasser.

Toots supported himself and his family by touring all over the world. During a 2013 show in Richmond, Virginia he was singing John Denver's "Take Me Home Country Roads" when a teenager in the crowd threw a vodka bottle at the stage and hit him on the head. He suffered a concussion and had to stop touring for several years. As his first album in a decade, Got To Be Tough was highly anticipated when it was released on Trojan Jamaica label August 28. On the cover the former boxer and lifelong fighter can be seen throwing a punch. Just a day after the album dropped, Toots came down with symptoms similar to COVID 19. Within a few days he was hospitalized where doctors placed him into a medically induced coma from which he never recovered. As his Tidal obituary pointed out, he passed away exactly 33 years after his old friend Peter Tosh died by gunfire.

Songs like "Just Brutal" from the hit different now, with Toots pleading for more love in a world gone wrong. "We were brought here," Toots sings. "Sold out. Victimized brutally. Every time I keep remembering what my grandfather said before he died."

“I’m feeling alright,” Toots said the last time we spoke, while he was still sidelined with stress issues due to the bottle-throwing incident. "I’m feeling alright. I’m feeling alright. I’m feeling just cool because is Jah works. You seet?" I asked him if the song "Bam Bam," was about him—a peaceful man who should not be provoked—or else. "Nooo don't trouble him," Toots said with a laugh. "It’s gonna be double trouble, triple trouble. A lot of trouble."

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