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Premiere: Inayah Lamis Busts The Windows Out Of Toxic Love In Visuals For "Best Thing"

Lamis is a breath of fresh air in R&B thanks to her relatable lyrics and bubbly personality.

Breakups are never easy but let Inayah Lamis heal your heart with her cheeky video for "Best Thing." Inspired by true events, the Houston native sings about bitter feelings about love gone astray.

The emotional ballad is simple in production thanks to the presence of an acoustic guitar, allowing Lamis to show off her vocal chops. Reminiscent of 2000s R&B gems like "I Wished You Loved Me" by Tynisha Keli and recent classics like Tink's "Treat Me Like Somebody," Lamis finds the right words that almost anyone can relate to.

"The track “Best Thing” was birthed from a realtime heartbreak," she tells VIBE. "I went into the lab and wrote it while I was ending a relationship that had a strong hold over me. I literally cried in the booth as I was singing it. My hopes are that every woman or man that has been emotionally broken and taken for granted by a lover will feel comfort in knowing that leaving was the best thing they ever did for themselves."

Thanks to her around the way aura, the video plays off her personality with the presence of "Smakie Lamis" taking Lamis out of her sad girl feels over her deceitful partner, allowing her to hop in the whip and bust out some car windows–even if it's not her beau's car. Directed by Michelle Parker, the video also plays up Lamis' Houston swag as she rides around town in a candy green whip.

The budding singer knows how important her songwriting plays a role in her relationship with fans. Lamis previously shared a bit of her writing style with Refinery29, while opening up about the importance of body positivity.

"Anytime something impacts my life, I write it down and make a song out of it," she said. In her previous visuals for "Suga Daddy," the singer turned up the sexy for a good reason. "I've displayed my confidence as a chunky girl in this video. So many people have things to say about curvy, bigger girls. I feel like we're in a space now where we're able to finally have a voice and be free, and still be sexy. Particularly with the wardrobe, I wanted to show some skin, to show those curves, those back rolls, those fat little pockets I got underneath my chin and shit. I wanted to make sure I displayed that and rocked the hell out of it, confidently."

Lamis is gearing up to release her debut EP S.O.L.A.R. (Storytelling Over Lyrics and Rhymes) on Dec. 13. The singer hopes to share more stories her fans will appreciate and the masses will adore. Her come-up is a digital grassroots movement thanks to her remake of Ella Mai's "Boo'd Up" in 2018 leading to her debut studio single  "N.A.S.," an acronym for "Ni**as ain't S**t."

Taking things up a notch, Lamis announced the #BestThingChallenge to welcome fellow sangers to show off their vocals.

Before diving into the challenge, enjoy the visuals for "Best Thing" below.

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Ashanti Joins Omarion's Millennium Tour

Our prayers for a female presence on Omarion's Millenium Tour have been answered with one of the most talented singers in R&B.

On Thursday (Dec. 5), Omarion announced singer-songwriter Ashanti as a special guest for the upcoming tour. "So excited to announce that Ashanti will be joining The Millennium Tour lineup!" he said in an Instagram post. The singer announced the follow-up show last week to what was perceived as a B2K reunion tour featuring Mario, Lloyd, Pretty Ricky, Chingy, Bobby Valentino and the Ying Yang Twins earlier this year.

Hailed as The "Millenium Tour 2020," the new bill features Soulja Boy and Sammie, with the Ying Yang Twins, Pretty Ricky and Lloyd returning to the mix. The tour will also include Bow Wow, who has several jams (and an album) with Omarion like "Let Me Hold You" and "Girlfriend."

Before joining the tour, Ashanti was a special guest during Lloyd's performances of their 2004 hit, "Southside." With such a large and memorable discography, fans will be thrilled to hear some of the Grammy-winner's biggest hits like "Foolish," "Only U," and recent releases like "Say Less" featuring Ty Dolla $ign and "Pretty Little Thing" featuring Afro B.

This will more than likely be a another big financial boost to the tour. The inaugural Millennium Tour grossed $6.7 million from its first eight reports, according to Billboard and set a career-high for B2K. They also went on to earn $5 million from three additional dates at The Forum in Inglewood, Calif. (April 13-14), State Farm Arena in Atlanta (April 4-5), and Oracle Arena in Oakland, Calif. (April 12).

 

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Fabolous Clarifies Comments About Shiggy And Paid Promotional Posts

Fabolous is all about his friends–including Shiggy–making their bread. The rapper cleared up an assumed incident between himself and the comedian during an interview with Ebro in The Morning after he was criticized for slamming Shiggy for demanding a check for promoted social posts.

Earlier this week, an exchange between Fab, Casanova and Shiggy about the matter was seen on Instagram Live after Shiggy explained why he doesn't create "challenge" dances for free. In light of his new single "Choosy," he asked his pal for a #ChoosyChallenge dance post to support it. Shiggy said he would be down to do it–but had to receive a check first.

Shiggy's profile has skyrocketed since he created the #InMyFeelings challenge in 2018. The challenge helped boost Drake's single and led to the comedian going on tour with him. He's also found himself in some awkward situations with rappers nearly bullying him into providing his influence for their music. During Shiggy's exchange with Casanova and Fab, it seemed that Shiggy's request was frowned upon.

Speaking to Ebro, Laura Stylez and Peter Rosenberg, Fab says his criticism of Shiggy was a joke and he's well aware that the comedian should receive a check for his services.

"It was all a play to play with Shiggy," he said. "Shiggy is a joking person, so you joke back with him. So my joke to him was, this first time I'm seeing him, he was at my show, and just like, 'Wow, look at Shiggy.' So I hit Shiggy just because we was starting the challenge of it and just because I know him personally. We have a cool relationship.  So I was just like, 'Yo man, it'd be cool if you do something for the new joint, for 'Choosy.'' And he's like, 'Yeah, yeah, see if you get me a check or something.' And even when he said it, I didn't take no offense to it, because I even see now, social media and the social media influencers, record labels do that. But me personally, I don't personally pay people, you know what I'm saying? I even told him like, 'I'mma see if Def Jam can get you a check. Let me figure it out.'"

Shiggy hasn't responded to the drama but he did say in his Instagram stories, "I didn't change, I just learned my lesson."

Check out the rest of Fab's interview below.

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Miniseries Based On Uptown Records Heads To BET

In the age of documenting some of music's most pivotal entities, BET is stepping into that ring again with its latest series addition. The network gave the green light to a three-part miniseries that'll tell the story of Uptown Records.

Founded in the late 80s by longstanding music industry executive Andre Harrell, the label helped shape and promote the careers of Mary J. Blige, Al B. Sure, Heavy D & the Boyz, Jodeci, The Notorious B.I.G., and served as a springboard for Diddy to launch his own imprint, Bad Boy Records. The program will be executive produced by Jesse Collins who worked behind-the-scenes on the network's hit biopics The New Edition Story, and The Bobby Brown Story.

"I am thrilled to partner with BET Networks and Jesse Collins Entertainment to share my story, the rise of Uptown Records and successful black entrepreneurship, and the management and cultivation of some of the most iconic artists to come out of the late '80s and '90s hip-hop, R&B and soul music era," Harrell said in a statement.

In a 2012 interview with Mega Diversities, Harrell shared what encouraged him to embark on a journey in the music business.

In 1985, I was the road manager for LL Cool J.  We did a show in New Jersey.  At the time, his first album Radio was released and had critical acclaim with its hip-hop ballads and hybrid sounds.  It appealed to a younger music audience who were instrumental in the LP’s success.  I thought it was interesting that he became one of the first rappers to crossover.  The album went platinum. The record helped establish both with Def Jam as a label (with a distribution deal with Columbia Records the following year) and LL Cool J as a rapper.  Seeing the commercial success of the LP made me realize the benefits of being in the business side of the industry.  In addition, Radio contributed to the displacement of the old school hip-hop by the new school genre (where artists tended to compose shorter with a self-assertive style). This pivotal moment in the history and the culture of rap made me see that it was time to go behind the camera and find a new style for my future artists.

Uptown will premiere in 2020.

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