Solange Debuts New Site-specific Performance Piece At Getty Center, Los Angeles
Ryan Miller/WireImage

Solange Uses Her Divine Spirit To Calm The Mind And Body For "Bridge-s" Performance Piece

The artist spins gold with another stunning exploration into time.

There's a serene feeling over the bodies standing in the iconic architecture at the Getty Center Museum. Jazzy horns, peaceful keys, and crisp guitar riffs gently interrupt the soothing silence as dancers dripped in marigold threads swayed to "Counting," a composition created by Solange. A series of odd numbers like "5", "7" and "9" are recited on a loop by half of her dancers while the others chant "6", "4" and "2." It's just a preview of her latest creation Bridge-s but felt like a dynamic meditation.

Bridge-s brings yet another magnetic piece into her series of interdisciplinary works that spawned after the release of her magnum opus, A Seat At The Table. The world was introduced to Solange's artistic side thanks to performance art pieces at the Guggenheim in New York and the Hammer Museum in Los Angeles.

Composed by Solange and choreographed by Gerard & Kelly, Bridge-s was created with the pillars, beams, and columns around the museum in mind. Dancers and the orchestra used the space to their advantage, with tuba players catching the peripheral of attendees from afar.

Four rollouts will take place November 16-17, curated with a selection of films that include Black to Techno by Jenn Nkiru, AFRONAUTS and Boneshaker by Nuotama Bodomo, The State of Things by singer-songwriter Kish Robinson (Kilo Kish) and more. In its entirety, Bridge-s was designed to explore "transitions through time."

This was felt throughout the performance piece as dancers move with the intent of love, internal struggle, and unity. In a stunning zine designed by Sablā Stays, Gerard & Kelly shared the emphasis behind their modernist and inclusive approach.

"Our work, like hers, is part of an interdisciplinary effort throughout the arts and humanities to redefine modernism by critically engaging its prevailing narratives. By accounting for differences of gender, sexuality, and race. By focusing on intimate and collective histories. By centering our work around the body, dance and movement," they said.

Solange also opened up about the importance the museum and the Elbphilharmonie Hamburg played in the performance piece. "Both Elbphilharmonie Hamburg and the Getty Museum have sure strong distinctive voices spatially, and so the intention is that all of the work, the movement, the language, the songs all align with those principles," she said. "Working with Gerard and Kelly, who share many of the same philosophies on their approach to interpreting time and space through performance has really built the foundation [for] the spirit of this collaboration."

Like the rest of us, the artist watched closely the dancers glide across the floor, while bandmembers release enchanting sonnets with vocalists dropping a few high notes in between. Guests like Thundercat (and his Pikachu backpack), Kilo Kish, Dev Hynes of Blood Orange and Tyler, The Creator were also left speechless after the performance.

“I just want to thank you guys for allowing me the space to evolve, experiment and express new frontiers,” Solange said to the crowd after the assembly provided endless cheers.

Learn more about Bridge-s and get free tickets here.

From the Web

More on Vibe

Ashanti Douglas attends "It's a Wonderful Lifetime” first holiday party of the year at STK Los Angeles on October 22, 2019 in Los Angeles, California
Randy Shropshire/Getty Images for Lifetime

Ashanti Joins Omarion's Millennium Tour

Our prayers for a female presence on Omarion's Millenium Tour have been answered with one of the most talented singers in R&B.

On Thursday (Dec. 5), Omarion announced singer-songwriter Ashanti as a special guest for the upcoming tour. "So excited to announce that Ashanti will be joining The Millennium Tour lineup!" he said in an Instagram post. The singer announced the follow-up show last week to what was perceived as a B2K reunion tour featuring Mario, Lloyd, Pretty Ricky, Chingy, Bobby Valentino and the Ying Yang Twins earlier this year.

Hailed as The "Millenium Tour 2020," the new bill features Soulja Boy and Sammie, with the Ying Yang Twins, Pretty Ricky and Lloyd returning to the mix. The tour will also include Bow Wow, who has several jams (and an album) with Omarion like "Let Me Hold You" and "Girlfriend."

Before joining the tour, Ashanti was a special guest during Lloyd's performances of their 2004 hit, "Southside." With such a large and memorable discography, fans will be thrilled to hear some of the Grammy-winner's biggest hits like "Foolish," "Only U," and recent releases like "Say Less" featuring Ty Dolla $ign and "Pretty Little Thing" featuring Afro B.

This will more than likely be a another big financial boost to the tour. The inaugural Millennium Tour grossed $6.7 million from its first eight reports, according to Billboard and set a career-high for B2K. They also went on to earn $5 million from three additional dates at The Forum in Inglewood, Calif. (April 13-14), State Farm Arena in Atlanta (April 4-5), and Oracle Arena in Oakland, Calif. (April 12).

 

View this post on Instagram

 

A post shared by ⚡️Omarion ⚡️ (@omarion) on Dec 5, 2019 at 5:57am PST

Continue Reading
Getty Images

Fabolous Clarifies Comments About Shiggy And Paid Promotional Posts

Fabolous is all about his friends–including Shiggy–making their bread. The rapper cleared up an assumed incident between himself and the comedian during an interview with Ebro in The Morning after he was criticized for slamming Shiggy for demanding a check for promoted social posts.

Earlier this week, an exchange between Fab, Casanova and Shiggy about the matter was seen on Instagram Live after Shiggy explained why he doesn't create "challenge" dances for free. In light of his new single "Choosy," he asked his pal for a #ChoosyChallenge dance post to support it. Shiggy said he would be down to do it–but had to receive a check first.

Shiggy's profile has skyrocketed since he created the #InMyFeelings challenge in 2018. The challenge helped boost Drake's single and led to the comedian going on tour with him. He's also found himself in some awkward situations with rappers nearly bullying him into providing his influence for their music. During Shiggy's exchange with Casanova and Fab, it seemed that Shiggy's request was frowned upon.

Speaking to Ebro, Laura Stylez and Peter Rosenberg, Fab says his criticism of Shiggy was a joke and he's well aware that the comedian should receive a check for his services.

"It was all a play to play with Shiggy," he said. "Shiggy is a joking person, so you joke back with him. So my joke to him was, this first time I'm seeing him, he was at my show, and just like, 'Wow, look at Shiggy.' So I hit Shiggy just because we was starting the challenge of it and just because I know him personally. We have a cool relationship.  So I was just like, 'Yo man, it'd be cool if you do something for the new joint, for 'Choosy.'' And he's like, 'Yeah, yeah, see if you get me a check or something.' And even when he said it, I didn't take no offense to it, because I even see now, social media and the social media influencers, record labels do that. But me personally, I don't personally pay people, you know what I'm saying? I even told him like, 'I'mma see if Def Jam can get you a check. Let me figure it out.'"

Shiggy hasn't responded to the drama but he did say in his Instagram stories, "I didn't change, I just learned my lesson."

Check out the rest of Fab's interview below.

Continue Reading
Andre Harrell attends Premiere Of Netflix's "The Black Godfather" at Paramount Theater on the Paramount Studios lot on June 03, 2019 in Hollywood, California.
Leon Bennett/Getty Images

Miniseries Based On Uptown Records Heads To BET

In the age of documenting some of music's most pivotal entities, BET is stepping into that ring again with its latest series addition. The network gave the green light to a three-part miniseries that'll tell the story of Uptown Records.

Founded in the late 80s by longstanding music industry executive Andre Harrell, the label helped shape and promote the careers of Mary J. Blige, Al B. Sure, Heavy D & the Boyz, Jodeci, The Notorious B.I.G., and served as a springboard for Diddy to launch his own imprint, Bad Boy Records. The program will be executive produced by Jesse Collins who worked behind-the-scenes on the network's hit biopics The New Edition Story, and The Bobby Brown Story.

"I am thrilled to partner with BET Networks and Jesse Collins Entertainment to share my story, the rise of Uptown Records and successful black entrepreneurship, and the management and cultivation of some of the most iconic artists to come out of the late '80s and '90s hip-hop, R&B and soul music era," Harrell said in a statement.

In a 2012 interview with Mega Diversities, Harrell shared what encouraged him to embark on a journey in the music business.

In 1985, I was the road manager for LL Cool J.  We did a show in New Jersey.  At the time, his first album Radio was released and had critical acclaim with its hip-hop ballads and hybrid sounds.  It appealed to a younger music audience who were instrumental in the LP’s success.  I thought it was interesting that he became one of the first rappers to crossover.  The album went platinum. The record helped establish both with Def Jam as a label (with a distribution deal with Columbia Records the following year) and LL Cool J as a rapper.  Seeing the commercial success of the LP made me realize the benefits of being in the business side of the industry.  In addition, Radio contributed to the displacement of the old school hip-hop by the new school genre (where artists tended to compose shorter with a self-assertive style). This pivotal moment in the history and the culture of rap made me see that it was time to go behind the camera and find a new style for my future artists.

Uptown will premiere in 2020.

Continue Reading

Top Stories