BIA-1-vibe-VIVA BIA-1-vibe-VIVA
George J

BIA On Her Multifaceted Lyrical Prowess And The Power Of A Rihanna Co-Sign

BIA's independent journey is a lesson in sticking to your guns.

In November, Rihanna went on Instagram and shared a slow-motion video that shows her sauntering around in a bathing suit to "Best On Earth," a track by Russ and BIA. that she declared her "fav new song." Rihanna had already direct-messaged the artist about how much she liked the collaboration, which includes a lyric that mentions the mega-star and beauty mogul by name, but the public co-sign galvanized her 77.5 million followers and helped "Best On Earth" shoot up the Apple, Genius, and Billboard Emerging Artists charts. It also landed on Jay-Z's Top 40 Singles of the Year list. The moment has been huge for BIA, and it’s given her a wave of momentum as she starts a brand new chapter in her career.

BIA has felt a steady presence in the music industry since she signed to RCA Records and Pharrell’s i Am Other record label in 2014. She’s made songs with J Balvin, Kali Uchis, and Vince Staples, and she opened during Ariana Grande’s Dangerous Woman tour back in 2017. But while she’s been working pretty much non-stop, she made a massive decision this year: She left her label and chose to go independent. BIA spoke to VIBE VIVA and shared why it was important for her to go her own way—and opened up about what’s next for her.

2019 has been the start of a lot of major things for you. Tell us about what you’ve been working on.

I was doing a lot of writing sessions at the beginning of the year. I feel like I was just sharpening my pen the whole time, creating a whole bunch of music, and working on projects that I thought were going to come out but didn't end up making deadlines. So I just found myself with a lot of music and I just had to figure out, 'Okay, what am I doing?' And being newly independent, I had to figure out a new strategy. The past year has really just been, “What do I want to sound like and what do I want to give to the world in a new way?’ It’s been a creative process for me and now it's all coming together.

Why was it important for you to go in your own direction?

I think every artist goes through phases in [his or her] career, like seasons. I'm super thankful for RCA and Pharrell's people giving me a chance way early on. Even when people didn't think I was that good or didn't believe in me, they always did. I feel like I knew it was my time a long time ago, but I just had to watch other people. I had to see other people's success to be okay with it and that made me, I feel like, a way better person, not just an artist.

I think with artists like me who come from no music background, no music knowledge whatsoever, everything is self-taught. You get into this business and you're teaching yourself as you go along. Some people learn quicker than others. For other people, it takes a little bit longer. A lot of new artists think when you sign, it’s like, 'Okay, I made it.' But that's really just the beginning. You really just have to show up every time, even times that you feel like, 'Damn, I just showed up 10 times in a row and still, it didn't do anything for me.' It's going to be like that. It might be that 11th time that you showed up that changes your life. So I've had to stick with that mantra and believe in it my whole career.

Now that you're independent, we're already seeing the creative side of you this year. You had this song that's now-massive and a co-sign from Rihanna. How did the song come together?

Russ invited me to the studio. I was always a fan of Russ and he always liked my work as well. He was like, 'I'm going to be in LA recording. Hope you can pull up.' He played a couple of beats and that wasn't the first beat that he played, but that was the one that I was like, 'Oh, can we do this one?' And he's like, 'Yeah, I like this beat too. Let's put it up.' We knew it was a fire song, but we didn't know it was going to be like what it was.

How did it feel once Rihanna is talking about it and you're seeing it have this huge effect on the Apple charts?


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thank you @bia and @russ for my new fav song #BestOnEarth

A post shared by badgalriri (@badgalriri) on

I was waiting for it because she DMed me when I put our snippets of the song, and she was like, 'Oh, b***h, send this. It's fire.' So I was like, 'Girl. Don't play, I'll send it early.' Like, I was about to send her the song early before it even came out. Luckily, Russ just ended up dropping the song like an hour later because he's really spontaneous. He just drops visuals and songs out of nowhere and he'll put it up in five minutes. Literally, the video put it up in five minutes. I didn't expect it to be up, and then as soon as it went up, I sent it to her and she was just like, 'Yes, I love it.' Then the next day, she posted it. I couldn't even believe it. Well, I could believe it because I just ... I love her and I f**k with her. She's so genuine. I’ve never met her, but we've had conversations in the DM. But I've been following her my whole life.

We’ve seen so many musical sides of you—hip hop, Latin. Sonically, do you think you’ll stay in this “Best On Earth” vibe or will you experiment with other things you’ve done before?


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“The crazy part, some people know your value... they just hoping you don’t 🤷🏾‍♀️”

A post shared by BIA ✍🏽 (@bia) on

I'm so glad you asked. I love questions like that because I feel like sonically, you're supposed to change. Nobody's supposed to sound the same forever. You're supposed to experiment and try new things. So I feel like I like to think of myself as multi-faceted. I like to go into so many different genres. But I love "Best on Earth" so much because it feels so authentic, it feels so me right now. As you said, I do the hip hop and I can go in different directions, but this just feels like it's just true to self. So definitely more music in the hip hop space, in the rap space and, yeah, just the way I want to do it. Not too rappy, not too like ... my style is all over the place so I change it quite often.

Now that you're in this space where you're independent and enjoying new success, what do you want your next chapter to look like?

There's a lot of things that I want to do that I'm not even close to doing yet. I'm not like in a race for time to leave a legacy on the earth because I know that that takes time, but I just want to have a higher purpose.

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Cardi B Assures Fans She Doesn't Have Coronavirus After Hospitalization

Cardi B has clarified her recent hospitalization had nothing to do with the current coronavirus outbreak.

The rapper took to Instagram Live to clear up the rumors after she shared a photo of her with an identity band from a hospital. “I’ve been very f***ing sick these past five days–not corona,” she said Thursday (April 2). “I have really bad stomach issues. I started throwing up; I took a pregnancy test cuz a b***h never f***ing knows.”

As she tried to find out what was wrong, fans went into a frenzy with claims of coronavirus. “I threw up seven times," she said. "I didn’t want to go to the hospital, I went to the hospital. I was sick and [press] ran with it, then my publicist hit me up and it ain’t nothing coronavirus-related, thank God!”

The possible stomachache may be connected to the singer's first world problems of finding a perfect chef. “I don’t have nobody to cook for me. I hired a chef two times and they were nasty and expensive,” she said.

In lighter news, the rapper confirmed proceeds of her viral "Coronavirus" track will benefit those in need during the COVID-19 outbreak.

"Yes! That's what [we're] going to do!" Cardi B tweeted last week. "Keep in mind you don’t get your money right away...but even months from now there would be families with financial issues for getting laid off due to the virus. We will donate!"

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Aaliyah during TNT Presents - A Gift of Song - New York - January 1, 1997 in New York City, New York, United States.

Fans Rally For Aaliyah's Discography To Be Released On Streaming Platforms

As another day passes without Aaliyah's music on streaming platforms, fans are looking for answers.

Over the weekend, the hashtag #FreeAaliyahMusic appeared on Twitter in light of song battles between Swizz Beats vs. Timbaland and Ne-Yo vs. Johnta Austin. The latter opponents played their collaborations with the late singer, proving Baby Girl's dynamic relevancy in the age of modern R&B. As songs like "I Don't Wanna" and "Come Over" picked up plays on YouTube, the hashtag pointed out the tragedy of her songs not existing on platforms like Spotify, Tidal and Apple Music.

Aaliyah's only album on multiple platforms is her 1994 debut, Age Ain't Nothing But A Number. Other albums like the platinum-selling One in A Million and Aaliyah are being held in a vault of sorts along with other unmixed vocals by her uncle and founder of Blackground Records, Barry Hankerson.

Hankerson has built up a mysterious yet haunting aura over the years due to his refusal to release Aaliyah's music on streaming platforms. Reasons are unknown but Stephen Witt's 2016 investigation revealed business deals like the shift in distribution from  Jive Records to Atlantic helped Hankerson take ownership of the singer's masters. The deal was made in 1996 when Blackground featured artists like Aaliyah, Toni Braxton, R. Kelly, then-production duo Timbaland and Magoo as well as Missy Elliott.

Sadly, Aaliyah's music isn't the only recordings lost in the shuffle. Recordings from Timbaland and Toni Braxton have been hidden from the world with both taking legal action against the label over the years. There's also JoJo, who had to break from the label after they refused to release her third album. The singer recently re-recorded her first two albums.

With Aaliyah's music getting the attention it deserves, Johnta Austin discussed the singer's impact on R&B today. "It was amazing, she was incredible from top to bottom," he told OkayPlayer of working with the singer on "Come Over" and "I Don't Wanna." "I don't think Aaliyah gets the vocal credit that she deserves. When she was on it, she had the riffs, she had everything."

Earlier this year, an account impersonating Hankerson claimed her music would arrive on streaming platforms January 16, on what would've been her 41st birthday. A docuseries called the Aaliyah Diaries was also promoted for a release on Netflix.

Of course, it was far from the truth. Fans can enjoy selected videos and songs on YouTube, but it's clear they want more.


Aaliyah’s music is the landmark for a lot of your favs not only was she ahead of her time with her futuristic sounds she also was a fashion Icon dancer and phenomenal actress . The future generations need be exposed to her artistry and pay homage .#FreeAaliyahMusic

— Black Clover (@la_alchemist) March 29, 2020

Her first #1 solely based on AirPlay! She was the first ! #FreeAaliyahMusic

— (@hodeciii) March 29, 2020

Makes no sense for someone still so influential to be hidden. Many try to emulate her. On Spotifys This is Aaliyah playlist, theres some great tracks not on her main Spotify #FreeAaliyahMusic

— Blackity Black⁷ (@ClaudBuzzzz) March 29, 2020

Aaliyah is trending once again. She deserves endless flowers. This is true impact y’all. Her voice, her sound, her music...She’s been gone for 2 decades and y’all see the love for her is even stronger! We miss you baby girl! #FreeAaliyahMusic

— A A L I Y A H (@forbbygrlaali) March 30, 2020

Aaliyah said she wanted to be remembered for her music and yet most of it is not on streaming services #FreeAaliyahMusic

— RJR (@MyNewEssence96) March 29, 2020

aaliyah’s gems like more than a woman deserve to be in streaming sites #FreeAaliyahMusic

— k (@grandexrocky) March 30, 2020

I saw #FreeAaliyahMusic and IMMEDIATELY jumped into action! I can’t express how betrayed I felt when we were supposed to have all her music on Spotify by her birthday. Her discography is deeply underestimated and we need to make it right for our babygirl!

— jerrica✨ (@jerricaofficial) March 29, 2020

Before Megan The Stallion drove the boat...

Aaliyah rocked the boat...


— Al’Bei (@_albei) March 29, 2020

i think we should have that conversation #FreeAaliyahMusic

— AALIYAH LEGION (@AaliyahLegion) April 1, 2020

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Nicky Jam Shows The Good, The Bad And The Hustle In 'El Ganado' Bio-Series Trailer

It's been years in the making but Latinx superstar Nicky Jam is finally ready to share his truth with the authorized Netflix bio-series, Nicky Jam: El Ganador.

Sharing the trailer this week, the series will highlight Jam's journey in the music industry as well as the struggles he endured in the streets and more. The project is directed by acclaimed film and music video director Jessy Terrero and produced by Endemol Shine Boomdog, a division of Endemol Shine North America. The series will officially hit Netflix on April 21.

In the trailer, we see Jam in three stages: his youth, his rookie days in the game and the actual artist in the present. The creative take is bound to give fans another perspective of the Grammy-winning artist.

“I’ve been hearing from many of my fans on social media and when I talk with them in person, that they’ve been waiting for the chance to see ‘El Ganador’ in the U.S. on Netflix,” said Nicky Jam. “Now they will get to see it starting April 21 and I hope they enjoy it like so many others have across the world. I’m really proud of what we created.”

“I am excited about bringing this level of story-telling that is related to reggaeton music,” added Terrero. “The genre’s popularity gives our story and others like it the opportunity to reach a much larger audience. This is my mission with Cinema Giants. Nicky’s story is inspirational in so many ways. I am proud to be part of it.”

Jam recently celebrated another feat on the Billboard Latin charts. "Muevelo," his buzzy single with Daddy Yankee, reached No. 1 on both the Latín Airplay and Latin Rhythm Airplay charts. 

Check out the trailer for El Ganador up top and revisit our VIBE VIVA February cover story with Jam here. 

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