JAY-Z At Webster Hall
Theo Wargo

Jay-Z's 50 Most Underrated Songs

As Jay-Z turns 50, VIBE chooses 50 of his most slept on songs.

The following sentence is guaranteed to make you feel old: Jay-Z turns 50 on Wednesday, December 4, 2019.

Arguably the most celebrated hip-hop artist of all-time, Shawn Corey Carter, has lived multiple lifetimes as he comes to the halftime of life. He’s been a street hustler, a misogynistic, materialism fueled lyrical mastermind, a real musician, a successful businessman, a husband, a father, and a teacher. Looking back on a musical catalog that spans some 25 plus years, there's a substantial amount of standouts, from “Takeover” to “Hard Knock Life” to more recent triumphs like “Family Feud.” What about the tracks that fell through the cracks? The ones that had momentary flashes of adoration but have faded as the years have gone by? Here is a definitive list of Jay-Z’s 50 most underrated songs.

--

“Lucky Me” – In My Lifetime Vol. 1 (1997)

Arguably Jay-Z's most underrated song, "Lucky Me" is less about the sonic soundscape and more about the lyrics, which may be Jay's most introspective on wax, rivaling even that found on the profoundly personal “4:44.” The song sees Jay reflecting on the perils of fame and the legacy he wants to leave behind:

"And ain't nothing changed so even in my afterlife I show it up/Don't grieve for me, my art remains/Like a dart from the speaker to your heart/Spiritually through the portal now my words is immortal"

The song is easily missed on the flashy and braggadocio filled '...Vol. 1’, but it's one of Jay's most notable songs and timeless in its content around the trappings of fame and what it truly means to be Hov.

“Dopeman” – Volume 3...Life and Times of S. Carter (1999)

Playing out like a movie on record, the Digga-produced "Dopeman" is underrated in more than one sense. The tension-filled, anthemic production provides a canvas for Jay to testify in a mock trial as the state brings charges against Jay's "criminal enterprise" known as Roc-A-Fella Records. The songs second verse is a time capsule looking back at late 90s hip-hop and the music business that was:

"Your distribution's Polygram, and through your connects/Def Jam, you pushed over five million SoundScan/And not to mention, your cohorts and henchmen/Dame, Biggs, Lyor, Kev and Russell Simmons/And we ain't gon' talk about Murder Inc./that just establishes a deeper, darker criminal link."

Storytelling in rap isn't a lost art per se, but storytelling that puts the listener in the courtroom and builds suspense throughout the song is rare, and "Dopeman" is one of hip-hop’s best examples of storytelling as a part of the art form.

“Young, Black & Gifted Freestyle" – S. Carter Collection (2003)

Appearing on Jay-Z's only official mixtape (don't we wish now that Hov was more prolific in the mixtape game?), "Young, Gifted & Black" features one of Jay's most fluid flows as Jay goes in over Big Daddy Kane's "Young, Black and Gifted" instrumental, originally produced by Marley Marl.

Some of the freestyles most memorable bars include:

"I'm America's worst nightmare/I'm young, black, and holdin' my nuts like "Geah!"/Y'all was in the pub, havin' a light beer, I was at the club, havin' a fight there"

"Downloadin' all our music on ya iPods there/I'm Chuck D, standin' in the crosshairs here"

“Caught Their Eyes” Feat. Frank Ocean – 4:44 (2017)

As anticipation built for the release of Jay's 4:44 album and guests and rumors began to swirl, fans locked in on "Caught Their Eyes" with Frank Ocean. The song doesn't immediately stand out as one of 4:44's most lyrically dense; however, the No I.D.-produced track expertly sampling Nina Simone's "Baltimore" is hypnotizing to the ear. And this isn't to say that it doesn't deliver lyrically either. Jay's 2nd verse is a glimpse into the music business, and Hov's relationship with the late Prince as Jay doesn't shy away from calling out those who he believes profited from the singer's death:

"Now, Londell McMillan, he must be color blind/They only see green from them purple eyes"
"You greedy bastards sold tickets to walk through his houseI'm surprised you ain't auction off the casket"

“Cashmere Thoughts” – Reasonable Doubt (1996)

In a 2011 interview with Complex, “Cashmere Thoughts” producer Clark Kent said the song was a joke of sorts with him and Jay talking pimp sh*t back and forth at the beginning. But the song is anything but a laugh as the song sees Jay pre-super stardom spitting pure pimped out, braggadocio lyrics saying his words are “worth a million” like he was spitting them through platinum teeth. Clark Kent’s production on “Cashmere…” is wildly underrated as he beautifully spins Hamilton Bohannon’s “Save Their Souls” into a groovy street soundscape for Jay to talk his sh*t.

“I Know What Girls Like” Feat. Puff Daddy and Lil’ Kim – In My Lifetime, Vol. 1 (1997)

“I Know What Girls Like” isn’t a great song, but time has rendered the jiggy-era track from “In My Lifetime Vol. 1” more impressive. Save for the stomach-turning chorus, verses from Lil’ Kim and Jay-Z are everything late 90s hip-hop was: flashy, filled with innuendo, and hosting enough brand name drops that pretty much every listener felt poor as hell listening to the song.

Safety deposit in the walk-in closet/Marble faucets and matching Rolls Royces” spits Lil’ Kim in a time in Hip-Hop when Bad Boy and ‘The Roc’ ruled the world.

“If I Should Die” (Feat. Da Ranjahz) – Vol.2...Hard Knock Life (1998)

Roc-A-Fella artists before there was actually a Roc-A-Fella, Wais and Haph AKA Da Ranjahz appear on the Swizz Beatz-produced “If I Should Die” off Jay’s breakthrough album Vol. 2...Hard Knock Life. Beat wise it’s a time capsule to Swizzy’s stutter-step, spastic production, and what makes the song underrated isn’t so much Swizz or Jay but rather some underappreciated verses by the aforementioned Wais and Haph. Haph (or Half Dead as he was known then) especially comes through with some vicious, vivid bars to finish off the song:

“I'll be down in hell scorchin' preparin' for life/Afterlife still torchin' and blazin' these mics/It'd rain for 40 days and 40 nights/And I'd return on the 3rd like Christ/(Without my physical portion)/My spirit a poltergeist for sureI'll be back through the Heights tomorrow/Blood over y'all fake ni**as door”

“Snoopy Track” (Feat. Juvenile) – Volume 3...Life and Times of S. Carter

Sounding like an engine revving at the starting gates of the Indy 500, the Timbaland-produced “Snoopy Track” off Jay’s Vol. 3 released in December 1999 is an impressive coming together of Hov’s growing NYC rap domination, and Juvenile’s Cash Money bred southern slick talk. It would be easy to make the argument for “Snoopy Track” being of Jay’s top three most underrated songs if it weren’t for what is ultimately hollow lyrical content, but pure uncut dope nonetheless. Juvenile assists on the song's hook while Hov tells tales of “Spanish cats with the keys of coca” and liking women with Gucci shoes and “new coochie.

“There’s Been A Murder”– Volume 3...Life and Times of S. Carter (1999)

If you've forgotten this gem from 'Vol. 3…", one only needs to go back and look at the lyrics of this hidden masterpiece which reads like the script for the yet-to-be-produced Jay-Z biopic:

"Follow the life of this reckless minor/At sixteen in the 600, unlicensed driver/Playin', cops and robbers, like shots can't stop us/Flippin' a bird to the choppers (f**k you coppers!)"

The song gets its charge from the Alana Davis-sampled chorus with the aching refrain of "think there's been a murder…" Lost in the tales of drugs, gun, murder, and hustling is the fact that the song is the first time Hov "killed Jay-Z" with the 2nd being on "Kill Jay-Z" off his 4:44 album.

“Soon You’ll Understand”– The Dynasty: Roc La Familia (2000)

Relationships are complicated, and Jay-Z attacked them head-on with "Soon You'll Understand," one of the few solo tracks on Jay's should-have-been-a-compilation 'The Dynasty…' album. Rumors suggest the song is about model Shenelle Scott, a model who Hov was once rumored to have a child with. Song's intended target aside, the haunting Just Blaze production allows Jay to paint pictures of relationships lost amidst guiding exes in his black book:

"But still when your boyfriend ditched you, life's a bi**h you cried/Over my right shoulder, I told you to wipe your eyes/Take your time when you liking a guy/'Cause if he sense that your feelings too intense, his pimp'll die"

“Girls, Girls, Girls Part 2” – The Blueprint (2001)

A hidden treasure for Hip-Hop purists, Jay-Z’s “secret” track from his hip-hop classic The Blueprint album is a chest of historical music facts. Most people know about the uncredited Michael Jackson background vocals. The song is also one of Kanye’s first beats for Hov and along with MJ, features background vocals from Chante Moore. Pt. 2 brings substantially more soul than its album single counterpart “Girls, Girls, Girls,” thanks to a smooth Persuaders sample of their song “Trying Girls Out”.

Where the original “Girls, Girls, Girls” was more accessible for the masses, “Pt. 2” is dripping with soul and brings a stronger lyrical performance from Jigga:

“I'm lookin' for a Southern girl that cook like Patti LaBelle/Big ghetto booty, scarf over her doobie/Chanel under the Louis, Gucci over her booty”

“Bi**hes & Sisters” – The Blueprint 2: The Gift and the Curse (2002)


Sisters work hard, b**ches work your nerves” said Hov on his criminally unnoticed “B**ches & Sisters” bonus track from his bloated The Blueprint 2… album (but hey, “mid” for Hov is the peak for many). Sampling N.W.A.’s classic “A B**ch Iz A B**ch” and Kim Weston’s 70s cut “When Something is Wrong with My Baby,” the song sees Jay breaking down the differences between “b**ches” and “sisters.” Some examples? “Sisters tell the truth, b**ches tell lies,” “Sisters do it slow, b**ches do it fast”...you get the point. For his part, Just Blaze gives Jay a horn-fueled banger to spit game on what could be considered one of the Roc-A-Fella honcho’s last overtly misogynistic songs.

“Guns & Roses” Feat. Lenny Kravitz –The Blueprint 2: The Gift and the Curse (2002)

It’s not everyday Lenny Kravtiz guests on a Hip-Hop track. The forgotten banger from Jay-Z’s only truly average album ‘The Blueprint 2…’ is chock-full of interesting facts that make this one a must revisit track from Hov’s catalog. First off, the song samples Cake’s “Arco Arena.” What makes the Cake sample even more impressive is it was crafted into the song’s track by the late hip-hop pioneer Heavy D. In one of his last interviews in 2011, Heavy D told Tim Westwood that he played the track for Jay-Z in Los Angeles as they drove around. Jay crafted the lyrics in his head. Little known fact: Hov and Lenny performed the song on Saturday Night Live in 2002.

“Meet the Parents” – The Blueprint 2: The Gift and the Curse (2002)

Because of the mixed reaction to its initial release, not much credit is given to Jay-Z's The Blueprint 2… album. Not only did it follow up one of the essential albums in music's history with The Blueprint, but the collection was bloated with substantial filler. That being said, it's time to give Hov and Just Blaze their flowers for some of what they did on the project. Case in point: "Meet the Parents." Just Blaze's synthy, gloomy backdrop was the perfect track for Hov to speak on the perils of street life and telling a story with the ultimate lesson of being there for your children. One of the song's more emotional moments is Hov's nod to the passed on B.I.G. and Aaliyah:

"So, give Big a hug, tell Aaliyah I said hi/Till the next time I see her, on the other side"

“Do U Wanna Ride” Feat. John Legend – Kingdom Come (2006)

As the story has been told, Jay-Z's close friend Emory "Vegas" Jones was sentenced to 16 years in prison, missing Jay's meteoric rise to the top of the entertainment world. But like a good friend, Jay never abandoned Emory, ultimately helping secure his early release with a job offer at Rocawear. Now a successful executive at Roc Nation and entrepreneur with his  ‘Bet on Yourself' Puma collaboration, Emory has turned his life around.

It wasn't always this good, however, and Jay's Do U Wanna Ride from his Kingdom Come album was a letter to his incarcerated friend, even beginning with a recording of a call Emory made to Jay while locked up. The song was said to have been critical in keeping Emory's spirits up while serving his sentence. As Hov says on the song, any time Emory called him while inside he just wanted to hear Jay "talk fly" and Hov does just that on the song's 2nd verse:

"International Hov, I told you so/ 40/40s out in Tokyo/ Singapore, all this from singing songs"

“30 Something” – Kingdom Come (2006)

Getting older is unavoidable, but aging gracefully is within your hands. Jay-Z's 2006 track "30 Something" aimed to shine a light on aging Hip-Hop fans, including Hov himself. The song set out to teach Jay's aging audience how he has managed to transition gracefully into adulthood. Think of it as a precursor to Jay telling fans about the artwork he bought for one million with early investment advice around stocks and clubs:

"I don't got the bright watch, I got the right watch / I don't buy out the bar, I bought the nightspot/I got the right stock"

Dr. Dre mans the boards and while Dre's production on "30 Something" won't have anyone confusing it with "Still Dre," it's reliable and shines on the song's remix with Ice Cube and Andre 3000.

“People Talkin'” – MTV Unplugged (2001)

After making history with his MTV Unplugged live album backed by The Roots playing his hits, Jay-Z placed this gem as a hidden track at the end. Armed with a beautiful sample flipped by frequent collaborator Ski Beatz, Hov celebrates his rarity and his excellence in hip-hop through that point of his career. "Damnit man, this is a gift from God," he insists. Amen.

“Heaven” – Magna Carta Holy Grail (2013)

When people list Jay-Z's "hardest" songs, it's unlikely they reference the Timbaland, The-Dream, and J-Roc produced "Heaven" from 2013's often panned Magna Carta Holy Grail album. But when Jay spits "arm, leg, leg, head - this is God body" with ferocity, Hov launches into an examination of religion, life, and death that can only be described as one of Jay's more underappreciated songs. Hov even tackles the Illuminati rumors head-on providing a believable explanation: "Conspiracy theorist screaming Illuminati/They can't believe this much skill is in the human body."

Fun fact: The song was supposed to feature Ghostface Killah and Raekwon.

“Somewhereinamerica” – Magna Carta Holy Grail (2013)

"Somewhereinamerica" should be remembered as one of Jay-Z's most poignant on racism and the state of race relations in America. Unfortunately, it's more often remembered for the line "Cause somewhere in America/Miley Cyrus is still twerkin'" which was followed up by a Miley tweet and subsequent Hov acknowledgment.

Hov seemingly brushed off the line as a slight at Miley but looking at the context of the song's lyrics, it's obvious it's a sharp commentary on not only white appropriation of black culture but the out front racism of new America: "New money, they looking down on me."

“This Life Forever” – Jay-Z: The Hits Collection, Volume One (2010)

For the Jay-Z purists, "This Life Forever" is about as pure as it gets for a song that didn't appear on 'Reasonable Doubt.' The underrated street hustler's tale appears on the 1999 soundtrack for the unreleased film Black Gangster based on the 1972 novel by Donald Goines. Much of the credit for the purity of "This Life Forever" goes to Queens producer Ty Fyffe whose hard drums give Hov the canvas to spit lyrics like:
"I'm the truest ni**a to do this, ni**a, and anything else is foolish/Like those who stay high, under God's grey skies/My lyrics is like Bible, made to save lives"

And when Jay says, "All day, socks explode and sweatpants pockets is bulging" you can see a young Shawn Carter on the corner moving his work while dreaming of what could be.

“Imaginary Players” – Reasonable Doubt (1996)

The Prestige produced “Imaginary Players” could have easily found itself on The Blueprint. The Rene & Angela-sampled track is dripping with soul as Hov speaks on his pre-and post-rap riches and his love of finer things. It’s interesting to look back and see the brands name-checked by Hov back in the late 90s - Cartier, Versace, Hummer, and Rolex. “Imaginary Players” is really that “down south Master P, bout it, bout it” sh*t as the listener rides shotgun with Hov early rap fame and seeing visions of what the future holds.

“Always Be My Sunshine” Feat. Foxy Brown & Babyface – In My Lifetime Vol. 1 (1997)

Wait, underrated? Wasn’t this is one of Jay-Z’s most successful songs? Not really. “Sunshine” peaked at #95 on the Hot 100 and #16 on the rap charts. And chart struggles aside, the song was the one in Jay’s career that seemingly everyone loves to hate, including former Roc-A-Fella executives. In an interview with the ItsTheReal podcast in 2017, Roc Nation’s Lenny S. said, “We were kinda digging out of a hole after “Sunshine,” and the video didn’t help…”

But is the hate warranted? Ring off “Sunshine” at any party and no one is going to tell you to turn it off. The Prestige-produced track samples MC Lyte, Alexander O' Neal, Kraftwerk, and The Fearless Four providing a sugary canvas for Jay and Foxy Brown to trade playful lyrics while Babyface lends his vocals to the song’s hook. No, “Sunshine” is not Blueprint quality Hov, but it is one of the jiggy era's more enjoyable guilty pleasures.

“Rock Star Freestyle" – S. Carter Collection (2003)

With a nod to Run-DMC’s “King of Rock” to kick off the freestyle, Jay’s destruction of N.E.R.D’s “Rockstar” beat off the ‘S. Carter Collection’ mixtape was the official signal to Jay’s “retirement” when the Roc head honcho rapped “Rap’s my hobby, spending money’s my job.

Hov had reached such heights at the time of the freestyle that a comparison like “bigger than U.S. steel” (U.S. steel was at the time the 15th largest steel producer in the world) didn’t seem so far fetched. By no means Hov’s most magnificent set of bars but a forgotten moment off of Jay-Z’s only official mixtape.

“Glory” Feat. Blue Ivy

In the music blog era, the drop of “Glory,” Jay-Z’s tribute to the birth of his daughter, was a huge moment. At the time of its release, Rolling Stone called the record “rushed,” but a more accurate description of the song is “pure.” Featuring the first sounds of his newborn daughter, the Neptunes-produced track is one of Jay’s most-open lyrically on wax. The feelings of a new father seep through lines like “Your mama said that you danced for her/Did you wiggle your hands for her?” and deeply personal bars around previous miscarriages suffered by Jay and B. “False alarms and false starts/All made better by the sound of your heart.”

But it’s the song’s 2nd verse that genuinely cements this as one of Jay’s most underrated. Where the first verse sees Jay reflecting on his daughter’s birth, the second speaks to some of Jay’s trials growing up, including those with his father: “Your Grandpop died of ni**a failure/Then he died of liver failure/Deep down he was a good man.

“The City is Mine” Feat. Blackstreet – In My Lifetime, Vol. 1

What makes “The City is Mine” notable is that it feels like New York City at night. When Jay says, “I snatch your girl if your arm ain't strong enough/plus y’all don't stay in the studio long enough” you can visualize the late-night NYC studio sessions followed by club nights into the wee hours of the morning in the early Roc days. The song, like much of the shots at Pop stardom on ‘...Vol. 1’ was a moderate success and sure, the Teddy Riley production and Blackstreet helmed chorus isn’t the hardest you’ll ever hear Hov coming. However, much like “Sunshine”, the song’s lyrics still hold to what made people fall in love with Jay-Z in the first place: clever wordplay, vivid lyrics, and a sense of motivation for the listener who saw the street hustler beginning to rise Rap’s ranks.

“Party Life” – American Gangster (2007)

Somewhere between underrated, despite overall incredible reviews, and misunderstood, you will find Jay-Z’s American Gangster album. A concept project inspired by the film of the same name starring Denzel Washington, the album was steeped in 70s soul and funk with Diddy and The Hitmen helming the boards for six of the album’s tracks.

“Party Life” isn’t one of the tracks that jump out immediately from the project, but it encapsulates the build of the project. Diddy and team more or less jacked Little Beaver’s “Get Into the Party Life” for the song which Jay-Z chews up and spits out, using a slower, almost Southern drawl flow with tales of parties, sex and enough classic gangster references to fill a novel:

“I make it look good to be this hood, Meyer Lansky/Mixed with Lucky Lefty, gangster effortlessly”

“Dear Summer” – Memphis Bleek: 534 (2003)

In 2005, two years had passed since Jay-Z released what many believed was his swan song with The Black Album. So that made "Dear Summer," his solo song on Memphis Bleek's album 534, particularly resonant when it dropped. Over a nostalgic production by Just Blaze, Hov writes a breakup letter to the summer, in homage of the way that he would drop a new record or start the album cycle during the summer of every year. Thankfully, he would return full force the following year with Kingdom Come, launching a new era of his already storied career.”

“Ignorant Sh*t” Feat. Beanie Sigel – American Gangster (2007)

Yes, Just Blaze killed "Ignorant Sh*t." Yes, both Jay-Z and Beanie Sigel skate on this track like they play for the New York Rangers. And yes, "Ignorant Sh*t" is underrated - underrated in the sense that it should forever be referenced for being one of Hov's brightest moments. Digging deeper into Jay's lyrics on the 'American Gangster' track, Hov gets in between the bars on this one:

"Then, actually, believe half of what you see / None of what you hear, even if it's spat by me / And with that said, I will kill ni**as dead"

It's like Jay pulled back the curtain on hip-hop the same way CM Punk pulled back the curtain on pro wrestling during his infamous pipe bomb promo, exposing the scripted nature of much of what you hear on a record.

"Oh My God" – Kingdom Come (2006)

With its hints of “U Don’t Know”-like rowdiness and ferociousness, but with a bit of a lighter feel, the Just Blaze-produced “Oh My God” is a standout from Hov’s Kingdom Come album. Just’s masterful sampling of “Whipping Post” (originally performed by The Allman Brothers Band) anchors the chorus screams of “good lord” as tension builds into each verse. The 3rd verse is the highlight with Hov recanting visits to Africa and having dinner with Italian designer Roberto Cavalli:

“I got crowned king down in Africa/Out in Nigeria, do you have any idea/Sold out shows out in Seoul, Korea/Jo'burg, Dublin, Tanzania/Lunch with Mandela, dinner with Cavalli”

“I Made It” – Kingdom Come (2006)

Never one to shy away from braggadocio bars, "I Made It" off Jay's Kingdom Come album is one of those rare moments where it's less about making a hit and more about therapy. The therapy, in this case, is what feels like Jay-Z finally exhaling the countless hours in the studio, trials and tribulations and trappings of success to proclaim that he had “made it.” The first two verses recap Jay's relationship with his mom Gloria Carter with the 3rd bringing the song to the present day, giving the listener a glimpse into Hov's current relationship with Mrs. Carter:

"CEO of Carter Foundation, wow! I know pop looking down/I know Colleek somewhere up in the clouds like/Go get 'em Grandma make me proud"

Colleek is the reference to Jay-Z's nephew who passed in a car accident in 2005. Jay references the incident on "Lost One", another standout from his Kingdom Come album:

"My nephew died in the car I bought / So I'm under the belief it's partly my fault"

“Bam” Feat. Damian Marley – 4:44 (2017)

4:44 is arguably Jay-Z’s latest hip-hop classic filled with painfully personal lyrics around infidelity, loss, and redemption. “Bam,” while one of the album’s more shallow moments (i.e. it doesn’t talk about family or cheating on Beyonce), the song is underrated for one primary reason. Where much of 4:44 is meant to make the listener think and look inwards at their own life, “Bam” serves one primary purpose: to show that Jay-Z can still get a listener amped and bang their head. – nothing more, nothing less. It sees Jay leaving the family talk alone and getting back to that Pyrex talk telling tales of stuffing a million in a sock drawer and having ARs before A&Rs.

“Anything” –  Beanie Sigel: The Truth (1999)

When Beanie Sigel dropped his Rocafella debut The Truth in 1999, label boss Jay-Z provided his client with an assist by placing the solo song "Anything" on the album. The song had similar vibes to "Hard Knock Life," the breakout single from his album Vol. 2...Hard Knock Life that dropped the year before: clunky drums, a sample of a child singing on the hook, and lyrics that reminisce on his time growing up in Brooklyn's Marcy Projects. The song also appeared on the European version of Vol. 3...Life And Times of S. Carter as a bonus track.

“Intro” ‘The Dynasty: Roc La Familia (1999)

A Jay-Z album intro track is always a thing of beauty. From the classic that is “Intro / A Million And One Questions / Rhyme No More” off Vol. 1 to “The Ruler’s Back” off The Blueprint, it’s always a guarantee that the opening darts on the board from Hova are sure to be fire. “Intro” off The Dynasty… album is one of Hov’s intro tracks that many people don’t immediately look at as a “go-to,” but once it’s played, memories of just how fire it is coming rushing back. If “Intro” was on The Blueprint or Vol. 1 or one of any other more memorable Jay albums, it would be a more recurring play. It isn’t a stretch to say that the production on this is some of Just Blaze’s most exceptional work ever.

Interesting fact: The singing in the sample that occurs every four bars was a mistake due to two separate loops playing at the same time. In the end, it’s one of the most memorable parts of the song and cements this as one of Jay’s underrated intros.

“100$ Bill” – Various Artists: Music From Baz Luhrmann's Film The Great Gatsby (2013)

Don’t feel too bad if your first response was, “what Jay-Z song is this?” Jay’s contribution to The Great Gatsby soundtrack didn’t exactly light the music world on fire, but it’s worth a revisit if for nothing the way Jay dissects the “roaring 20s” and compares it to modern-day. When Jay compares himself to Mark Twain as a writer or to Malcolm X as a revolutionary, it’s like Hov verifying his pages in music’s history book. Producer E*Vax gives Jay one of the more awkward, skittish beats of his career, which makes this one a little less pleasing to the ear but worth a revisit nonetheless.

“In My Lifetime” (Remix) – Various Artists: Streets is Watching (1998)

“In My Lifetime” (Remix) is 90s hip-hop encapsulated in 4 minutes and 37 seconds of pure bliss. Nothing but an incredible Jaz-O rework of the original track produced by Ski and a fresh-off-the-streets Jay-Z enjoying life “lettin the Cristal breathe at the Barnacle Bar.” The song continues the theme of early Jay-Z struggling with his past experiences with lines like “I’m a prisoner of my crimes.

“A Week Ago” Feat. Too $hort – Vol 2 ... Hard Knock Life (1998)

MIA producer J Runnah helms the beat on Jay-Z and Too $hort's collaboration off Jay's Vol. 2… album. Fueled by a beat centered around 80s-like rock guitars and devastating piano keys, Hov and $hort tell the all too common street tale of a former partner snitching when the chips are down:

"I ran to the spy store to add some more features on my phone/To see if I had bugs and leeches on my phone/Can't be too safe, 'cause ni**as is two-faced"

The song is said to be directed at Jay-Z's former friend DeHaven Irby who Jay has accused of snitching on songs in the past.

“What We Talkin’ About” Feat. Luke Steele – The Blueprint 3 (2009)

“I ain't talkin' about gossip, I ain't talkin' about Game/I ain't talkin' about Jimmy, I ain't talkin' about Dame/I'm talkin' about real sh*t, them people playin'”

With those bars, Shawn Carter took yet another step in leaving the old Jay-Z behind. This underrated album cut from The Blueprint 3 features MGMT's Luke Steele on the song's hook. "What We Talkin' About" is Jay's shot at the critics and the fans for that matter, asking for the old Hov or wanting to know about perceived shots at the throne from other emcees. While the song isn't the pinnacle of Jay album intros, there are still some true lyrical gems to be found here, including Jay reminding people of his part in getting Barack Obama elected to office: "A small part of the reason the president is black."

“I Can’t Get Wid Dat” B-Side

The first comment under the YouTube video for Jay-Z’s “In My Lifetime” b-side is “I wanna see Jay z rapping like this in 2019.” And with good reason. “I Can’t Get Wid Dat” is a lesser-known Hov time capsule to his “wiggity wack,” Das-Efx like early 90s flow. The crazy thing about “old” Hov is that the vocal inflections and vibe have never been lost. In a way, this track from 1994 captures why Jay-Z is still at the top of the hip-hop world in going into 2020: presence, a raw but crisp delivery, and the ability to ride any track, including this Clark Kent banger, to critical acclaim and adoration.

“You Must Love Me” – In My Lifetime, Vol 1 (1998)

"You Must Love Me" type hip-hop music is unfortunately not made too often anymore. Sure, rappers make songs about life's trials, growing up in stressful situations and doing wrong to those close to them, but how authentic is it truly? "You Must Love Me," a Kelly Price-featured gem that gets somewhat lost in the "jigginess" of Hov's In My Lifetime..., feels real. It feels so real that the listener can envision Jay stealing from his mom's purse, shooting his brother, or having "girlfriends" smuggle drugs on planes. It’s one of those rare moments where a song becomes so vivid that it makes the listener feel like they’re hearing things they shouldn’t know about.

“It’s Like That” Feat. Kid Capri – Vol. 2...Hard Knock Life – (1998)

Nothing revolutionary content-wise, this standout from Kid Capri’s Soundtrack to the Streets album also appeared on Jay’s third album Vol. 2...Hard Knock Life. Produced by Kid, the song sees Jay politicking on his street origins and singling out the only rappers he f**ked with at the time:

“You dudes is too soft, why I don't f**k with you all I might bark at X, or spit at The LOX/But, other than that, I don't be f**kin' with cats”

“I Did It My Way” – The Blueprint 2: The Gift and the Curse (2002)

In hindsight, “I Did It My Way” could have been a bigger song for Jay-Z had the label ante’d up on sampling the Frank Sinatra version of “My Way” rather than the Paul Anka version, which Hov communicated at the time was the cheaper route.

“All Around the World” Feat. LaToiya Williams – The Blueprint 2: The Gift and the Curse (2002)

The lyrics from “All Around the World” aren’t going to sit in any hip-hop hall of fame, but this forgotten track from Jay’s The Blueprint 2… album is fun. And many times “fun” hip-hop is cast away shortly after its release due to its lack of substance, but there are some great bars on this song – not because of the content but Jay’s uncanny ability to use flow and cadence to make something stay in the listener’s head:

“London, England, South of France/And all points between they know about your man / Konichiwa ladies when I'm out in JapanI'm a Tokyo Giant like Ichiro, I am”

“Runnin', then I wake up in Martha's Vineyard/St. Bart's this year, I think I'm gon' spend Christmas/Reminiscin' 'bout the time my mom couldn't spend Christmas”

Whether the Ichiro line or Hov’s double-play on “Christmas,” the song’s concept is simple, but there are more to the bars than what’s on the surface.

"Blueprint 2” – The Blueprint 2: The Gift and the Curse (2002)

Ask most hip-hop fans, and they'll tell you that the classic rap beef that was Jay-Z vs. Nas is primarily wrapped up in Nas' "Ether" and Jay's "Takeover" and "Supa Ugly" (which was so disrespectful that Jay's mom made him apologize). But Jay-Z's "Blueprint 2" off The Blueprint 2: The Gift and the Curse is a wildly underrated chapter in the story of one of Rap's most historic beefs. Yes, the chorus is beyond awful, but the song contains some of Jay's best body blows at Nas:

"Is it Oochie Wally Wally or is it One Mic?Is it Black Girl Lost or shorty owe you for ice?"

"And the little homie Jungle is a garden to me"

"Can't y'all see that he's fake, the rap version of T.D. JakesProphesizin' on your CD's and tapes"

The almost comically apocalyptic backdrop from producer Charlemagne isn't "Takeover" level punishing, but it serves the purpose for Jay's last shots in the battle.

“Show You How” – The Blueprint 2: The Gift and the Curse (2002)

The appropriately titled “Show You How” is the essence of Jay-Z’s famous line “I can’t help the poor if I’m one of them” off his classic Black Album song “Moment of Clarity.” The song provides the listener specific instructions on how to ball-out like Hov and go after what you want in life. But it’s the fairer species who may have gotten blessed most by Hov on this album cut:

“And ma don't give him nothin', unless he's treatin' you special/Soon he'll get desperate, and go down and bless you/And when he come up for air, with a mouth full of hair/Just grab your coach bag and get the f**k outta there, yeah”

“Minority Report” Feat. Ne-Yo – Kingdom Come (2006)

It’s hard to believe that “Minority Report” isn’t celebrated more when it comes to Jay’s broader catalog. Similar to Lil’ Wayne’s underrated “Tie My Hands”, the challenging subject matter on “Minority Report,” centered around the devastating Hurricane Katrina that battered New Orleans in 2005, opens up wounds around race in American that many listeners likely don’t want to revisit too often. Which is a shame because the song contains some of Jay’s most meaningful bars, including one of the truest ever spoken on record at the onset of the song - “People was poor before the hurricane came...

As much as the song is about America’s response to the hurricane, it’s also about Jay-Z looking inward at his response to the tragedy and questioning if he did enough: “Sure, I ponied up a mil' but I didn't give my time/So, in reality, I didn't give a dime.

“Nickels and Dimes” – Magna Carta Holy Grail (2013)

At the time of Magna Carta Holy Grail’s Samsung-sponsored release, Jay-Z produced a series of videos where he talked about the meaning behind the album’s songs including the underrated “Nickels and Dimes”:

The song’s theme is one many can relate with who have found success in life despite close friends, family, or even strangers for that matter continuing to struggle day-to-day. How do the successful reconcile a beautiful experience with a dark mess left behind? Jay gets knee-deep in trying to answer the question on the Kyambo “Hip-Hop” Joshua-produced track, including considering the beauty of the struggle:

“Something 'bout the struggle so divine/This sort of love is hard to define/When you scratching for every nickel and dime”

But Jay isn’t there anymore; he’s further away from the struggle than most people on earth with a net worth north of $1 billion. And this is why Jay is brutally honest in saying that sometimes he feels “survivor’s guilt,” and instead of simply giving money to the less fortunate, he wants to provide opportunity.

“MaNyfaCedGod” Feat. James Blake – 4:44 (2017)

A bonus track from Jay’s critically-acclaimed 4:44 album, “ManyFacedGod” features James Blake, hip-hop's favorite white boy crooner next to Bon Iver. The trip-hop-like beat was produced by the aforementioned Blake and English producer Dominic Maker and continues the theme of Jay reflecting on a significantly rough patch with his wife, honing in on the timing of the release of Beyonce’s critically-acclaimed Lemonade album which many see as the onset of infidelity accusations levied against Hov:

“Look at all we been through since last AugustSkating through the rumors like, "Aw, sh*t!"Still came back, f**ked up the red carpet/Shows how big your heart is”

The production on the track is one of the song's more underrated elements as it lays out a gloomy, painful layer for Jay-Z to pile on with truly deep-cut bars like "Woulda broke me down had you got away/It woulda broke me up, you took my child away/I'm glad we found a way"

“Things That U Do” Feat. Mariah Carey – Vol. 3...Life and Times of S. Carter (1999)

If Jay-Z's "Sunshine" is pop sugar-filled radio candy, "Things That U Do" off 'Vol. 3…" is a truck full of raw sugar dumped on a pile of pink lollipops. In other words, it's up there with the most poppy material Jay has ever done. That being said, the song is still an undiscovered gem in Jay's catalog, driven by the riddled flute backdrop from Swizz Beatz and surprisingly substantive lyrics from Hov. Mariah's airy, somewhat forgettable chorus leans into a third verse from Jay that touches on his entry into the game and his versatility as an MC:

"Don't matter to me the Garden or flowin' on Clue...You know I've traveled through zones/Homes spazzed like a bad back/I came into this game on Jaz's back”

“Fallin’” – American Gangster (2007)

“Fallin’” is everything a song should be on a concept album like Jay-Z’s American Gangster. Vivid, poignant, and with lyrics at the forefront. The production from Jermaine Dupri isn’t minimalist in the most real sense, but it isn’t overpowering and lets Jay’s tales of taking the street game one-step too far room to breathe. The song is centered around the “alphabet boys” closing in on Frank Lucas, the legendary gangster the American Gangster film is centered around, and Jay references some other famous gangster flicks to communicate just how close Frank had taken it to the edge:

“Damn, you f**ked up like your favorite movie scene/Godfather, Goodfellas, Scarface, Casino/You seen what that last run did to De Niro in Heat”

From the Web

More on Vibe

(L-R) Cynthia Erivo at the 25th Annual Critics' Choice Awards on January 12, 2020; Scarlett Johansson at Netflix's 'Marriage Story' L.A. premiere on November 05, 2019.
Matt Winkelmeyer and Kevork Djansezian

Cynthia Erivo, Scarlett Johansson And The Oscars' Ongoing Whiteness

The 2020 Academy Awards nominations were announced Monday, Jan. 13 and, after a few years of glad-handing their supposed embrace of diversity, the Academy’s nominees were once again a distressingly predictable bunch—particularly amongst the major award categories. Bemoaning lack of diversity at the Oscars has become a punchline unto itself, but, for an Academy that is suddenly so image-conscious, this was a step backward. Alongside a Best Director field made up exclusively of men, Black actors were almost totally shut out in the top categories. Strong performances from previous Oscar winners/nominees like Lupita Nyong’o, Eddie Murphy and Jamie Foxx seemed to be likely contenders for a nomination but were snubbed. There is the notable exception, of course, of Cynthia Erivo. The Tony-winning actress received an Oscar nod for her turn as freedom fighter Harriet Tubman in Kasi Lemmons’ Harriet, a film that seemed to engender both praise and derision well before it opened in theaters in November 2019.

The British-born Erivo was at the center of much criticism when it was announced that she would be playing the legendary Tubman, the escaped slave born Araminta Ross, who led at least 13 trips along a treacherous journey from Maryland to Pennsylvania to free first her family, then others in bondage; she also became an officer in the Union army and an activist for women’s suffrage. The casting of Erivo as Tubman became a flashpoint after tweets from the actress were widely publicized in which she appeared to mock Black Americans in a Twitter exchange with actor Joel Montague after he asked her to sing a song she’d written.

“@joalMontague (ghetto American accent) baby u know I gatchu imma sing It To you but I still gatta do wadigattado, you feel me #scene xxx.”

The tweet was screenshotted and popped up on countless media sites, as the public criticism of Erivo grew. As she began making media rounds in the lead-up to Harriet, she addressed the issue.

"I would say it took a lot of hard work to get to this place [of playing Harriet Tubman] and I didn't take it lightly," Erivo said in an interview with Shadow And Act back in October. "I love this woman and I love Black people full stop. It would do me no service, it would be like hating myself.

“As for the tweets, taken out of context without giving me the room to tell you what it meant—and it wasn’t mocking anyone really. It wasn’t for that purpose at all. It was to celebrate a song I had wrote when I was 16.”

But the bad will had taken root. Harriet had a successful opening and a strong showing at the box office, but it was met with derision on Twitter as rumors swirled about various aspects of the film’s plot and historical inaccuracies. The word of mouth reception was far from glowing, but the borderline smearing of the film on social media was more scathing than the actual reviews once the movie hit theaters. But while the critical reception to the film itself was lukewarm, Erivo’s performance was consistently praised. “The British singer and actress…nails [Tubman’s] thousand-yard glare with a furious and mournful eloquence,” wrote Owen Gleiberman of Variety; and The New York Times’ A.O. Scott felt that “Erivo’s performance is grounded in the recognizable human emotions of grief, jealousy, anger, and love.” In an age when Black pain on the big screen can make for predictable platitudes from pundits, there is an ongoing question of who such a film as Harriet is meant to speak to and speak for. In the case of Erivo, you have more than a strong performance in a middling film. You have a performer who has, in many ways, lost the audience that would’ve been most invested in that performance.

Erivo's nomination for Harriet comes alongside a double-nod for Scarlett Johannson, another actress who found herself embroiled in controversy in 2019. Of course, ScarJo is much more high-profile than Erivo, an A-lister who finds herself in any number of prestige pictures and major blockbusters. But ScarJo’s defense of Woody Allen, at a time when Hollywood is at least attempting to come to grips with how it has enabled abusers, drew gasps and derision when she made press runs for her role in the acclaimed Netflix film Marriage Story. She told Vanity Fair in November:

“I’m not a politician, and I can’t lie about the way I feel about things,” she said. “I don’t have that. It’s just not a part of my personality. I don’t want to have to edit myself or temper what I think or say. I can’t live that way. It’s just not me. And also I think that when you have that kind of integrity, it’s going to probably rub people, some people, the wrong way. And that’s kind of par for the course, I guess.

“Even though there’s moments where I feel maybe more vulnerable because I’ve spoken my own opinion about something, my own truth and experience about it—and I know that it might be picked apart in some way, people might have a visceral reaction to it—I think it’s dangerous to temper how you represent yourself because you’re afraid of that kind of response. That, to me, doesn’t seem very progressive at all. That seems scary.”

Johansson’s controversial statements surrounding Woody Allen (and earlier comments about her playing trans and Asian characters) were met with widespread criticism that was subsequently muted by the acclaim following her turns in both Marriage Story and the WWII-set period comedy JoJo Rabbit. They weren’t misguided or misrepresented tweets from six years ago, they are her expressed positions on the subjects; she’s announced that she doesn’t intend to continuously apologize or even recant where she stands. And at the end of the day, she’s now a two-time Oscar nominee.

Obviously, Erivo is also basking in the recent glow of Academy recognition. This isn’t a case of a white actress bouncing back from backlash while a Black actress fades into obscurity because of it. But when Scarlett Johansson walks the red carpet on the night of the Oscars, if she takes the stage after her name is read as Best Actress or Best Supporting Actress or both, she won’t have to contend with the idea that those who have given her the award stand in stark contrast to those for whom she wanted the film to resonate. Scarlett Johansson also wouldn’t have to wrestle with the idea that she’s only the second woman of her background to win an Academy Award for Best Actress. She won’t have to face the hurt that she and others like her were shut out in her native country’s biggest movie award. She won’t have to think about all the criticisms of “slave movies” and being nominated for being in one.

Whatever criticisms there may be of Cynthia Erivo, whatever criticisms there may be of the film in which she starred, there’s always a softer landing for those who don’t have darker skin; simply because being Black on the whitest of nights means that all eyes are on you. It also means you have to carry so much more than your white counterparts will ever be asked to shoulder. Oscar or no Oscar; criticism of Cynthia Erivo never required condemnation of Cynthia Erivo. But on a night when white actresses will once again be widely represented, from the reliable grace of Little Women to the martyr-making propaganda of Bombshell, it’s disappointing that this one Black actress being amongst them is going to be picked apart.

Continue Reading
Shawn Wayans and Marlon Wayans during The 2004 Teen Choice Awards - Backstage and Audience at Universal Amphitheatre in Universal City, California, United States.
KMazur

10 Most Memorable Episodes Of 'The Wayans Bros.'

If you're a product of hip-hop, the '90s was a glorious time for television, with a plethora of shows being introduced to the public that helped inform and reflect the culture, from music to fashion and every aspect in between. One program that embodied the raw essence of hip-hop was The Wayans Bros., which made its debut as the first sitcom to air on the newly launched network, The WB, on January 11, 1995. Created by Marlon and Shawn Wayans, Leslie Ray, and David Steven Simon, The Wayans Bros. put the focus on the two youngest brothers in the Wayans clan, both of whom had tasted fame alongside their elder brothers when their appearances on In Living Color and in films like Mo’ Money putting them on the radar. Set in Harlem, the show revolves around the Williams brothers' ill-advised attempts at turning a quick buck, maintaining their romantic relationships, helping out their father, Pops Williams (John Witherspoon), and assisting friends and family in their own times of need.

While Lela Rochon (Lisa Saunders), Paula Jai Parker (Monique), and Jill Tasker (Lou Malino) were all main cast members at some point during the show's first two seasons, the core cast was comprised of both Wayans brothers, Witherspoon, and Anna Maria Horsford as Deirdre "Dee" Baxter, the latter of whom made her debut appearance midway through the show's second season. Recurring characters included Thelonious "T.C." Capricornio (played by Phil Lewis), White Mike (Mitch Mullany), Dupree (Jermaine 'Huggy' Hopkins), and Grandma Ellington (Ja'net Dubois), all of who left their own imprint and were instrumental in some of the show's most memorable moments. In addition to the core cast, The Wayans Bros. also presented additional star power in the form of cameos, with athletes (John Starks, Kenny Lofton, Hector Camacho) actors (Bernie Mac, Lawrence Hilton-Jacobs, Elise Neal, Shari Headley, Gary Coleman, Pam Grier, Antonio Fargas, Monica Calhoun, Garrett Morris, Garcelle Beauvais, Richard Roundtree, etc) and musicians (Busta Rhymes, Keith Sweat, En Vogue, Missy Elliott, Paula Abdul) all appearing on the show, as well.

The Wayans Bros. show's run would be cut short after five seasons, with its final episode airing on May 20, 1999, marking the end of an era. However, the show has continued to entertain a new generation of viewers through syndication and is one of the definitive television shows from the '90s that spoke to and for the culture. In celebration of the show's 25th anniversary, VIBE looks back at ten of the most hilarious and entertaining episodes of The Wayans Bros. Show that made it one of the most beloved sitcoms of the hip-hop generation.

Season 1, Episode 1 "Goop-Hair-It-Is"

Our introduction to the zany hijinks of The Wayans Bros. came via the show's pilot episode, which found Shawn and Marlon attempting to cash in on a half-baked foray into the world of cosmetics. After accepting a proposition to become the manufacturers of a new hair product called Goop, Hair It Is, Marlon creates a homemade concoction that appears to work wonders for his follicles, prompting Shawn to create a scheme to sell it via an infomercial. Enlisting the help of Gary Coleman, the brothers and their new pitch man go live on air to wax poetic about the goop, but their presentation goes awry when Coleman's new hairdo goes ablaze, resulting in an impromptu fire drill that gives "Stop, Drop & Roll" a whole new meaning.

Season 2, Episode 4 "Two Men and a Baby"

Brotherhood may be second nature to Shawn and Marlon, but fatherhood is a whole different story, which we find out during the course of this classic from the show's second season. After discovering an abandoned baby that's supposedly Shawn or Marlon's kin outside of the front door of their apartment, the bros get into a heated rivalry over who's the biological father of the child. With little background information other than a note from the child's mother to go off of, the Williams' take matters into their own hands, stepping up to the plate to provide a nurturing environment for the newest member of the clan. The responsibility of parental duties prove to be too much for either brother to handle on their own, but they’re bailed out when the mother returns to recover the child after realizing a mix-up in her delivery process.

Season 2, Episode 5 "Loot"

The fortunes of the Williams family are on the brink of changing for the better after Shawn, Marlon, Pops and the rest of the gang discover a garbage bag filled with $100,000 in cash. A police report is filed, but the Williams' keep their fingers crossed that they'll be deemed the rightful owners of the money when the goes unclaimed. This doesn't stop the members of the family from counting their chickens before they hatch, as extravagant plans and pricey purchases are made in the ensuing days. Greed nearly causes the Williams' to turn on one another, but when an elderly woman shows up to recover her belongings, their dreams at a come-up are quickly dashed, putting the family back at square one.

Season 2, Episode 8 "Head of State"

During the second season of The Wayans Bros., Dee Baxter (Anna Maria Horsford) replaces Lou (Jill Tasker) as the Neidemeyer Building's security guard for the remainder of the series. When the President of the United States comes to Harlem during his campaign trail, Pops' Diner is designated as the location where the prez can relieve himself, which the family considers an honor. With Pops eager to reap the benefits of having the leader of the free world pass through his establishment, and Marlon determined to shake the President's hand, the visit is a pretty big deal to the family However, the Williams' world is flipped upside down when the Secret Service lock down the diner due to safety concerns, infringing on their privacy. In the end, Pops' gets an uptick in business, Marlon gets to shake the President's hand, and Dee gets to experience a bit of sexual tension in her debut appearance.

Season 3, Episode 1 "Grandma's in the Hiz-House"

When Grandma Ellington (Ja'net Dubois) stops in town, Shawn and Marlon are ecstatic to see the family matriarch, even making room for her to stay in their apartment. The decision is one that the brothers will quickly regret, as Grandma Ellington begins to infiltrate their life, from ruining their clothing to chasing away their dates. Shawn and Marlon decide to make things uncomfortable in hopes that she will leave, but the plan backfires, with Grandma Ellington’s discovery of the ruse putting a wedge between her and her grandsons. Realizing the error in their ways, the brothers attempt to win their grandmother back over and get back in her good graces.

Season 3, Episode 9 "The Return of the Temptones"

Pops gets a blast from the past when Shawn and Marlon decide to round up the members of his old group The Temptones for an epic reunion after thirty years. While the gesture is well-intended, things fall apart when the members let bad blood get into the mix, which puts The Temptones' upcoming performance in jeopardy. As Pops and the crew struggle to find common ground, Shawn and Marlon stand-in for the missing members, resulting in a hilariously horrendous rendition of The Temptones' hit, "Bang, Bang Bang." However, the original members of the group decide to put their differences to the side for the sake of the group's legacy, tearing down the stage in one of the more memorable moments in The Wayans Bros. history.

Season 4, Episode 9 "Can I Get a Witness?"

After finding himself in the wrong place at the wrong time, Marlon becomes an eyewitness to a bank robbery and identifies the criminal in a police line-up. This results in the Williams' being put in protective custody until the case is resolved, but when word gets out that the culprit's brother is on the hunt for them, it appears as if they cannot avoid meeting their eventual fate. However, the criminals' thirst for vengeance gets thwarted just in the nick of time, keeping Marlon, Shawn and Pops in the clear and out of danger.

Season 4, Episode 19 "Talk is Cheap"

Shawn and Marlon are summoned to The Jerry Springer Show to see just how close their relationship is, which leads to a few secrets between the two being revealed. When Marlon finds out that Shawn had paid his girlfriend a visit at her apartment, the two begin to bicker with one another in front of the studio audience, with Pops and Dee getting involved from the comfort of the crowd. As things get heated between the two, the bros resort to throwing blows, hurling insults and embarrassing one another. While the pair eventually come to their senses and patch things up, their dust-up and Jerry Springer's appearance made for classic television.

Season 5, Episode 7 "The Kiss"

Dee Baxter catches up with old friend Missy Elliott, who gives her a pair of tickets to her concert later that night. Deciding to take Shawn as a guest, the two enjoy one another's company to the point that they wind up kissing after a long night of drinking before passing out. Waking up half-naked and in the same bed with one another, it appears as if the two had slept together, making for a string of awkward encounters between the two. However, the potential lovebirds discover that they were victims of a prank by Marlon, which brings Shawn and Dee's friendship back to normal.

Season 5, Episode 18 "Hip Hop Pops"

Shawn and Marlon gather Pops' closest friends and throw him a surprise party to celebrate his 50th birthday. However, while the brothers' efforts were meant to put Pops in good spirits, they actually put him in a depressive and reflective state due to his age and fear of death. Looking to infuse a little fun into their father's life, Shawn and Marlon takes Pops out to the club to help make him feel young again, but the experience inspires Pops to change his wardrobe and slang in an attempt to hold onto his youth. From engaging in freestyle battles to donning iced-out chains, Pops' new style rubs Shawn and Marlon the wrong way, forcing them to cook up a plan to get him to revert back to the man they used to know.

Continue Reading
Che Pope interviews Vincent “Tuff” Morgan, peermusic’s head of A&R urban/pop, on Q&A With Che.
HiStudios

Che Pope Talks ‘Q&A With Che’ Podcast, Kanye West, And Why He Left G.O.O.D. Music

At some point in your career, you want to pay it forward. Regardless of the industry you’re in, there comes a time when you reached a certain level of success and want to groom the next generation with your knowledge and expertise. Che Pope, a Boston native, veteran music producer, songwriter, and former head of Kanye West’s G.O.O.D. Music, is in a position to do just that. After spending seven years with G.O.O.D., as well as making music with critically-acclaimed artists like Lauryn Hill, Dr. Dre, and The Weeknd, Che Pope has utilized lectures and podcasts to discuss his diverse career, sharing a perspective tailored to young creatives who want some mentoring in their own paths. Pope’s experience allows him to give gems in all aspects of the music business – no matter if you’re an aspiring manager, producer, singer, or artist, he has a piece of advice that can apply to you. 

It’s why he’s finally launching a podcast of his own called Q&A With Che, a HiStudios Original, that’s available on the Himalaya app, Apple Podcasts, Spotify, and more. He describes the show as “Ted Talks with the urban entertainment industry,” using his large network of friends for real conversations on how they made it. The format is more for educational purposes and using the platform to expand his Q&A section of his discussions, with each guest detailing what they do, how their industry works, and their take on the future. Che’s first guest is DMV rapper IDK, who is coming off a major 2019 with his partnership with Warner for his label Clue and the release of Is He Real? 

Speaking with VIBE over the phone, Che explains the genesis of Q&A With Che (the idea came after having a convo with Jay-Z), why IDK was the perfect first guest, his thoughts on Kanye and G.O.O.D. Music, and the books he’s reading today.

--

VIBE: Q&A With Che is going to be part of HiStudios’ original programming slate. You’re alongside sport personalities that also have podcasts like Mike Tyson, Gilbert Arenas, and Caron Butler. If I did my research, you’re the first “music veteran” with a show on HiStudios. Was podcasting a logical next step in your career?

Che Pope: I think it was important for me to share the information. And just really what’s the best way to? Obviously, the lectures are great. That’s like, ‘Okay, cool. I go to Harvard Business School just so those kids get it.’ This was a way to really share it with a wider audience, with anybody. And I’ve been getting hit up on Instagram or Twitter where people are always asking me tons of questions and this was a way for me [to reach them]. So many people would be like, ‘Hey, can you mentor me?’ I can’t mentor all of them. This was kind of my way of like, ‘OK, I can’t mentor all of you, but I can do this.’ I think that is what really attracted me.

I had a really great conversation with Jay-Z about it and he just loved the idea of it and that really put a battery in my back. Because at one point in time, it was this great idea we had, and just getting caught up in work and [being] busy and not pursuing it. Once I spoke with Jay-Z and he said, ‘This is amazing. You have to do this.’ That really put the battery back, and then partnering with HiStudios and Himalaya, it just really gave me the team I needed to really bring it out there in the manner that I wanted to do, the professional level that I wanted to present it at.

So you were already thinking of podcasting back then. When did that Jay-Z convo happen?

That happened about two years ago in his living room.

How’d the convo go? Were you trying to pitch yourself to Tidal?

No, I actually wasn’t. He said, ‘You know, you’re more than welcome to consider Tidal.’ But he was like, ‘I just think it’s a great idea.’ I wasn’t actually pitching anything. We were just having a business conversation. I guess you could say the next step in my career is not only the podcast, but I also have a start-up. I was just getting business advice and out of that meet, Q&A came up.

I’m sure you’re familiar with the hip-hop podcast landscape. We got everybody from ItsTheReal’s, which you were on. The Joe Budden Podcast. Rap Radar Podcast. Do you see the success of those guys as motivation to reach that level or are they competition?

I don’t think they’re competition. We are really two different things. I’m much more like Ted Talks than I am No Jumper, ItsTheReal, Joe Budden. Although ItsTheReal is a little bit different than Joe Budden. Joe Budden wants to be opinionated, sort of controversial at times and really drive listeners on entertainment. Mine is much more educational focused. Entertaining in the fact that people who are going to be on it cause anyone could be on it. It could be anyone from Diddy to someone you haven’t heard of. I think it is entertaining in that [regard], but it is much more educational than I am trying to entertain you and be controversial and all that kind of stuff.

And I think it's really interesting that you chose IDK as your first guest. He’s coming off his Warner partnership for Clue and his album Is He Real? dropped last year. He’s a younger rapper but he has this business savviness to him. Why did you want to interview him?

That’s specifically why. I built a relationship with the kid cause he was in negotiations at one point and time to sign with G.O.O.D. Music. He is from the DMV area originally, which is where my mom is from. So we kind of made a cool connection a few years back when he was still this independent kid coming up trying to figure it out. But he was far more informed than most artists I meet. He was talking to me about his independent promotion and his marketing plan and things of that nature, which he had written himself. And I was like, ‘Wow, this kid is [incredible].’ When he finally did the deal with Warner, he was just the perfect first guest for me cause he is living what these kids want to do, what many of them want to do. His journey is really a testament to educating and empowering yourself and challenging. He had overcome adversity. He had been in jail before. It built himself up from scratch. Really talented story and his story is just getting started. I think the sky's the limit to where he can go.

Before I let you go, I want to talk about Kanye. You’ve been there since Yeezus. You’ve been there since Cruel Summer. Now, he’s on this new trajectory of dedicating himself to God, releasing Jesus Is King and Jesus Is Born. He’s no longer making secular music and is reportedly done performing solo shows. When you were working with him, did you see any early signs that his artistry was progressing towards this?

No, but I would say the thing with him is he is always evolving. I would say you never know what is next, which is exciting. I couldn’t say I saw this coming, at all. You never know what’s next, I will say that, which is one of the exciting things when working with him, for better or for worse, you know? Whether it was a Trump hat or “slavery was a choice” comment or whatever, or those amazing moments like Yeezus or some of the amazing musical experiences I was apart of. You never knew what was coming and that was exciting. I wish him the best on it. When it was time for me to move on? I wish him the best with it.

You were with G.O.O.D. Music for six and a half years?

Yeah, seven years. Since 2011. I was one of the longest running people that lasted the longest with him [Laughs].

Why did you want to leave?

I think for me it was the next progression in my career. To transition from working with somebody and helping them build their stuff to building my own company. I am building a music incubator, start-up. It was really sort of the next progression in my career. I had to take that step as a business owner. And that takes a lot of work, a lot of focus, and a lot of commitment, you know? It’s one of those things. They say that saying, ‘if it was easy, everybody could do it?’ It’s not easy.

You once described your role at G.O.O.D. with Noah Goldstein as “getting shit done.” Now that Pusha-T has taken the role as president, what do you think of his “term” so far?

I think Pusha-T is an artist, and I think he has aspirations of his own label. I don’t know what’s going on with G.O.O.D. Music. It’s kind of like in…what’s the word when something is in suspended in time? Desiigner left the label. I know 070 [Shake] is putting her album out, but that’s more Def Jam. I don’t think there’s really a G.O.O.D. Music focus there.

I think Kacy Hill isn’t there either, right?

Yeah, Kacy Hill left. I do think they still have some artists. I know Teyana is active. I don’t really know much about what’s going on these days at G.O.O.D. Pusha-T is one of my favorite artists, and I think he’s still focused on Pusha-T. I don’t know what his involvement is with the label at all or a day-to-day basis or if he’s still involved at all. 

I think that means we’re going to see something major happen. Big Sean still has his album coming out, so maybe something like that.

Yeah. Big Sean’s coming. I’m sure Pusha’s coming. I know 070 Shake’s album is amazing. I’ve heard it so I’m excited for her because I know it’s a long time coming and she’s great. She’s gonna be on the Swedish House Mafia project as well. I think she could really be one of the next, big young artists.

I saw that books are your thing. What are you reading now?

As far as this year, I want to read as many as I can. I have different people that turn me onto books. You never know what someone is going to refer. Right now, I am reading Ben Horowitz’s new book What You Do Is Who You Are. I think Ben is just a brilliant guy and the fact that he loves hip-hop too, which is really cool. Anytime he drops a book, I try to get it.

Continue Reading

Top Stories