
Last year was vibrant and diverse with the number of memorable songs and albums that were released, and now, music fans are looking forward to seeing what 2019 has to offer. With this new series, #MusicMonday, the VIBE staff will be sharing our favorite songs released from the previous month. Below, see our standout songs released during January 2019.
—
Young M.A., “Bake Freestyle”
Outside of R&B singers like Jacquees, it’s no longer the trend for artists to take on a well-known beat and make it their own anymore. But Brooklyn’s Young M.A. bodied the instrumental for Jay-Z’s “Dynasty (Intro)” in 2017, and she’s outdone herself with “Bake Freestyle,” her shot at The Neptunes’ iconic beat for the Clipse hit “Grindin’.”
Young M.A. weaves in, out and around of the table-pounding percussion with an acrobatic flow that differs from others who have tackled the beat in years past. Young M.A. is flexing talk of money, baddies, and guns as always, but the quotables are at one of the highest clips we’ve ever heard from her. “White car brown seats, look like a Henny Colada / Made the Audi matte black, license plate say Wakanda / My b*tch said she mad at me, I just bought her designer / And some 30-inch Brazilian, now she thinks she’s Chewbacca.” The video is even better, showing a cocky, smirking Young M.A. walking around a fly crib with text and small animations acting as adlibs. “Was looking for a reason to even keep rapping, and finally I found one,” she says near the beginning of the song before pushing her foot on the pedal. That’s good news for rap fans. — William E. Ketchum III
Summer Walker, “Riot”
What initially started out as an Instagram post of Summer Walker crooning over an electric guitar has turned into the addictive lead track from her latest EP, CLEAR. While the song’s name is the definition of anarchy, Walker’s careful delivery of each word places her delicate yet piercing approach to singing on full display. The criminally short song not only leaves the listener yearning for more, but also the Atlanta native’s need to satisfy her passion. “You said you want love, babe/ You said you can give it to me just how I, I yearn it/ And you think of roses and daisies/ And I think of passion and fire like Hades.” It’s the 2019 version of Melanie Fiona’s fevered “Give It To Me Right” with lyrics that demand a love that’s delivered on an orgasmic platter every single time the two bodies meet. — Camille Augustin
Boogie, “Skydive II”
Anthony “Boogie” Dixon—not to be confused with his sing-songy East Coast namesake, A Boogie wit da Hoodie—is easily one of the most promising penmen hip-hop has right now. From The Reach to Thirst 48, Pt. II right on up to his Shady Records debut, Everythings For Sale, the Compton torchbearer has been consistent in pairing potent, on-the-sleeve reflections with soulful melodies that seep deep into the skin. (He already told us that he’s got a soft spot for R&B.)
“Skydive II,” arguably one of the album’s most entrancing songs, is as much of a poster child for this musical marriage as any. For one, he taps 6lack to be a Frank Ocean plug-in of sorts (in the best way possible). The Atlanta singer’s trippy rap-sung intonations, akin to Mr. Breaux’s on Blonde’s “Nikes,” complement Boogie’s rugged tones. Alongside his decent crooning over airy background vocals, Boogie’s gentle pacing and bittersweet poetry about the fallout of a relationship puts him at eye-level with his listeners. “Mother of my skies, why you always gotta intervene?/Father of my Time, don’t you got some more to give to me? Anything?” Ever the thoughtful emcee, he’s unafraid to let the proverbial tears fall where they may. — Stacy-Ann Ellis
Lil Duval and Ty Dolla $ign, “Pull Up”
https://open.spotify.com/embed/track/42wML47R1PL3zFnlzXTpA7
While his first hit single “Smile (Living My Best Life)” went further than expected by hitting the Billboard Hot 100, Lil Duval’s music career doesn’t appear to show any signs of slowing down. While I’m not a fan of his by any means, I do have to say, his feel-good track is guaranteed to put me in a great mood. The infectious beat and the incredibly well-placed vocals of featured artist Ty Dolla $ign makes the intoxication of the nearly-four-minute song undeniable. It’s too early and (too brick outside) for a summer anthem, but had this dropped months from now, this could have been a front-runner. — J’Na Jefferson