Ebenezer is a man of few words but the purveyor of a million feels throughout his music. Before the novel coronavirus left the singer-songwriter isolated in Los Angeles, the London-born artist was at the VIBE office in New York a few moons ago playing his latest project, Bad Romantic 2.
A few laughs fill the room but what really takes over is the boptastic tune “3 am in London.” With a sample from Kandi Burruss’s 2000 release “Don’t Think I’m Not,” we get a look into his creative process. After revealing his origin story in 2018 with 53 Sundays, Ebenezer returned with the Bad Romantic series. It’s a title bestowed to him by the many women he’s dated. As a songwriter, engineer, producer, and composer for himself a slew of other artists like Jeremih, Ty Dolla $ign, A Boogie wit da Hoodie, Stefflon Don, K-Pop faves SuperM and Craig David, love seemed to slip through the cracks.
“I always try to make time,” the crooner insists. He might not get love right all the time, but his determination to enrich modern R&B is a sword he’s willing to fall on. While sharing stories behind cuts from Bad Romantic 2, a grin comes across his face as every tale is connected to love lost.
“It wasn’t like there wasn’t any lack of effort. It’s just the way my schedule worked,” he said about the making of “Flexible,” a track bound to lead a quiet storm playlist. “I remember working so hard at the time that I was sleeping in the studio. I didn’t have any money to go home [to London] so I had to work until something gave. I would mention how difficult it was but maybe she didn’t understand the hustle or the grind at the time.”
His hard work led to his latest single, “Flaws And All.” The track speaks of his efforts to make love work no matter what, a notion anyone can relate to. As we continue to talk about love, one thing is for certain–Ebenezer is in love with creating. His eyes light up while breaking down each track and his shoulders ease up when he speaks about his versatility. In addition to the world hearing Bad Romantic 2, he’s used social distancing to produce songs via his “Quarantine Studio Sessions.”
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Below, get to know a little more about the elusive artist, the making of Bad Romantic 2 and some of his biggest inspirations.
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VIBE: With you producing at a young age, did you have support from your family?
Ebenezer: I’m a London boy but my parents are originally from Nigeria. They were on the run from immigration at one point but after things calmed down there was a big focus on education. They were like, “No you, can’t. Education first.” There would be big arguments and fights but eventually, I chose music. Or maybe it chose me? I started working and producing while on the phone with artists and things came together.
But I owe everything to my mum because she is the biggest cheerleader I’ve ever had. This woman had three kids and did everything to get by. She held it down. I had cousins who called immigration on us and they’re supposed to be family–immigration comes kicking open the door and raiding the house. So I believe that the blessings I’m getting now are from God and our prayers.
What do you enjoy the most: producing/engineering or writing?
I don’t know if I can choose. I just use different parts of my brain for producing and writing. It is fun to split them up and bring them together at times.
What’s your voice in R&B today?
From childhood to the present, I’ve been in piece of s**t relationships and my songs reflect that. It’s not be being vindictive to my exes. I take full responsibility for the things I’ve done and I try to be honest as I can in my music. The worst thing I could do is be one-sided.
There’s that aspect of accountability missing in R&B these days so I get it. How is creating R&B-pop music for K-Pop artists? You worked with SuperM recently and it seems like they really enjoy the era of 2000s R&B.
It’s easier because they let you do whatever you want. You want a variety of harmonies because there’s a lot of people in one group. But I like creating for K-Pop artists because you’re able to let every individual stand out and have their own moment. It’s dope they’re adopting that sound.
Who are some of your inspirations?
Kanye West for sure. My brother was a big hip hop head so I grew up on Rakim, Big L, Big Pun, Tupac, Biggie, Jay Z, Wu-Tang, but my decade has the Drakes and the Kanyes, so they were my biggest inspirations. College Dropout was the album that had me say, “I’m doing this music thing, I don’t care.”
My sister is a big R&B fan. She played a lot of Jagged Edge, Jodeci, stuff like that. So I was lucky to have the hip hop side and the R&B side presented to me all at once.
In addition to love and relationships, what else drives your creative process?
It comes in stages for me. I like to make projects with a theme. For example, 53 Sundays was a project about growing up in London as an immigrant and the adversity we experienced racism and gang violence. It’s how I overcame it and how my family dealt with it.
There’s a lot of self-love in those songs because nothing is free, especially coming from having nothing. You have the Bad Romantic projects that are pretty self-explanatory in the title [Laughs]. I’m going to make it all tell a story so when you look back at the projects, it’s a timeline and you’ll see who I am.
What makes a “Bad Romantic and a “Good Romantic?”
My exes are bad romantics. [Laughs]
So it’s their fault?
Nah, my exes would say there are some things that I’m good at and some things I’m terrible at. There are different love languages and what someone may require, I might not speak it. I like to provide gifts because growing up with nothing, you never want to see anyone without.
But I struggle with time because I’m always working and they had it. I have this thing called “The Okay Attitude.” You can write me a novel in a text and I’ll say, okay. Life expectancy for us is low as it is and we spend most of our time arguing about trivial things so if that’s how you feel, that’s how you feel.
And a “Good Romantic?”
Being attentive, caring, not being so selfish. I don’t know, everyone is different. Some people require a lot. They say, “Shower me with gifts.” But others say, “I just want your time, whenever you can afford it.”
Unfortunately, I can’t afford it.
What do you want listeners to get from your music?
That I’m just a bad romantic that’s trying to better himself.
Stream Bad Romantic 2 here.