
18 Best Latinx Albums Of 2018
A number of artists from the scope of latinidad contributed to making 2018 another rich year in music. If hip-hop is the world's most consumed genre, latin pop, reggaeton, latin trap, flamenco and more of the subgenres of Latinx music rested in between.
This includes J Balvin being one of the most streamed artists on Spotify, Cardi B's Invasion of Privacy scoring stellar Grammy nominations, the rising appeal of Harlem rapper Melii, the return of Wisin Y Yandel and Bad Bunny sprinkling the gift that is Latin trap on your getting ready playlists.
But there were also artists who took big risks like Kali Uchis' coy yet forward voice in R&B, Jessie Reyez's dynamic voice and collaborations with the likes of Eminem and many more.
Check out our favorite albums from the best and brightest Latinx artists of the year below.
READ MORE: 25 Hip-Hop Albums By Bomb Womxn Of 2018

'El Mal Querer' - Rosalía

'Being Human In Public' - Jessie Reyez

'Vibras' - J Balvin

‘F.A.M.E.’ - Maluma

‘Aura’ - Ozuna
Painting insightful metaphors of self-reflection, love, and sex, Ozuna’s sophomore album takes a deep dive into the life of the 26-year-old reggaeton prince. The album’s title loosely translated to its English pronunciation is a 20-song project featuring artists like Cardi B, Anuel AA, Arthur Hanlon, and more.
With Cardi B’s assistance, “La Modelo” allowed the artist to join the long lists of Latinx acts to crossover which led him be a part of this year’s biggest singles like the remix to “Te Bote” and the poptastic “Taki Taki” with DJ Snake, Cardi and Selena Gomez. His Aura tour allowed him to make big firsts like selling out Madison Square Garden, hit three billion streams on YouTube and become YouTube’s most globally viewed artist. Reggaeton’s future just got brighter with Ozuna in it. —Zoe Johnson

‘Isolation’ - Kali Uchis
Kali Uchis’ first studio album, Isolation, is a mental tug of war between finding an anchor in escapism and abandoning reality. This whimsical bout of misdirectional pulls should not be misconstrued as mindless philandering. The Colombian-American songstress instinctively weaves her vulnerability and strength into the threads of her quirky neo-soul 15-track project to prevent that assumption.
The second half of the album seems more of a traceable portion of the “Only Girl” artist’s journey. With the Spanish-speaking single, “Nuestro Planeta,” and the Gorillaz-produced “In My Dreams,” the first proclamation to escape reality is defined. Uchis expresses her desires for “solo tú y mi… aqui en nuestro planeta,” while questioning why anyone would want to stay awake when dreams are so wonderful, on the 8-bit stylings of the ninth track.
The following No. 10 is an enchanting anti-lullabye to awaken the songstress from her escape into her dream world. From prompting herself to get up and “get [herself] something real,” she has renewed her faith in her power to alter the ugly, harsh realities she was escaping, with “Tomorrow.” On the Sounwave-produced “Coming Home,” she finds herself back in the place she was escaping in the first place; confirming her answers were always within her. Closing the album with the timeless and effortless, “Killer,” the album seems to come full-circle in comparison to the mysterious opener, “Body Language.”
Kali Uchis told a 47-minute-long tale of wandering, love —lost and found, through pain and strength, while flexing her native lingo—along with some Spanglish, and her love for old time movies and storytelling on “Flight 22.” The Grammy-nominated singer’s airy, sultry vocals, along with notable features (Bootsy Collins, Tyler The Creator, Gorillaz, Thundercat, and Jorja Smith) and video treatments is the perfect soundtrack for facing reality or escaping into their dream world. —AP

‘Libre: Fireboy Forever’ - Fuego

‘Solo’ - Anitta
If Anitta’s Solo was the only body of work the Brazilian pop star had on a resume, you would gather that she’s probably fluent in English, Spanish and Portuguese. And that above all else, she has all the ingredients inside pop’s machinery to make a hit record. On her three track debut mini-EP, Anitta creates a flirty, fun and catchy vibe with “Veneno,” “Não Perco Meu Tempo” and “Goals.” With “Veneno” she explores the dangers of seducing a possible male suitor, but refreshingly asserts all the agency she has in being her subject’s main object of desire.
“There’s no limits, there’s no rules, if you wanna be sensual, that’s fine. It’s just you and yourself. You’re not hurting anyone” she told Rolling Stone of her artistic methodology. “I think that as long as you respect people, you’re free to do whatever you choose.”
Amid her proven abilities as a musician, Larissa de Macedo Machado (Anitta’s real name) is also a judge on La Voz Mexico (Mexico’s version of The Voice) and has been huge in her native Brazil for a solid 10 years before gaining international momentum in the U.S. And in addition to working with mainstream Latin artists like J Balvin and Maluma, the 25-year-old also has a docu-series on Netflix which centers on her rise to fame titled, Vai Anitta.
Anitta’s musical journey on U.S. soil has just begun, but if Solo is any indication of what’s in store—a major disruption in Latin-pop is on its way and there’s definitely room for a mainstream English crossover. She’s proven it already. —Richy Rosario

‘Real Hasta la Muerte’ - Anuel AA
Through Caribbean infused trap beats, Anuel seamlessly delivers messages about celebrating the trappings of his newly found success (“Brindenos” feat. Ozuna). There’s talk about money, cars, girls and metaphors surrounding hedonistic desires and drugs. “Los kilos en los faldos, los faldos en los botes/Y por faldo los kilos son cien (cien)/Yo soy una Estrella/Alzo mis cadenas como si estuviera en Belén,” he brashly raps.
Amid his sonic odes to the street life on Real Hasta La Muerte, the 12-track project still saves room for tales about heartache (“Espina”) and the pure bliss coupled with the melancholy that comes with missing someone you’re in love with (“Te Necesito”). His versatility coupled with his Latin trap sensibilities have catapulted him all the way to the top of Billboard’s Latin album charts at No. 1. Yet his rise to the top wasn’t an easy one.
In June of 2017, the rapper, (born Emmanuel Gazmey Santigo) was sentenced to 30 months in prison for gun chargers. Authorities reportedly found dozen of clips, three firearms and 152 rounds of ammunition in his car. His arrest birthed the ubiquitous hashtag #FreeAnuel, which got the attention of millions backed by his constant musical roll out while being behind bars.
He recorded 22 songs for Real Hasta La Muerte in a seven-day span while he was still at a half-way house in Miami for a month before his official release. “I recorded 22 songs in seven days, and from the 22 we divided them so we wouldn’t use them all for the first album…” he told Apple Music’s Trap Kingz’s. “I didn’t get to hear the album [before its release] because they locked me up again.”
Now a free man, there’s no telling the success the 26-year-old still has coming his way. Real Hasta La Muerte proves rainbows do come after a storm. —Richy R.

‘Invasion of Privacy’ - Cardi B
After topping the Billboard Hot 100 in 2017 with the monster hit “Bodak Yellow,” Cardi B set her sights on 2018 and delivered beyond expectation. The frenzy surrounding the Bronx, N.Y. rapper shows no signs of halting anytime soon as the former reality TV star continues to rack up multiple accolades whilst making history in the process. With the release of her critically-acclaimed album Invasion of Privacy, the projected 2019 Grammy frontrunner dominated the Billboard Hot 100 earning 255,000 album equivalent units (103,000 of which were pure sales). Since debuting in April, the LP has been certified double platinum by the RIAA and produced a wide variety of hit singles including “Bartier Cardi” feat. 21 Savage, “Be Careful,” “Ring” feat. Kehlani and “I Like It” with Bad Bunny and J Balvin, which topped the Billboard Hot 100, becoming the entertainer’s second No. 1.
While breaking records seems like second nature to Cardi at this point, the album is atop most, if not all End of Year lists for a reason. Invasion of Privacy showcases the rapper’s infectious personality and equips listeners with flashy anthems including “Drip” featuring Migos and “Money Bag.” However the rapper’s vulnerability remains one of her biggest strengths as Cardi lays it all out on the line, especially on “Thru Your Phone” (“My heart is beating like it's bleeding out / You sleepin', you sleepin', you sleepin'”). Presenting a fusion of sounds ranging from trap, reggaeton and R&B, Cardi B’s hunger from her mixtape days is present throughout her debut. Opening the album with a flow reminiscent of Meek Mill’s “Dreams and Nightmares,” the Atlantic signee proves that she’s still that “regular, degular, shmegular” girl living her dreams on “Get Up 10”. (“And I got enough bras, y'all ain’t gotta support me / I went from rag to riches, went from WIC to lit.”) Other notable standouts on the album include twerk-friendly “Bickenhead,” “She Bad” featuring YG and “I Do” featuring TDE heavyweight SZA.
Since her smash hit “Bodak Yellow,” Cardi B has inched her way to the top without letting pregnancy or controversy stop her grind. As of now, Invasion of Privacy remains in the Top 5 highest selling Rap/Hip-Hop albums in 2018 with over 1.5 million sales. While the entertainer gears up for the deluxe version of Invasion of Privacy, if her new single “Money” is any indication, more hits and accolades will follow the modern-day Binderella. —Wanna Thompson

‘CNCO’ - CNCO
CNCO was unleashed onto the world after taking the top prize on the Univision reality series La Banda and they’ve been unstoppable ever since. The not-so boy band, consisting of Christopher Velez, Richard Camacho, Zabdiel De Jesus, Joel Pimentel and Erick Colon, released their self-titled studio album in the spring, commanding major attention on the charts.
They peaked on Billboard’s Top Latin Albums chart in the No. 1 position, as well as No. 1 on the Latin Pop Albums chart and No. 1 Latin Rhythms Album chart. The biggest hit off their sophomore album is the “Reggaeton Lento” remix featuring U.K. girl group Little Mix, charting in the United States, United Kingdom, Canada, and Japan. The pairing of these two super groups was pure fuego, with the companion music video receiving more than 224 billion views on YouTube. Lest we forget to mention the irresistible beat and sensual rhythms that had people on both sides of the pond dancing to Latin music and learning Spanish.
Puerto Rico’s Yandel teamed up with CNCO to create the seductive track “Hey DJ" that peaked at No. 14 of Billboard’s Hot Latin Songs chart and was 6x certified platinum. The counter on their accompanying music video for the track shows more than 282 million viewers via YouTube. Other favorite tracks to keep you warm throughout the winter include “Se Vuelve Loca,” “Fan Enamorada” written by the legendary Ricardo Montaner, and the swoon-worthy “Fiesta En Mi Casa” that’ll make older fans wish they were in their 20s again.
CNCO are new to the scene and have rabid fans known as #CNCOWNERS that circle the globe. Their sweet lyrics and addicting melodies are easy to fall in love with and under Ricky Martin’s mentorship, there’s no telling just how far they’ll go. —RC

‘Worldwide Angel’ - Bad Gyal
When you think of Spain’s underground reggaeton movement, Bag Gyal should be one of the first names to come to mind. Just think about what dancehall, reggaeton, pop and club music would sound like if they all combined and had a baby. That is the exact vibe that Bad Gyal’s project Worldwide Angel gives off. The melodies are an excellent combination of those uptempo reggae beats with the sultriness of Spanish lyrics, ideal to keep any party going.
Worldwide Angel is a self explanatory title for how she intends to become an international star, especially with the distinct sound created on this project. That could be as a result of her summoning many international producers to lend their flair and expertise to her project. With the likes of L.A. based producer Dubbel Dutch, who also produces for Popcaan, on the “Tra” track, along with DJ Florentino who is known for his Colombian Manchester relation also producing the single “Blink” off the project.
Both songs, just like the rest of the mixtape, are very sexy and make you feel good. Think about that one outfit you have in your closet that makes you feel as if you’re the best thing since sliced bread mix some Worldwide Angel into that and you have your theme music for the day. —CS

‘P.A.P.I. (Proud and Powerful Individualz)’ - Bodega Bamz
After flexing his acting muscles on Showtime’s SMILF, Bodega Bamz makes his return to hip-hop with his most recent offering PAPI. Inspired by his father’s journey to America as an illegal immigrant in 1979, Bodega Bamz delivers an album for the people trying to make a better life for themselves, whether they’re here legally or illegally. Bamz has never wasted an opportunity to rep for his people and this album is no different.
Clocking in at 14 tracks, PAPI features the TanBoys general bringing his listeners to East Harlem once again, this time detailing the resiliency and passion he obtained from his father and how he used it in his own life. The grimy bars are on full display over a selection of hard-hitting boom bap beats that Bamz flows through effortlessly. With the exception of Lil Eto featured on “Uncut,” Bamz is riding the album on his own dishing out vivid lyrics of hustling and perseverance. Buzzworthy records include “Fuego,” “Clout” and “Emergency” while deeper cuts like “119th” and “Proud and Powerful” showcases Bamz’s lyrical ability. He may be on to bigger and better things but if PAPI is any indication, Bamz hasn’t forgotten where he came from. —Mark Elibert

‘Turbo’ - Jesse Baez
Jesse Baez' evolution from soulful, homegrown, R&B artist to melodic Latin-trapper is flawlessly portrayed in his sophomore effort, Turbo. It's clear that the Chicago-born Guatemalan has done a lot and seen even more since his debut project B.A.E.Z dropped in 2016.
This time around, Jesse opted for more bounce; more rhythm with his blues. He teamed up with producer Dillion Francis on "Quiero Saber," the track that transitions the album from Jesse's slow and sultry sound to the uptempo trap-like tracks. Turbo embraces the current wave in R&B music of using hip hop undertones to harden up a melodic record. The seven-song EP features verses from fellow up and coming Urbano Latino stars like Alvaro Diaz and Fuego, each of whom adds their own unique sauce to Baez's alternative soul vibes.
Madrid rapper C. Tanganga lent his rhythmic, Migo-esque bars on "No Tu Eres," a Baez fan favorite from the smooth EP. The effortless sounding title track pretty much sums up Baez's thought process while creating the album. He sings, "Sometimes I feel that everything is going very fast/ Sometimes I feel that everything changes very fast/ But nothing has to change."
Things have indeed changed for the soulful crooner who went from being signed to a small Mexican label like Finese to a larger, more resourceful label, Universal Latin. But as he declared — nothing actually has to change. Although Turbo adds some brightness and vigor to Jesse's sound, it's clear that his love for R&B still remains. —kthewriter

‘Ares’ - Arcángel
If you ever wondered what Spanish trap music sounds like then speculate no longer. Arcangel released hs fifth studio album Ares during the summertime and it lived up to the hype of his previous projects. Ares debuted at No. 5 on the Top Latin Albums Billboard charts and No. 3 on the Latin Album sales charts. If that doesn’t give you a indication to the vibes Arcangel provides then take a listen for yourself.
Ares is a 18-track album with a consistent flow that feels like it could be played during any party or BBQ. This is nothing new for Arcangel considering that he is a pioneer in the reggaeton game constantly paving the way for newer acts to submerge in the “traperos” genre of music. As you listen to the project you can tell Arcangel decided to take the trap sound more seriously, especially on tracks like “Me Gusta” and “Victoria” featuring Tory Lanez. Both songs share that similar heart pounding base that is familiar within the trap genre of music. For those of you who appreciate a reggaeton sound blended with a R&B sound then tracks like “Un Vacilon” featuring Young Maelo would suit you best.
Ares is the perfect project for the person who is new to listening to reggaeton and wants to still feel at home when venturing out to a new genre. —Clarissa Shine

‘MANTRA’ - Sebastián Yatra
Colombian artists are dominating the Latin urban-pop scene, and with his debut album MANTRA, Sebastián Yatra unquestionably joined his compatriots at the top. Released on May 18, the spring offering—an enthralling combination of poppy reggaeton and ballads hard enough to spark the late genre’s revival—set the mood for summer lovin’. The Medellín-born, Miami-raised baby-faced crooner makes his entrance with “SUTRA,” a slow-reggaeton bop, featuring Bori veteran Dalmata, about Yatra’s ability to make a dream girl fall for him. “Y aunque su corazón tenga una clave / Nadie lo sabe pero tengo la llave / Desde hace mucho tiempo la aprendí a enamorar,” the 24-year-old sings seductively.
Nominated for “Favorite Pop Album” at this year's Latin American Music Awards (LAMA), the long-anticipated project included pre-released hits like “Traicionera,” the urbano-EDM chart-topper about a treacherous lover, and “Robarte un Beso,” the Carlos Vives-assisted tropical megahit that was nominated "Song of the Year" at the Latin Grammys and picked up a LAMA award for “Favorite Pop Song.” But MANTRA’s biggest feat might’ve been making an audience of trap-enthusiasts fall in love with classic Latin ballads. With “Como Mirarte,” a heart-tugging song on lost romance, and “No Hay Nadie Más,” where the singer refuses to quit on a relationship, dreamboat Yatra made baladas cool again. —Raquel R.

‘EXOTIGAZ’ - A. CHAL
A.CHAL’s recently-dropped EP EXOTIGAZ wasn’t what fans expected from the Peruvian-born, Queens-raised R&B stunner. Opening his winter surprise with the steaming Miami club-style banger "TYPE," produced by Count Justice, signaled Alejandro Chal had cooked up a sizzling six-track appetizer distinct from the hazy GAZI style of music he’d built his name around. The project, which blends his sultry vox with trap low thumps and slowed-down urbano ritmos, is a quick teaser to a full-length album the artist plans on dropping in the first months of 2019. But it’s not a compilation of unsavory scraps that didn’t make his forthcoming LP. With its pivot to Latin trap and reggaeton, influenced by Chal’s time in Caribbean scenes across Miami and Uptown New York, EXOTIGAZ is a delectable bite-sized treat.
In "DÈJALO," a base-heavy jam produced by Phil Mic, Chal seesaws between English and Spanish to boast about the changes that have come with his thriving career. “Dèjalo, they don’t last in this sh*t / Back then, I would laugh at the sh*t / Reggaeton, now I dance with your bi**h / Wax on, I advanced everything,” he sings in the chorus, returning to his signature tranquilized style. Teaming up with Caribbean heavyweights like reggaeton producer Tainy and trap beat-maker Rvssian, Chal also delivers urbano bops that can play seamlessly between Ozuna and Bad Bunny hits. "000000" (pronounced six zeros), an earworm—crafted by the Puerto Rican hitmaker—about getting over the girl who paid Chal little attention before his music blew up, is slated to be a lento-reggaeton chart-maker. While “EXOTICA,” a flex joint produced by the Jamaican trackmaster, will enliven every winter club and party like it’s summer in ‘99.
At just 18 minutes long, EXOTIGAZ is a welcomed whiff of the intoxicating smoke Chal is breathing into the globally-addicted Latin urban music scene. —Raquel R.

‘Gourmet’ - Orishas
Gourmet comes off triumphant for Orishas. The Cuban hip-hop veterans fifth album is their first release in ten years since 2008’s Cosita Buena. With its members resting their influences in Paris, Spain and Cuba, the album represents this and then some with featured guests like Melendi, Venezuela’s Franco De Vita, Silvestre Dangond, Beatriz Luengo, Yomil y El Dani, Madcon, Jacob Forever and the multiple Latin Grammy winning pianist Chucho Valdés. The worldly combination brings the album title full circle as the album is meant to be a hefty feast for the ears and mind. “Havana 1957” takes us in time to an unforgettable love with help from Luengo and Valdés. There’s also “Bembe” and “Muévelow (feat. Madcon)” that immediately grab you the waist and inspire you to groove.
But don’t get it twisted, the group’s political undertones shine on tracks like “Pienso en America” which loosely translates to “What I Think of America.” As social injustices continue to plague to the 50 states, it’s not lost on the musicians as they highlight the country’s redundant push for diversity while tearing migrants apart. Gourmet is a strong comeback for Orishas and a reminder of the many great faces of hip-hop outside of the U.S. —DT